Blue and white as the time -founder of Chen Yunkai, founder of blue and white water dividing water in Jingdezhen

Chen Yunkai

Jiangxi Province First Ceramics Master

Jiangxi Provincial Senior Arts Artist

National Craft Level Artist

Pottery artist

Born in Jingdezhen in 1962 and graduated from Jingdezhen College. Member of the China Arts and Crafts Association, Executive Director of the Jiangxi Overseas Chinese Federation Culture and Art Exchange Association, executive director of Jingdezhen Overseas Friendship Association, Director of Jiangxi Ceramics Industry Association, Director of Jiangxi Provincial Arts and Crafts Association, Executive Director of Jingdezhen Artists Association, member of the Hong Kong Artists Association, The inheritor of the blue and white water division intangible cultural heritage, the founder of the blue and white water sibling snow scene.

Since childhood, he loves ceramic art. In 1980, he studied blue and white, pink, and new color techniques from the Chinese arts and crafts master Huang Sanjiu. Based on the skills, it has become the founder of blue and white water snow scene painting, which further extend the blue and white water splitting craftsmanship. He is good at the creation of the characters, flowers, birds, landscapes, and abstract comprehensive decorative works he is used. The modern ceramic style reflects the extraordinary artistic charm.

Master Chinese Arts and Crafts Master Huang Sales Nine Questions

Blue and white

——Error Chen Yunkai, the founder of Jingdezhen Blue and White Snow Snow Painting

Porcelain Painting

In 1962, Chen Yunkai was born in Jingdezhen, Jiangxi. Under the influence of the ceramic art atmosphere of Jingdezhen, he has hobby painting since childhood. After taking the Jingdezhen College in the post, he received regular professional training. The college's study was colorful. Whether it was the pen, bird, birds, landscapes, characters, painting theory, and history of painting. In order to develop further at the level of ceramic painting, in 1980, the teacher learned blue, white, pink, and new color techniques from the Chinese arts and crafts master Huang Jiujiu, which won the true biography; On the basis of inheriting the technique of blue and white water, it has created a blue -and -white water -sized snow scene painting technology, becoming the founder of blue and white water -splitting snow scene painting.

Blue and white watery snow scene painting

Innovation

"In the same time, the pen and ink must evolve and change, develop and innovate, so that the generosity and inclusiveness of artistic language have a higher profound cultural concept." As a porcelain painter, he attaches great importance to the combination of pen and ink kung fu and ceramic craftsmanship. Blood and white and white water and comprehensive decoration are integrated. The first is the update of concepts and aesthetics. At the same time, it must be innovative in artistic conception, composition, color and image. "Porcelain painting can draw on the perspective and color of Western painting, but ceramic is the national essence of the Eastern nation. It has its own artistic system and the relationship between the inheritance of the context. His porcelain painting works use the expression of Chinese painting and combine the ceramic blue and white water dividing process to form his own unique appearance.

The "five colors of ink are divided into five colors" of Chinese paintings are similar to the "five colors" of blue and white water. The rendering on the Chinese painting is called "splitting water" on the blue and white. It is different from the painting on the mud and the painting on the mud. The painting on the paper can be seen on the paper. Only after firing can the effect be seen. Chen Yunkai's large area of ​​water (more than one foot with a large area) can be achieved from thick to light. The materials are divided into five colors, and they are integrated. In addition to the "division of water", the lines are used as the bone, and the lead line drawing and folding the reed drawing are commonly used. The lines are round and energetic. The lines are like a snake -like dragon, galloping in the rustic cloud water.

His blue -and -white watershed snow scene paintings often use elements such as small bridges, farmhouses, domestic dogs, fruit forests, and distant mountains. His works are good at "planning white and guarding black", and often have a sense of "painting is painting, no painting is also painted". He makes full use of the unique performance and richness of blue and white water to set off the snow scene The method of light and shadow treatment, focusing on showing the scene of the countryside of the countryside, giving "leaving white" to the unprecedented anger and connotation.

Blue and white watery snow scene painting

Source of art

Life is the source of creation. Jingdezhen's natural environment and habits of life. The excitement of the excitement of the snow scene in childhood is vivid, giving him Tao Yu and moisturizing. "Dao" is integrated, and the performance of porcelain painting through "skills" and "art" is fully expressed.

He showed his thoughts through the spiritual situation of the subjective mood and objective and natural scenes. For example, the work of "Dog Calling the Guest", showing poetic idyllic snow scenes through freehand methods. Snow wrapped the mountains as a morning makeup bride with a vivid smile, and the small bridge flowed with music -like rhythm. Use the combination of drawing and 合 to express the aesthetics of the blue and white waters of water in the sloppy ridge. It uses the combination of Chinese and Western to balance composition, blur some scenery, opens the level between objects, and increases the dynamic of the picture. It seems that the literati is poetic and painted, and the artistic conception is deep. Let the readers have room for imagination, so that people can enjoy "renewal and reverie", this is the top product.

Blue and white watery snow scene painting

Jiangxi is a good place, and the mountains and rivers are like galleries. The beauty of Jingdezhen cultivated Mr. Chen Yunkai's love for nature. The infinite natural beauty deeply rooted in his mind and existed in his paintings. He is full of humanities and pride depicts the beautiful and beautiful paintings, telling the new chapter of humanities in the era of Chinese landscapes, writing the spirit of Chinese landscapes in the philosophy of Confucianism and Taoism.

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