Colorful Shijiazhuang non -heritage shopping festival 丨 Xinle Stone carving: give a square stone new life

Colorful Shijiazhuang, non -heritage beauty. Shijiazhuang City, hosted by Shijiazhuang Culture, Radio, Film and Television and Tourism Bureau, Shijiazhuang City, which is organized by the Cultural Radio, Television Sports and Tourism Bureau of Shijiazhuang City, 2022 "Culture and Natural Heritage Day" and "Colorful Shijiazhuang • Non -Heritage Festival" event on June 5th opened on June 5th. Intersection The event is mainly the venue of Qiaoshuang District of Shijiazhuang City. Focusing on the key objects such as non -heritage workshops and old -fashioned samples, the counties (cities, districts) of the city are combined and online and offline. Various new media platforms, in the form of short videos, live broadcasts, and exhibitions, focus on displaying various high -quality non -heritage resources in Shijiazhuang.

From June 5th to June 18th, the event will launch a exquisite poster daily to display Shijiazhuang's non -heritage projects. Today, let's understand the representative project of Hebei provincial intangible cultural heritage -Xinle Stone Carving, feel the infinite charm of non -heritage, and share the beauty of non -heritage.

Stone carving has a long history in my country. During the long old and Neolithic period, stone equipment processing was a means of making a living of primitive ancestors. After thousands of years of human exploration and development, it has been endlessly inherited as folk crafts, and has become the most important part of ancient Chinese sculpture art. Stones commonly used in stone carvings include granite, marble, bluestone, sandstone, etc. The quality of the stone is hard and strong, and it is the main material of large -scale commemorative sculptures. Stone carvings include garden stone carvings, palace stone carvings, temple stone carvings, architectural stone carvings, stone bridges, monuments, characters and other classifications.

The art of Xinle Stone Carving was born earlier. In the Han Dynasty, Xinle Stone Carving had been embossed, and it had developed rapidly in the Sui and Tang dynasties. According to the historical records of the Taiping Huanyuji of Sui "Infanto", Huangshan can be used as epitaphs, so the villages of the mountains are multi -stone workers. The Han Dynasty was mainly used for architecture, mausoleum, and home door decorations. There were cemetery mural reliefs, stone beasts on both sides of Shinto, engraved text patterns on the monument, for tables, stables, tie horse piles, door pier, docks. In the Northern and Southern Dynasties, Buddhism was introduced to my country. The stone carvings were mainly based on Buddha statues. The works were mainly Buddha statues, idols, Luohan and other statues, as well as animals, flowers and birds, but the lines were rough. During the Sui Dynasty, it began to turn exquisitely and develop in a more mature direction. For example, the Anji Bridge of Zhaozhou, from the shape of the dragon, made up shortcomings, absorbed the exquisiteness of bronze products. During the Tang Dynasty, Buddhism reached its peak. The sculpting Buddha statue was thin and long from Wei Shi's face and figure. Essence In the Ming and Qing Dynasties, the construction of the door and the archway in various places made stone carvings applied to the building from the original epitaph relief. , Some use stones. Since the gate of the gate building was a representative building at the time, it generally had exquisite patterns and text, which greatly promoted the development of stone carving art.

The art of Xinle Stone carving focuses on the use of exaggerated techniques to make the characters and statues more lively, thereby achieving a more perfect state. The development history of Xinle stone carvings condenses the history of human socio -economic, cultural, cultural, and scientific and technological, and has important historical value for research on the historical stage of human development. (Edit Kong Siyuan sorted out)

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