Southern Observation 丨 "Understand Sanxingdui: Copper, jade, and ivory, tiger teeth in the sacrifice scene" exhibition opened at the Shenzhen Museum

On July 29th, the "Understanding Samsung Deda: Copy Sanxingdui: Copper, Jade and ivory, Huya" exhibition co -sponsored by the Shenzhen Museum and Southern University of Science and Technology, Sichuan Guanghan Sanxingdui Museum, and Chengdu Sands Site Museum. Essence The exhibition will continue to be exhibited until October 23.

The splendid ancient Shu civilization is an important part of the Chinese civilization with a variety of Chinese civilizations. Among them, the most exciting Sanxingdui sites and various precious cultural relics unearthed from the Jinsha site have always attracted the attention of the world. In 2009, the Shenzhen Museum held a large -scale cultural relics exhibition "Mysterious Gu Shu Kingdom -Sanxingdui and Sanzha's Treasure Exhibition". In recent years, the archeology of the Sanxingdui site has obtained a number of important gains. The new discovery of the number of cultural relics, the essence of production, and the strange shape are amazing.

This exhibition highlights the "small and fine". It focuses on the simulation of the reappeared Sanxingdui sacrifice scene. 15 pieces of cultural relics (sets) of the site museum, including 14 first -level cultural relics (sets). Among the first unit "Sacrifice", Bronze Liga stands in Gaotai, wearing a dragon -fitting coat, wearing "Tianmu Crown", solemn expressions, hands -on -minded people, as the main sacrifice; Bronze kneeling positions, bronze beast crown portraits, bronze kneeling and portrait, etc., are also small, and they are also neatly dressed, pious and solemn, as those who sacrifice. The second unit "Jianmu Tongtian" is used as a copy of the No. 2 bronze tree unearthed from Sanxingdui No. 2 sacrifice pit as the core of the display, showing that the ancient Shu people conveyed their thoughts to Shangtian through the god tree. Human -faced birds fly between the sacrifice and the bronze tree, showing the association between the sacrifice and the god tree, which is an important proof of "building wood". The third unit, "The sacrifice", is represented by the sacrifice with vertical masks, drum masks, etc., and its biggest feature is that it is suspended or standing at a high place, and does not show physical movements. The three units showed the Shu sacrifice scene three thousand years ago.

Through the exhibition scene simulation and precious unearthed cultural relics, citizens can appreciate the essence of the ancient Shu nation's sacrifice culture, and feel the communication and integration of bronze civilization in the Yangtze River Basin and the Yellow River Basin.

(Figure: Sun Haiyan)

Responsible editor: Zhang Jiayi

- END -