Chuan Tuotuo's inheritor Ma Jian: Chenggu Tuo's new inheritance cultural mission

This is a purple sand pot all -shape extension. On one side of the pot, there is a clear line of fish, and the other side is \"more than the year\". This full shape is made by the built by the pioneer of Shouguang City, and the inscriptions on both sides of the Zisha pot were completed by well -known Chinese calligraphy and painter Han Tianheng and Chen Chuanxi. The combination of calligraphy and pornographic films suddenly gave this purple sand pot \"soul\", which made people unable to help it.

Passing skills are an ancient replication technology, a traditional method of preserving literature unique to my country. Essence Although the pioneer is a copy, it can reflect the original appearance of stone carvings and utensils in three dimensions. After integrating with modern culture, through the art processing of the creator, it can better show the status quo of the contemporary society. In Shouguang, there are not many enthusiasts, and 42 -year -old Ma Xingjian is one of them. He said that falling in love with this traditional skill is not only a respect for cultural relics, but also cultural feelings.

Ma Xingjian briefly demonstrated the process of spreading to reporters. He sticked and sprayed on the stone monuments on the printed stone, and after the ink and wrapped, a complete pioneer work was completed. \"Tongyin is like an ancient 'camera', which can better show the original spirit and cultural connotation of the original itself.\" Ma Xingjian said.

Ma Xingjian studied art majors. After graduation, he was assigned to Shouguang No. 7 Middle School as an art teacher. The art is colorful. After the lectures, Ma Xingjian has never let go of the transmission skills. In his opinion, the pioneer can be clear, complete, and accurately reproduced the charm and essence of ancient calligraphy and painting art. Not only have certain ornamental value, but also high collection value, academic value and artistic value.

At the comprehensive practice base of primary and secondary school students in Shouguang City, there is a passing practical course classroom with multiple pines on the walls. Hand. \"The stele, purple sand pot, jade, seal, etc. are all my 'creative tools'.\" Ma Xingjian said.

The purple sand pot pads mentioned at the beginning of the article are all -shape extensions, which is more difficult to operate than flat extensions. \"One is that it is difficult to put on paper, and the other is that ink color treatment requires the overall consideration of the morphological characteristics of the utensils, and the third is that the final artistic effect requires multiple attempts to complete it.\" Ma Xingjian said that the painting or calligraphy on the pot has been pioneered by the development system. It is more clear, not only easy to identify, but also have a little ornamental taste. Chuan Tuo seems to be very simple, in fact, it requires deep effort and experience. Ma Xingjian said that Chuan Tuo is a technical job, and he must master the strength of the hand, and it is essential to be patient and careful. Each link requires rigorous selection of paper, paper, ink, packets, and preservation, because it directly determines the quality and artistic value of the pioneer. As in the upper ink, the ink is too thick and it is easy to dip the propaganda paper, polluting the stone monument and other printing objects, destroying the unable to copy the cultural relics. The amount of ink is not enough, and it is difficult to extend the information on the utensil. When you unveil the Xuan paper, you must be very careful, a little bitIf you carelessly, the rice paper will be broken, causing the previous merits to be abandoned.

\"After being obsessed with uploading, I went to Henan, Hebei and other places to visit famous teachers, collect information everywhere, and buy various production materials.\" Ma Xingjian said that the pioneer is an important part of the history of Chinese cultural development. He has high academic value to study China's history and culture, so he is proud of engaging in this line.

The ink downship, the historical cultural context is condensed in lines and colors, intertwined into a glowing painting painting. The combination of traditional charm and modern innovation allows Chuan Tuotong's skills to carry deeper meaning and value. In order to allow more people to understand the transmission skills and make this ancient skill better inherit, in recent years, Ma Xingjian has spared no effort to spread the transmission skills. \"If it is in line with the market demand, it will have vitality and can get better inheritance and protection.\" Ma Xingjian said that on the way to inherit the art of passing, he will contribute all the forces to allow more people, especially for particular people, especially ones. Young people understand, love, and inherit this traditional skill.

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