"Art China" focuses on recommending contemporary outstanding artists -Wu Gang

Author:Boutique in calligraphy and pa Time:2022.07.31

Wu Gang, the word Bo Zhao, is a native of Mengmoshan. He was born in Pingxiang in 1936 and graduated from the Department of Art of Jiangxi Normal University in 1960.

Mr. Wu Gang's young school is profound, with Mingyue Mountain scenery and Yichun's famous victory as the main source of creation. In recent years, he has ended endlessly. On the basis of following the traditional legal degree, he is committed to the use of "pen and ink as the times", rationally absorb some expression methods of Western painting, inject modern languages, see the skills in the vastness, find changes in tradition, and set out a single ink dust. , Lao Zi's puzzles have achieved artistic achievements that can be called Tao.

Mr. Wu Gang was drunk and painted, and always had a red heart, with the purpose of helping the gods, decisiveness, and fun. His landscape paintings have been incorporated into a life experience of more than 80 years, reflecting the hardships of the past century, reflecting his high Jiezhi, and his true intentions. It complements each other.

"Ziqi East"

"Chasing the Moon"

"Deep Mountain Out of Night Pearls"

"Fish in Yebei"

"Infinite Scenery on Dangerous Peak"

"Autumn Water and Long Sky together"

"Moon Night"

"After the Rain"

"Wildling Autumn Light"

"Murasame"

"Autumn"

"Autumn Water Long Stream from Hao Hao"

"Yunu Waterfall"

"Splendid Skill"

"Fanghua"

"Autumn Water Long Stream"

"Alpine Pinghu"

"Autumn Mountains and Autumn Water Autumn Qiqi"

Throughout the history of Eastern and Western art, nature has always been a love theme of artists. Compared with Western traditional paintings, more and more objective and natural paintings are mainly based on the spiritual realm of Chinese painting and pursuing my two forgotten spiritual realm. This also reflects the Chinese view, world outlook and aesthetic taste. To this day, the civilization of the East and the West has accelerated the collision and blending, and traditional Chinese paintings are facing unprecedented difficulties and challenges. In the face of mature and solidifying themes and the peak of the art of ancient people, the space that future generations can exert are not large. Therefore, it is precious to draw nutrients from the ancients of the ancients and use it for my own artistic practice. It is precious that artists who explore a mature art language are very precious. Mr. Wu Gang is one of them.

Editor in this article/Ye Hengyang

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