Entering Mr. Pingwa's "upper study"

■ He Wu

One day in the midsummer in 2021, the editor -in -chief of Ling Qi took us into the "study room" of Mr. Jia Pingwa, a well -known writer.

Ling Qi is a disciple of Mr. Jia Pingwa, and then editor -in -chief of "Southwest Literature" magazine. Going to the study is Jia Lao's study.

When I stepped into the study room, a sandalwood came. But seeing a group of people signed around Teacher Jia. Jia Lao owed himself and smiled and motioned for us to sit for a while. All kinds of Buddha statues in the room, pots of pots of large and small, and other antiquities unearthed, squeezed around the study, seem to keep the ancient people's temperature.

As I thought about it, a refreshing fragrance hit. Jia Lao sent the guests and brought us hot tea. Drinking a bite, the late Tang poet Lu Tong Lu Tong's "Seven Bowl Tea Poems" mentioned in the throat kiss, lonely, and searched for intestines.

It is a quiet and beautiful enjoyment to talk about tea in the study and talk about things outside the book.

After a while of greetings, Ling Qi took out the manuscript of "The Interpretation of Jia Pingwen Prose" co -authored by Mr. Xiaoxia. Ling Qi and Jia Lao exchanged more than ten topics and had a good talk. Jia Lao asked us from time to time. He has repeatedly emphasized that writing must have a sense of true feelings, and he cannot be worried about the new words, and he must not be enough to go to close the door to build a car with a subjective imagination without leaving the house. When Mr. Xiaoxia mentioned the style and direction of prose, Jia Lao seriously warned: Now most of the prose is trivial, the writing is weak, and there are articles such as "first wife" and "first mother". Either only pay attention to personal feelings, pursue gorgeous forms, and move towards beauty, which has little effect on the entire society and the whole nation.

Jia Lao talked hard, his eyebrows were good and simple. He lit a cigarette and went to the study for a moment. Following the soaring smoke, the "shrugging shock" on the front wall was dazzling.

Jia Lao was busy signed the book that we brought us, and there was an episode here. He wrote the title of his daughter He Dan's inscription, and seemed to write the word "Pan" as "Bo". It was not easy to confirm. Teacher Shunzhi, who was his peers, whispered: "This is everyone's style." But I still confessed my doubts. Jia Lao apologized and signed again.

Following the fragrance of Hanmo, we came to another study on the second floor with Jia Lao. The legendary calligraphy was full of eyes. Jia Lao's good face was "weird": the creative process cannot be recorded, and you can take pictures after writing. He looked freely, with a pen like a bone, soft and tough, and seemed majestic and smooth. After a while, the words "Tangyuan Fu" and "above the Vibl" jumped on the paper, and the eclectic strength was transparent to the back of the paper.

Seeing Jia Lao's trip, made a knot in a pleasant group photo, left a laughter, and took away the rich aroma of the study room.

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