Deep products 丨 Talk about the new highlights of the 19th "Top Ten Boutique"

A total of 39 exhibition projects of the Top Ten Exhibition of the National Museum of the 19th National Museum were shortlisted and finalized, including historical, cultural, art, revolutionary commemorative, and natural types. These exhibitions focus on the new trends and highlights of the development of the exhibition industry in my country.

The victory of the people -History Exhibition of Huaihai Battle

The overall situation is more clear. Compared with previous years, the number of exhibition cases with major national strategies, major national cultural projects, and relying on important world heritage resources and greater influence. For example, in conjunction with the "Chinese Grand Canal Museum permanent exhibition", which cooperates with the construction of the Grand Canal National Cultural Park, it echo the "Special Exhibition of Bronze Civilization of the Yangtze River Basin" in the construction of the Yangtze River National Cultural Park. : Song and Yuan China World Marine Business Center "and the" Basic display of the Chengjiang Fossil Land World Natural Heritage Museum "based on the construction of the only paleomantic fossil world heritage land in Asia. These exhibitions, while telling the connotation of cross -regional and large -scale cultural heritage, also highlight the characteristics and resource characteristics in visual language and expression, so that the exhibition has both macro and micro vision, commonality and personality characteristics, knowledge and narrative presentation, not only Help the audience understand the full picture of cultural heritage, and it is also easy to establish a sense of closeness and identity with them.

Xiang Haituqiang -Basic display of the history of the People's Navy

Collaborative linkage is more three -dimensional. In the shortlisted projects, the scale of the inter -museum coordinated continuously expanded. For example, the Sichuan Museum's "High Mountains and Waters, Water, Water, Wife, Wife, Large Flow Sky — Bronze Civilization Special Exhibition of the Yangtze River Basin" linkage 48 units, covering multiple regions in the upper and lower reaches of the Yangtze River. Regional and large collaborations are rare. And the "Unknown Mind: Dragon Gate Cave Art Dialogue" of the Shanghai University Museum is based on the dual educational functions of colleges and universities museums, open up the full chain of the cultural blog teaching, museum internships, and museum curation, and provides novelty for the joint business linkage and resource integration of colleges and universities museums. sample. At the same time, some museums carefully planned the organic combination of exhibitions with the overall environment of the museum, providing audiences with a more integrated, differential and immersive experience. The Chinese People's Liberation Army Naval Museum uses the concept of "breaking the border and the global display", and the overall planning of indoor, outdoor, land, and sea area is exhibited, so that each inch of space is the exhibition hall.

Cross -border integration is more deeper. In recent years, the concept of "cross -border" and "museum+" has been heating up, promoting multiple forces to help the innovation and development of museums. In the finalists, this trend continued to deepen. At the narrative level of the exhibition, Zhejiang Natural Museum "Fulu Shouxi · Beautiful Life -Chinese Auspicious Cultural Special Exhibition" explores the cross -border integration of natural specimens and historical cultural relics, explaining the auspicious connotation of historical relics from a natural perspective, through animals, plants, cultural relics, and cultural relics Fulu Shouxi, showing people's different expression of auspicious culture. At the level of exhibition construction, the Sichuan Museum jointly organized the exhibition jointly, attracting 14 companies in the cultural tourism economy, creative industries, and big data to participate in support. "Wannian Yongbao -China Pavilion Cultural Relics Protection Achievement Exhibition" actively links Peking University, Beijing University of Science and Technology, Shanghai Academy of Sciences Shanghai Optical Machinery Institute, Huawei Technology Co., Ltd. and other cultural relics protection institutions and leading technology companies. These new actions of cross -border integration have further enlarged the value of museum exhibitions.

Digital empowerment is more mature. Compared with previous years, we can adhere to the principles of moderate and applicable, fully grasp the relationship between theme content and technical means, and significantly increased the combination of digital technology application with the theme narrative and promotion of the personalization of exhibitions. The "boat on the canal" of the Yangzhou China Grand Canal Museum adopts digital media immersion technology in the main narrative, providing the audience with the experience of visiting people in the painting. Show the world's hundreds of states and life appearance on both sides of the canal, and achieve the effect of reasonable and natural integration of traditional exhibitions and immersion experience. "The victory of the people -Huaihai Battle History Exhibition" from the people's cognition and the expression of things, the whole factor creates the time and space and spiritual field of the campaign, through "66 instantages", "pro -calendar", "counting the Huaihai Campaign" " Digital display projects such as the emergency army experience "" small cart "," super -scale map ", etc., so that the audience seemed to be in the battle of the year, experienced the revolutionary spirit through time and space, and strongly resonated with the great theme of the" victory of the people ". (Mao Ruohan)

Edit: Xiao Weibo

Review: Zhang Shuo

Final trial: Li Wenchang

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