Huajiao Daxian Share "Tianjin Museum Collection Ming and Qing Painting Boutique Exhibition" Songjiang Painting School

Author:Music club Time:2022.08.10

Even though the rhyme is five hundred years

Tianjin Museum Tibetan Ming and Qing Painting Boutique Exhibition

Zhejiang School of the Series Appreciation

Flower Foot Daxian Sharing

Preface

The Chinese paintings of the Ming and Qing dynasties continued to develop and evolved on the basis of the Song and Yuan tradition. With the gradual stability and prosperity of society and economy, culture and art are becoming increasingly developed, and some regional -centered painters and genres have emerged. Each painting school often forms a group of painters under the direct or indirect influence of one or more representative painters. They may have a teacher -in -law relationship in painting, or have similar artistic styles and aesthetic tastes. Power of direction. This is also a major feature of Ming and Qing dynasties.

During the Ming and Qing Dynasties, there were many paintings. The exhibition selected "Zhejiang School", "Wumen", "Songjiang", "Wulin", "Jinling", "Anhui", "Lou Dong", "Yu Shan", "Changzhou", "Yangzhou", "Yangzhou", "Yangzhou" "," Sea "and other eleven paintings were displayed. It is hoped that the process of the development and evolution of various schools of paintings is intuitive, while outlines the overall appearance of Ming and Qing Dynasties.

3. Songjiang Painting School

In the late Ming Dynasty, the painting world was the most influence of the "Huating School" represented by Dong Qichang. At the same time, the "Su Song School" led by Zhao Zuo and the "Yunjian School" headed by Shen Shizheng all focused on antique and paid attention to the rhyme of the pen and ink. Therefore His home was Songjiang Prefecture, so it was called "Songjiang School". His paintings are mainly landscapes, and the style of painting is used to take the Fa Song and Yuan family. The performance of Mo Yun is focused on the performance of the literati painting. The painting practice of Dong Qichang's painting and the painting "North and South Zong" and a series of literati painting theory have a profound impact on Chinese painting in the Qing Dynasty.