[Art Say China] Contemporary Artist -Liu Wenqing's works appreciate

Author:Boutique in calligraphy and pa Time:2022.08.14

Liu Wenqing, Zi Zichun, No. Mo Nong, a city of Xiangxiang, Henan, a member of the Chinese Artists Association. He is currently a professor at Zhejiang Media Institute, Dean of Zhejiang Media Painting and Calligraphy Research Institute, Deputy Director of the Arts Professional Committee of the Zhejiang Artists Association, vice chairman of the Zhejiang Traditional Culture Promotion Association, and deputy director of the Art Professional Committee of the Chinese Film and Television Technology Society.

In 1999, he was awarded the "99 Chinese Painter Painter" by the Chinese Federation of Literature as the Federation. "2012 Chinese Innovation Chinese Painting Artists".

He has been engaged in art creation, teaching and theoretical research for a long time. He is good at Chinese painting characters, and has both work and work. Since the mid -1980s, the works have been selected as the seventh National Exhibition in the country, and more than 90 art works have participated in the provincial and national exhibitions. Among them, more than 20 national art exhibitions sponsored by the Ministry of Culture or the Chinese Artists Association and other government agencies were held in the Zhejiang Art Museum, Henan Museum and other places more than 20 times.

Published "Liu Wenqing Painting Collection", "Liu Wenqing's Chinese Painting Collection", "Focus on Focusing · Contemporary Chinese Painting Masters -Liu Wenqing", etc., and the Five Chau Communication Center of the State Council's Five Chau Communication Center filmed "Interview with the famous Chinese contemporary painter -Liu Wenqing", CCTV, Henan Satellite TV, Henan Satellite TV , Zhejiang Satellite TV, Zhejiang Education Technology Channel, Hangzhou TV Station, and Zhengzhou TV Station repeatedly shot special films and news films for reports.

Li Taoyi Li innovative image, Huiguang Dujue wrote spring and autumn

——Liu Wenqing's figure painting art interpretation

Text/Zheng Zhu San

(Member of the Chinese Literary and Art Critics Association, Member of the Chinese Artists Association, the librarian of Zhejiang Literature and History)

Seeing Jun's husband fighting for goodness, Xi Zuo was shocked when he felt. This is the first feeling of reading Professor Liu Wenqing. When we walked into the studio of Zhejiang Media College of Professor Liu, the atmosphere of Wenhan, the fragrance of the literary and artistic, and the Park Mao of the literary sentiment came together. From the talks, it can be seen that Professor Liu Wenqing is a purely literary and sentimental person, because the three sentences are not separated from art, and they are everywhere. Artists with such humanities should be confidant and old.

The so -called good fighting for the monarch is that I feel that the art of Professor Liu Wenqing is surprised to me. Because he was a well -known journalist, and at the same time he was a famous Chinese painter. The road of unified artistic creation is naturally difficult and profound thinking, and even perseverance and wisdom. Therefore, in the calligraphy of the calligraphy, he was inspired and publicized in Professor Liu Wenqing's art, and then obtained an important place in the field of Chinese figure painting.

I appreciate Professor Liu Wenqing's Chinese figure painting art about Wen Han.

First, reason is to follow. This reason is the cloud, and Liu Jun's character painting enters the painting in accordance with the law. The law of rationality refers to the shape of Liu Jun's figure paintings that are extremely rigorous and ruled. This is an advantage and quality of the college painter. Some of it should come from Western painting. This is the French style of modern art and one of the shortcuts.

Professor Liu Wenqing's high -quality figure paintings are the fourth generation since the New China. The first generation was Xu Beihong, Lin Fengmian, Fu Baoshi, Shilu, etc., the second generation was Huang Yan, Zhou Changgu, Fang Zengxian, etc., and the third generation was Wu Shanming and Zhou Sicong. This fourth -generation new Chinese figure painting has become the mainstream of our era. Representatives such as Wang Zan, Wei Xiaorong, etc., of course, the artistic achievements of Professor Liu Wenqing are ranked among this high -end large group.

Second, self -cultivation. This passage here refers to the "pen and ink" that Chinese painters must cultivate. This way of pen and ink is one of the cores of Chinese painting. It is different from the Western linear form. And Jianjian Anna's routine. I look at Professor Liu Wenqing's character paintings. Its pen line has the atmosphere of Chinese calligraphy, such as the rigidity, slowness, denseness, reality, and even frustration of the strokes. The rhythm of this free line is the rhythm of ink rhymes, and it is all staggered with the character of the character. The vitality, naturalness, and fittility constitute the art chapter of the painting of ink and ink character with Professor Liu Wenqing. Without Chinese -style pen and ink, there is no cultural connotation of the nation. Professor Liu Wenqing's Chinese painting is because of the orthodox Chinese brush and ink language, and he has a silk national cultural language. If his pen and ink language is more personalized, the higher his artistic achievements. Professor Liu Wenqing became more and more mature in Chinese pen and ink language, and became more and more self -achieved.

Third, honest and glory. As Professor Liu Wenqing of Zhejiang Media College, he is an art educator and an outstanding Chinese painter. Artists with dual identities, their academic, knowledge, and mind are more broader than those who focus on individually. This is a knowledge of knowledge. Because Liu Zhiyi can be changed, it is also easy. Changing the weather is magnificent, easy to get the art of art. The weight paintings can be thick, breadth, and quiet. I admire the reasons of Professor Liu Wenqing's paintings, and it is based on this art fulcrum; so Liu Zhiyi has a pen, size, freehand, color ink, and can be briefly conquered, or to make it with complications. In the case of Liu Zhiyi, Liu Zhiyi presented "the sparse place can go to the horse, the dense place does not ventilate, and often counts white to be black, and it is a bit of fun." (Deng Shiru). Liu Zhiyi can be made with "change" and "easy heart", and it is because of its educational and educational knowledge that has a far -sightedness of life and education. This far -sightedness is his solid portrayal for art, and this degree is him. Fine arts photo for tradition. The two of these two constituted Liu Zhiyi's art to make a successful art. Second, foreign teachers make them. "Foreign teachers are created, and the hearts of the heart" are the words of the Tang Dynasty. This aesthetic has achieved many good masters of all ages, and Professor Liu Wenqing is even more important. Foreign teachers are natural, earth, and people, and the creation of the creation is the melting and creation of the author's opinion. As the leader of contemporary young people, Professor Liu Wenqing is based on the creation of nature, the character of the living as the criterion, and the style of the times as the humanities. Those who make a foreign teacher may not be able to get the heart, because the key of the latter is that the cultivation of mental and talent is the top priority. Professor Liu Wenqing has participated in domestic and foreign exhibitions many times in decades, and has won many re -prizes and awards. His qualifications for creating art are also unusual, and his display of aspiration in his chest is more organic. All this builds Liu Zhiyi's practice of true knowledge, and this dialectical rule of true knowledge. Because of the achievements of Professor Liu Wenqing's Chinese figure painting, it mainly comes from the era of peaceful and prosperous literature and art; of course, it is even more of the artistic fruits of the art of the soul and the society, and embrace the natural art of nature. So Liu Zhiyi sublimated, and he had a heart, and gradually became a traditional modern self -style.

The many Chinese figure painting arts of Professor Liu Wenqing of Zhejiang Media College of Zhejiang Media, we can see that their art is sunny, and its spirit is upward; more importantly, under the leadership of Liu Zhiyi and upward, it is presented to people: Liu Zhiyi is generally generally With the cultural value of one -dimensional "Guangde" and "Lao Tzu". Because human beings need sunlight, it is even more upward, which is about human instincts and nature. People are humans who enjoy the sun, and are humans who are pursuing upward. Professor Liu Wenqing expresses these two instincts and natures of humanity, expressing it, expressing it, and expressing good for Chinese Confucianism, interpretation, and Tao culture in art. Professor Liu Wenqing is kind and upright, with art and cultivation, and the image is beautiful. This is a positive representative of a contemporary art educator and the cultivator.

We call on our country's artists to take the road of orthodox, that is, the path of traditional, inheritance, and paid; that is, the image of life, pen and ink, and innovation; I hope that Professor Liu Wenqing will have more pictures of peaches and Li, and in the future of Chinese figure paintings and education. It is for hope!

Guisi November Daxue Day in Qiantang

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