The style of the inheritance of Wenmai | "Mountains and River Range Rover" mural creation talk

The Chinese National Edition Pavilion is the national version of the general database and the Chinese cultural seed gene library. It will be permanently preserved. Civilized dialogue. According to this historical positioning, the Central Propaganda Department invited the domestic professional team to take the architectural design of the Chinese version of the Chinese version. A group of buildings with classical Chinese nation -style buildings fell on the foot of Yanshan. The building's pavilions and mountains and rivers are blended with landscapes, the characteristics of the hidden phase, and the characteristics of the combination of the murals of the museum. Improvement.

▲ Shanhe Range Rover (mural) Cheng Xiangjun in 2022

The large -scale propylene heavy mural "Mountains and River Range Rover" is designed according to the requirements of the Central Propaganda Department's quality of the mural creation, based on the positioning of the Chinese National Edition Pavilion, and tailor -made according to its architectural style and the interior design characteristics of the first building. This large -scale mural with a width of 12.7 meters and a height of 6.3 meters is the largest public art work in the building complex of the National Pavilion of China. In the early stage of the construction plan, the initial plan of the interior designer prepared to use the decorative technique of color stone relief to create murals. However, due to the limitation of the engineering cost and the creative cycle, the implementation plan of the mural was adjusted. After rigorous research and professional demonstration, my mural design and painting draft "Mountain Range Range Rover" was selected.

The relationship between murals and architecture should be clear. In accordance with the positioning of the Chinese National Edition, architectural design and planning requirements highlight the beauty of the Chinese trial. There must be Chinese characteristics and Chinese style. This design concept provides creative directions for murals. As a space art, murals are relatively independent, obeying the limitation of architectural style and space environment, and also supplement the two; as a visual subject in the architectural environment, murals must reflect the will and pursuit of the architect. In this way, whether the mural style is suitable for the architectural environment, it becomes particularly critical. Still grasp the aesthetic spirit of murals. In my opinion, this mural creation is not the surface transplantation of traditional painting, and it should reflect the aesthetic pursuit of the new era. Therefore, to create murals with comprehensive expression methods: choose the "three far away" method in the performance of traditional Chinese landscape painting, and multi -dimensional horizontal large span to express the regional mountains and rivers. The unity and depiction, such a mural not only adheres to the Chinese classical painting style, but also reflects the aesthetic direction of the times.

In the Song Dynasty, Guo Xi defined the "three far away" methods of landscape painting in the theory of painting theory of painting: "There are three fars in the mountains: from the mountains and the top of the mountains of Yangshan; From near the mountains and the mountains are the same as far. "" Sanyuan "method is a kind of time and space view, painting the scenery in different perspectives such as looking up, overlooking, and looking up, and breaking the habit of painting in general painting with a viewpoint, that is, focus perspective perspective Observe the limitations of the scene. The "Sanyuan" method can show the broad scenes and solve the problem of horizontal composition of murals. In this way, the famous mountains and rivers of different geographical orientations can be reasonably arranged in accordance with the principles of balanced composition and highlighting the key points.

The implementation of mural composition requires the construction of the artistic conception. In order to make the murals match the architectural style and interior design characteristics of the Chinese version of the Chinese version, I borrowed from the painting expression and traditional coloring techniques of Chinese painting to depict the images in the murals. Chinese paintings are self -made independent systems in the world of art, and landscape painting occupies a considerable amount in the history of Chinese art. As a result, in the space environment of modern buildings, what kind of artistic form should traditional landscape paintings be presented? This causes my thinking. Judging from the artistic conception of mural painting, it can be traced back to the performance of ancient Chinese landscape painting. It has always attached importance to the expression of painting realm, pursuing the beauty of landscapes, and integrating Vientiane one. Li Zhaodao's father and son form an elegant and magnificent artistic conception with his golden green landscape painting style. From the perspective of the inheritance and development of mural style, especially since the founding of New China, traditional landscape paintings have been applied to the traditional landscape painting style in public building space. Senior artists have left a lot of works to provide demonstrations for future generations, such as famous painters Fu Baoshi and Guan Shanyue Yueyue The landscape painting "So many coquettish" created for the Great Hall of the People has become an immortal work in the history of modern Chinese painting; the School of Fine Arts of Tsinghua University has accumulated rich experience in the practice of public art murals. We have laid a solid foundation for murals. With the development of the times, how to stick to the creation of public art murals with the murals of the Academy of Fine Arts and carry forward it in the inheritance, and the new era has put forward new requirements.

The artistic conception and traceability of the work give me a profound inspiration. I choose the main images of the murals with typical representatives, three mountains and five months. Kunlun Mountain is the No. 1 Shenshan Mountain in China. It has been integrated with the nation in the 5000 years of wind and rain, becoming the symbol and symbol of the Chinese nation; the three mountains and five are all over the land of Chinese culture. The place is of great significance to the development of the historical and cultural development of the Chinese nation. Therefore, I will refine the image shape of the Sanshan and Five Months and shaped it. According to the geographical layout, the clouds are freely shuttled in the mountains and mountains. Space, which means the extensive and profound and long -sized mood of Chinese civilization. Color is the best support for mural artistic conception. The colors of traditional Chinese landscape paintings are mostly used in mineral pigments such as bluestone green, but the cold color materials have a certain restraint on the performance of modern murals. Based on the consideration of the environment, composition and artistic conception of the murals, the murals of "Mountains and River Range Rover" break through the color concept of traditional landscape painting, and use acrylic materials. temperament. The mural vision uses a rich warm golden color to depict the sunrise east, and gradually connects with the famous mountains and rivers through the clouds and sea. In this way, the elaborate painting language with ethnic style has formed a systematic construction, shaping the Chinese characteristics of murals, China, China, China Qi Pai is cleverly integrated with the architectural environment of the Chinese National Edition Pavilion.

After a systematic painting language planning, in order to better adapt to the space characteristics of the building environment, the creative team decided to choose a mural substrate for the use of lightweight, anticorrosive and moisture -proof and easy -to -preserved aluminum honeycomb plates to make a mural material. The creation of mural creation lays a solid material foundation. Considering the size, form (rectangular) and the environment of the murals, the aesthetic form of the traditional Chinese screen is used, and the aluminum honeycomb board is divided into 9 linked mural boards. Art effect. After the mural design plan was determined, the creative team immediately started drawing.

The mural "Mountain Range Range Range" of the China National Edition Pavilion No. 1 Building 1 is the large -scale lacquer mural "Great Wall" of the Chinese Communist Party History Exhibition Hall. The project has high standards for artistic quality and installation projects for mural creation. In addition, problems such as the rebound of domestic epidemic and urgency in spring have brought new challenges to mural creation. The creative team overcomes many difficulties, and it takes more than 40 days to complete the day. After the installation of mural installation, the artistic effect meets the design requirements, and it is harmonious and unified with the Chinese style of the Chinese style hall.

The successful completion of the creation of the mural engineering creation of "Mountain Range Range Rover" is another innovative attempt in my life: the artistic style of using traditional landscape paintings to express modern public art works -not only the inheritance of China's outstanding traditional art, but also to traditional Chinese art. New exploration of art modern transformation.

(The author of this article is a professor at the School of Art of Tsinghua University)

"China Culture News" on August 14, 2022

The 4th version published a special report

"The style of the inheritance of Wenmai -" Mountain River Range Rover "mural creation talk"

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Editor -in -chief: Chen Xiaoyue

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