Kim Kimu's "Three Reads" | Wang Guangsong

In the summer of the summer, reading Huang Dehai's "Reading · Reader · Reading: Jin Kemu Chronicles" (hereinafter referred to as "Chronicles"), unexpectedly thinking of a sentence in "Historical Records of Tai Shigong": "The scattered of all things Gathering in "Spring and Autumn". "

When I read this sentence before, I felt that it was unreasonable. This time it jumped out and lingered. Looking at the original text, this sentence was before: "Spring and Autumn" tens of thousands of Wen Cheng, its index thousands. "Later, in" Spring and Autumn ", 36 monarchs, 52 deaths, and princes must not protect their society. Those who are countless. "This can be said to be serious and continuously dissipated, and Confucius made" Spring and Autumn "to maintain the hard work of the world to collapse?

As for individuals from history, from political events to daily life, everything is scattered, and we can often experience daily dissipation. Huang Dehai said in the "Postscript": "Although there are many services, time is chopped into pieces ..." Time is fragmented, and it is likely to consume it, and chopping is consumption, life may be losing, but people are people, but people’s The checked is also here. We "can also write down in the gap in block, isn't it?" And, "With the deepening of writing, Kim Kimu's unique learning and thinking methods gradually gathered into a whole, exquisite, clear and changeable, I feel from it, I feel from it Encouragement is far greater than frustration. "

Kim Kemu is reading (Photo by Wu Bin)

I understand his learning and writing, as well as the inspiration from this, and frustration. "Chronicles" can be said to be a book of sorrow, which not only refers to the preach of the main Kim Kumu, but also pointed to the editor himself. What I am familiar with is not specific, but it is by no means an old impression, but a long -lasting, self -renewal force. Perhaps all the forces are condensed in the gaps of countless fragments, and the fragments are only the normal state of time. Therefore, we also have the possibility of stitching or condensing. Every moment in daily life, every moment is the past, present, and future stitching. As for what patterns to fight, they vary from person to person.

The compilation (stitching) of "Chronicles" is unique, or in view of "Zuo Zhuan". When writing, there is often a summary, and then attached to the materials (the note in the note). Taking 1943 as an example, it was 32 years old. The first sentence of the year's "Chronicles" said: "Start the Sanskrit." Then the two materials were made into a "pass", and they were taken from "My Childhood" translation postship and "Fan Zhu's cause -the cause - —— "Fanzhu Lu Collection> Self -preface". Looking at the words "Sanskrits in the beginning", it is simple and ordinary. After seeing the materials, I know that the materials are rich, and how much effort is contained.

Next, I wrote about Kim Kimu to Luye Garden to study the Vatican and read the Chinese translation of the Buddhist Tibetan. "Editing Record" wrote: "Sui Yimi (Faye Laoshun) Xi Sanskrit and Bali." This sentence is rich in meaning, and the materials are divided into several paragraphs. Consciousness, testing, listening to the "Pure Taoism", ascending, entering the room, entering the room, Xi "Bo You Sutra", international perspective, national self -esteem, Gandhi anecdotes, etc. Each of these nine paragraphs can be a group, which marked the growth process from shallow to deep, from individual, and even the world, just like refining Jin Kemu's life experience. This refinement is not just the refinement of the text and sentences. It is clearly a new life that grows from time fragments. In this sense, "Chronicles" may become "not fictional growth novels."

In 1944, the study experience of Kim Kemu was still very exciting. The youth Bhikkhu lectures, the old scholar with Sri Lanka chants Indian ancient poems, and the son of seeing the reward is Gao Shan must wait. In particular, at the end of this period of study, Kim Kimu learned from the young people. The "End of the Record" compiled three materials for this: Main Sanskrit exercises with young people, Bangladesh, who met Sanskrit from a young age, and Sanskrit. Learn Hindi with Sikkim Boys, and three materials are taken from "Luyuan Three Boys". In this way, Fang showed the unique learning method and its growth of Kim Kumu. This map is not only Kim Kimu, but also belongs to Huang Dehai. It can also be classified as readers. Although the specific life cannot be copied, the mental state of the ups and downs is always open. , Summon every latecomer who is interested in learning.

I was fascinated by Kim Kimu from 1943-1944. After that, I read the Chronicles of the Chronicles in 1949. "Since then, I read a book for a book." "There are only twice of the book, once in 1949-1951, the works of horse, En, Lie, Sri Ling, and Mao were read; the other was the first half of the 1940s (20th century). Translation of Buddhism. "I had a special" special reading "of his first" reading ", but did not pay enough attention to the second time. It was not until this reading" Chronicles "to correct it. In fact, these two "special reading" points to the two major joints of his entire life are two directions.

In October 1946, with Shen Zhongzhang, Cui Mingqi, Wu Xiaoling (from left) in Shanghai Hongkou Park

"Chronicles" divided Jin Kemu's life into three paragraphs, namely the era of learning, the age of the teacher, and the era of God, and roughly correspond to reading, reading, and reading in the title of the book. Reading is already over -the -object. As for God's tour, "the so -called infinite scenery is in his later years." In 1984, Jin Kemu published the article "Reading · Reading, Reading, Reading", and wrote: "I have heard of more things I have ever seen. I have learned a lot from those things. It can be said that it is also a book, maybe This can be called 'readings'. "As for" reading people ", he regards" obedient "as a kind of reading. In my opinion, this is also politics? In 1989, Qian Wenzhong's article "Smart and Scholars' Symbols" attracted one of the paragraphs. Jin Kemu asked the visitor if he could understand his book. I am academic, I am ××. "What exactly is this" ×× "? Quite thought. The answer seems to be in it, and the answer seems to be in it.

"Chronicles" in 1971 Jin Kemu's "Daily Life", which attracted his article "Calm is the text", saying, "I still miss the use of physical things without obeying people. The carefree happiness has an inexplicable fear for myself with my mind. At this time, I almost reached the high level of forgetting that the book is not much literate. The residual books in the house do not want to turn it over. I have left the 60 -year -old character life and entered the highest level of 'unparalleled' in a hundred -foot poles is my goal. "×× and academics are about Essence

My reading of Kim Kimu has been in the impression of "reading the book" in the past. This time, I made up for "not reading", deepening the understanding of "reading a book". The three eras, right? The world is not easy, time is broken, isn't reading luxury?

In the process of reading, thinking, and writing, my eighteen -month -old Erbao often came to me, and my little hand pulled me called "Dad" and asked me to hug. I put down the job at hand and played with her. I know that this is the time I am experiencing. Some interference does not become obstacles, or the degree of obstacles has been reduced as much as possible. I read like this, thinking, writing, completing this small article, as if there is also the possibility of editing time.

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Author: Wang Guangsong

Edit: Wu Dongkun

Editor in charge: Shu Ming

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