Mao Anying's 27 -character handwriting, the calligraphy is full of calligraphy, there is the style of the father

Seeing the handwriting left by Mao Anying's martyrs in a memorial hall, it makes people feel emotional. He wrote the two words "often study, study attentively, contact practical learning, learn, and learn with humbly." Expressing its learning attitude is extremely sufficient.

Mao Anying handwriting

Mao Anying can be called the generation of knowledgeable, ambitious, and culturally knowledgeable youth. This can be seen from the 27 words of his learning. It's a pity that the year is not fake, and a generation of elites fall.

This handwriting is particularly concerned about calligraphy. There are no relevant records and reports about whether Mao Anying has learned calligraphy. But it can be seen from this handwriting that his calligraphy is still very level.

Mao Anying handwriting

These 27 words have a lot of repeated words, but in Mao Anying's writing, both the changes and the harmonious and unified side. This should be a subjective change in calligraphy artistic. In terms of the knot of the word, the upper right is towering, the font is long and upright, and there is a positive gesture.

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Use the pen to decisively, capable, and absolutely do not drag water; use the ink thickness and light, and the change of virtual and reality is naturally based on nature. There is no doubt that Mao Anying has worked hard in calligraphy.

At that time, the hard strokes passed from the West were relatively popular, but as a traditional brush, it was still valued by many cultural people. They may not want to be a calligrapher, but the cultural genes rooted in the blood cannot be changed, and the brush characters must be cleared.

Mao Anying brush writing letter

Mao Anying's book traces were left very little. But in these rare books, it is not difficult to find that its calligraphy is related to Chairman Mao's calligraphy to a certain extent. Chairman Mao is a rare all -talented talent in modern times, and his accomplishments in calligraphy are extremely high. It can be described as a new style of romanticism.

If we compare Mao Anying's book trace with Chairman Mao's inscriptions, we will clearly see that the two are in the same vein in the use of pens and knots.

Chairman Mao's letter

For example, the word potential is made in diligence, and the character's posture is mainly based on the length; the pens of the pens are multi -use, the angle of the turning point, the thickness of the lines of the lines are very similar.

The most important thing is that the calligraphy of the two people in the temperament -highly, ups and downs, and strong dynamics.

The key to the study of calligraphy is to seize the spiritual temperament of the inscriptions. Just like our posts, why are some people who are like, and some people always do not look like.

Mao Anying Shuxin

Mao Anying's calligraphy does not necessarily study Chairman Mao's fonts. This similarity in temperament may be more from the appearance of temperament, mind, character, or a continuous inheritance of a cultural gene.

This kind of blood connection is from being born in nature, and it is not learned by the day after tomorrow.

Mao Anying Shuxin

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