The first national style candlelight market collected in Chengdu Kaishi to help the 4th Chinese Craftsman Conference to pass the ingenuity

Cover reporter Liu Kexin

The picture is provided by the organizer

On August 21, the first national style candlelight market was opened in Chengdu Landmark Architecture. As an important offline activity of the 4th Chinese Craftsman Conference, the market brings together Chengdu non -heritage representatives and more than 50 national style brands from all over the country. Through exhibitions, non -heritage experiences, craftsman conversations, etc. Ingenious journey.

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Close -range non -remaining

Face -to -face experience of ingenuity charm

Wood art, dyeing, leather, carving, national wind jewelry ... From 6 pm, various traditional handicrafts appeared on the cross -boulevard of people. The Jizhen City Collection specially adopts the method of electronic candles. At the same time as the low -carbon office, it has shaped a more romantic and unique sense of atmosphere.

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In Chengdu, a well -known historical city of non -heritage cultural heritage, it is natural to participate in the participation of non -heritage projects. This time, there were 20 Chengdu non -heritage projects came to the market site, including Shu Jin, Shu embroidery, Chengdu noodles, woodcarving, crickets, rope edits, etc. Tourists can not only enjoy various ingenuity works, and intuitively experience production production and production. In the process, the non -heritage charm is more deeply appreciated.

State -level non -heritage projects, Shu Jin, Shu embroidery, and Xinfan brown edits have appeared in the market. Shu embroidery is one of the most representative non -heritage projects in Sichuan, and has a history of thousands of years of historical precipitation in the line. Shu embroidery is longer than the delicate and vivid images such as embroidery, birds, worms, and fish. It is mostly the theme of hibiscus, carp, giant panda, etc., with rigorous and delicate, bright and flat, sparse composition, thick and round, and bright colors. The other non -heritage project with a history of thousands of years also appeared on the market. Shu Jinxing was in the Qin and Han dynasties and flourished in the Tang and Song dynasties. The pattern is symmetrical, the Quartet is continuous, the color is bright, and the contrast is strong. At the same time, it is also the origin of Chengdu's "Jincheng" and "Jinguan City". The new brown brown with brown leaves as the raw material has gone abroad as early as 200 years ago. It is well -known and bright in color. It is a folk handicraft known to women and children in Chengdu. Provincial non -heritage projects Chengdu Noodles and municipal project Chengdu knots have also attracted the eyes of many tourists in the market.

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In addition to Chengdu's local non -heritage projects, Beijing's original bamboo fish rods, Shaoxing rice wine and other projects also appeared in this market. Without going out of Sichuan Province, tourists can also experience non -heritage projects and handicrafts from all over the country.

Many tourists said that being able to see the craftsmanship process so closely is not only very magical, but also to experience the difficulty of craftsmanship and the necessity of technical inheritance.

Both artistic and practicality

The way to survive in traditional culture

"Buying and selling is the best protection, use is the best inheritance, and sharing is the best circulation." This is the always -unchanged attitude towards traditional handicrafts. "Be sure to let traditional culture enter the market, let everyone feel the beauty of traditional handicrafts from zero distance, and feel the beauty of traditional culture. We must make the inheritors of the craftsmanship profit here, and the craftsmanship will naturally not disappear."

The "Dongfeng Paper -cutting" of Ziyang City, "Dongfeng's paper -cutting", has given modern Chinese paper -cutting traditional art to modernized expression, and has successively developed three -dimensional paper -cutting lights and greeting cards, updating the public's perception of paper -cutting. At the scene of the Zhenzhen collection, Shao Lei, the second -generation inheritor of Dongfeng paper -cutting, said that although traditional paper -cutting has achieved high achievements in art expression, in the face of changes in the times, only continuous innovation can meet the needs of the public, so that traditional art can "live" "living" Go down.

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Relying on the spirit of craftsmanship, empowering traditional culture, and building a platform for craftsmen, this is also the original intention of the Chinese Craftsman's Conference. This conference moves traditional culture to the streets, and transmits ingenuity to the crowd in an immersive experience. Support cultural IP.

This conference also passed on love with ingenuity in public welfare. At the market site, there were organizations that helped poor families and disabled craftsmen selling handicrafts in the mountainous areas, and alliances based on traditional tea ceremony culture dissemination, as well as "repair cafes" that repaired the valuable and tenderness in interpersonal exchanges.

It is understood that in the future, the conference will also gather ingenuity and empower cities through exhibitions, forums, business -funded docking and other forms, providing important support for Chengdu's cultural industry development.

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