The green is not only this: Guangzhou Art Expo Hospital presents green and green landscape painting "past life and present life"

Text/Yangcheng Evening News All -Media Reporter Zhu Shaojie Intern Liu Tianqu Correspondent Yi Xuan Xuan Map/Huang Weizhe (except the picture of the work)

This year's CCTV Spring Festival Gala, a dance poetry drama "Only Green and Green" instantly stunned the country. The work brought the green landscape painting "Thousands of Miles and Mountains" to the stage, which also allowed the beauty of the green landscape painting to return to the focus of "national tide" again.

At the beginning of the birth of Chinese landscape painting, it was unique in traditional Chinese art with the appearance of "green and green".

On August 23, the "Green and Green Targery Specific Research Exhibition" exhibited at the Guangzhou Art Museum showed the masterpieces of the green landscape paintings of Lingnan.

exhibition site

The color of the exhibition is the medium, and the ancient and modern artists are raised, allowing ancient and modern artists to talk and collide in painting, explore the significance of traditional green landscape painting in the development of modern landscape painting, and the potential of traditional culture in contemporary innovation.

The exhibition will last until November 23.

How to produce green landscape painting

This exhibition is sponsored by the Guangzhou Art Museum and the Guangdong Provincial Museum. The academic support of the Chinese Academy of Painting of Guangzhou Academy of Fine Arts is selected as the "Exhibition Season of the National Art Museum in Culture and Tourism in 2022".

In the two museums, more than 40 pieces of more than 40 pieces of green landscapes in the Ming and Qing dynasties were used to use the audience, and the research of coloring as the starting point, and the "past life" of green landscape paintings was connected in series.

The secret of the color of traditional green landscape painting is the main adoption of natural mineral pigments such as stable and stable, firm stone green, stone green, stone yellow, cinnabar, vermiculite, lead powder, gold, silver and other natural mineral pigments, and Natural plant pigments such as anthocyan, vine yellow, and rouge depict natural landscapes on silk or rice paper, and their pictures mostly show the green and magnificent style.

Exhibit mineral pigment on the spot

The exhibition first introduces the materials and techniques of green landscape painting. In the form of real objects and pictures, it shows the pigments used in traditional green landscape painting and its hue. Create traditional green landscape painting works often goes through steps such as outline, multiple colors, and adjustments.

The exhibition invites Liu Wendong, an associate professor of the Chinese Academy of Painting of Guangzhou Academy of Fine Arts, to demonstrate the drafts of the green landscape painting steps. Through drawing and text explanations, the audience can initially understand how green landscape painting is created.

Blue and green landscape paintings had appeared as early as the Wei and Jin dynasties. The green landscape paintings reached prosperity during the Sui and Tang dynasties, and once occupied the mainstream position in the history of Chinese landscape painting. After the Song Dynasty, the green landscape paintings continued to integrate with the pen and ink, which ushered in revival and change during the Ming and Qing dynasties.

The exhibition will also display two classic green landscape paintings in the history of painting, and it will be displayed in the copy of the copy process to show how classic works are generated.

Jiangsu and Zhejiang and Lingnan dialogue green and green

The green landscape paintings in different periods and different regions were displayed on the spot, including the green landscape paintings in the painting world represented by Wen Zhengming, Qian Gu, and Yuan Yao, and the Lingnan green green with unique regional characteristics during the Ming and Qing dynasties gradually formed the Ming and Qing Dynasties. landscape painting.

The audience stop before Wen Zhengming's work

The curator Wu Bingli introduced that the green green landscape painting in the Ming Dynasty first appeared in the wave of retro, and then developed in the inheritance; although the Qing Dynasty landscape paintings occupied the dominant position by the painter painting, but there were still many "literati winds in ink painting as their bones and slightly green greens. The works of green landscape paintings, fresh and beautiful style.

"The addition of professional painters and painters and the sponsorship of the painter also brings new appearances and achievements to the Qing Dynasty green landscape painting."

Wen Zhengming's "Drunk Man Pavilion Painting and Calligraphy Paper" exhibited this time is nearly ten meters, which can be called the "standard parts" of green landscape painting. This work outlines the mountain cliffs with a vigorous and concise pen and ink, with dry ink dotmodes, and lit ink to outline the trunk and leaves, and apply light green and vermiculite. Essence

Wen Zhengming's other two exhibits "Chicken House" and "Lone Sail" are the two scenes in the volume of "Xiaoxiang Eight Scenery Pictures" collected by the Guangdong Museum.

Chunyan cluster Jin Tu (Qing) Li Jian

The "Spring Rock Cluster" by the Shunde of the Qing Dynasty was a masterpiece of the latter. This work is strong and unique in style. Unlike the traditional green landscape paintings, the emphasis on warm and cold color transitions, the painter's treatment of stone green and stone green stops abruptly when it is dyed somewhere.

At the close scene, the painter focused on the leaves of the two trees with stone green and cinnabar dot, forming a sharp contrast between blue and red. The conflict and contrast of color make the picture exaggerated and unique.

The presentation of contemporary green and green in Lingnan

The green landscape paintings have created the golden and splendid rivers and mountains in ancient my country, and always attracted the attention of the painters with their unique color language and aesthetic orientation, and continued to inherit and innovate in each of the Yuan, Ming, and Qing dynasties;

Today, it also provides fresh and powerful nutrients for the artistic creation of contemporary artists. The green landscape paintings are inherited and developed in more diverse and rich forms and appearances.

In the late Qing Dynasty, Lingnan Painting took the lead in absorbing foreign art, and became an important painting forces that were both harvested and courageous and innovated. The schools such as resident painting, Lingnan Painting School, and Guangdong Chinese Painting Research Association appeared.

Painters in Lingnan have always adhered to the purpose of "pen and ink should be with the times", playing an important role in the modern transformation of traditional art. In the past art history research and our college exhibitions over the years, the fruitful results created by Lingnan paintings have been presented many times.

F far from Wang Shaoqiang

In this exhibition, Li Dongwei, Wu Tai, Wang Shaoqiang, Liu Wendong, Yang Jun, Yang Xing, Chen Weiming, Lin Yusi, Lin Miao and other nine artists were invited to participate in the exhibition.These artists have learned traditional paintings and drawn nutrients from traditional art. They are also practitioners of the concept of "pen and ink with the times". They gradually form a distinctive personal style in their respective creative process.They all grew up and lived in Lingnan, which inevitably affected Lingnan nature and human environment.

Heavenly Lin Yusi

"Their works include the background of traditional green landscape painting, but also showing the perspective of modern Lingnan people. It can be regarded as a presence of contemporary 'green green' in Lingnan." Wu Bingli said.

Source | Yangcheng Evening News • Yangcheng School

Editor -in -law | Literature

School Delivery | Zhao Dandan

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