Overseas Chinese said "Jinjiang Experience" 丨 Acting Society Artist Wu Daxin: The artist who was blessed by the times, rewarded the society

Wu Daxin (Photo Conferring in the Interviewee)

In my understanding, the innovation development and art emphasized by "Jinjiang Experience" have the same wonderful work. The "tangible channels" mentioned in it are like many artistic works, and "invisible channels" are more like the silent artistic experience and value embodiment of the long -lasting moisture.

I am the beneficiary of "Jinjiang Experience". Recently, my latest artistic work, "Red Dragonfly" in Zhongshan Park, Quanzhou, is completed in the workshop of Jinjiang Enterprise's workshop with more than 3 tons. What kind of parts do I need, after drawing by hand, corporate technicians can use the computer, and smart robots can immediately "build" parts. Over the years, I have experienced the rapid development of this company, and a number of satisfactory art works were born in their factory, including "Feitian" created by Quanzhou's "East Asian Cultural Capital" to celebrate Quanzhou. The "Giant Crocodile" appeared at the theme exhibition of the Fourth Asian Art Festival and Haisi International Art Festival ... It is because of the advanced manufacturing industry of Quanzhou developed under the leadership of "Jinjiang Experience", as well as the support of a service -oriented government. Creative works can express more smoothly.

Any personal performance cannot be separated from the opportunity to be given by the times. I feel that when I am born, I am a artist who is blessed by the times and rewards society. In the early 1990s, I went to study in Japan, studied the history of Toyo art, and then went to study photography in New York, USA. In 1996, I brought 7 Japanese artists to Quanzhou to create. At that time, I was only in my 20s, but the idea of ​​introducing good things all over the world had taken root in my heart. After fully felt the humanistic charm of Quanzhou and the pulse of economic development, I felt that the era of the artistic atmosphere of Quanzhou's artistic atmosphere was here. This simple idea, in 2019, I returned to my hometown to open a studio from Beijing. With the support of the local government, the studio is located in a historic house in West Street. In just three years, we organized dozens of exhibitions and exchanges including Cai Guoqiang's keynote speech, commemorating the birthday of Master Hongyi, and dozens of exhibitions such as oil painting, lacquer painting, ink painting, and calligraphy. The southern Fujian architecture with Southeast Asian -style was re -wake up. Coupled with the addition of leisure formats, the width and breadth of exhibitions and exhibitions were extended, and the artistic atmosphere of the ancient city was rejuvenating.

After walking through the world, I became more and more responsible for the cultivation of my hometown art soil. Recently, the work "Red Dragonfly" I have been invited to participate in the International Sculpture Art Exhibition held in Nanjing. Because it is difficult to make, I will debut in my hometown: a huge steel dragonfly will stand on the steel pillar with a balanced attitude, and the wings on one side are composed of photovoltaic power generation boards. On one side of the wings, through the method of "technology+industry", it conveys the green theme that seeks balance between development and environmental protection. In addition to continuously creating new works, I have also set up art lectures at Huaqiao University and Quanzhou Normal University from time to time.

A uniqueness is difficult to become forest. In the future, I also have a more meaningful idea, that is, creating an ecological art space in my hometown to build an art window for the world with shared concepts.

□ Quanzhou Evening News reporter Wang Yujing

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