Scholars Wan Anpei: "Chu Ge's Application" is justified at the time ｜ Read+

How many romance of Chu Di

The tradition of Chu Di Ballads continued to this day, and it is still developing. This interview has strengthened several of our cognition, so that we have a deeper understanding of the long -term life under our feet.

It turns out that Liu Bang's "Great Wind Song" and Xiang Yu's "Steak Song" can be regarded as a masterpiece of Chu Ge. Because the hero's character and fate are different, these two songs show a very different style style, one is unrestrained, and the other is depressed, both reflect the powerful folk characteristics of the time of that period. And Liu Bang Xiang Yu was not born, and the Chu Ge form they sang was very popular at that time. The characteristics of the word "Xi" are distinctive labels, regular, good recognition, and easy to create singing.

Then Chu Ci originated from Chu Ge. It can be said that Chu Ci is the evolution of Chu Ge, a high -level form from verbal to written. More exquisite and longer. Chu Ci's important pusher is certainly inseparable from Qu Yuan. His lyrical poem "Li Sao" is the peak of Chu Ci. His technique is romantic, his feelings are unrestrained, imagine strange and magnificent, with strong Chu Di characteristics and mythical colors.

Of course, Chu Ge Chu Ci was not unique to Chu, nor was it created by Chu people or Qu Yuan's own strength, but it absorbed the Chinese product of the Guangbo Central Plains culture. Chu Ci broke the silence of the Book of Songs in the past two or three centuries, and bloomed in the east. Later generations also called the Book of Songs and Chu Ci. This is the reason for "coquettish".

Let's follow the steps of the researchers, enter the ancient and young cultural palace deeper, and relive and explain more knowledge and fun. (Liu Gonghu)

From Lower Liba to Yangchun Baixue, they are all "Chu Ge"

Scholar Wan Anpei: "Chu Ge's Application" is just right

Wananpei

On August 28th, Wuchang, Wan Anpei in his studio on the 31st floor, accepted the "Yangtze River Daily" reading+interview with the topic of "Chu Ge's Application", and talked about the rise. "Chu Ge". Wanli has won the first place in the National Singing Award of the Fourth Golden Bell Contest in Hubei Province. She agreed and sang 5 classic Chu Ge classic selection sections with students Huang Li improvisation. Wan and melodious, let everyone appreciate Chu Ge's infectious power (scan the two -dimensional code on the right to enjoy these 5 moving singing sections).

Strange Man Wanpei

Wan Anpei is a strange man. On the website of the alumni association of his alma mater Zhongnan University of Finance and Economics and Law, the story of the 1977 alumni has been circulated to this day:

——We when he was the editor -in -chief of the Journal of Graduate Students, he compiled the postgraduate entrance examination papers into an additional issue of Journal and reserved it to colleges and universities across the country. He made more than 2,000 yuan. He used the money he earned to hold a gallery chess game and arch pigs in the Graduate Building, which caused the entire graduate building.

——The Wan Anpei after graduating from a master's degree was taught in Zhongnan Finance University. From the associate professor to the professor, it was only two years. In just two years, he was the first professor at the 77th level of the University of Undergraduate Politics. The second representative of the National People's Congress of Cai, the youngest provincial deputy chairman of the National Democratic Party, later served as the Deputy Director of the Central Theoretical Committee of the Democratic Party Construction.

In fact, this is just the beginning of Wananpei's story. After struggling in the academic world, after achieving several results and publishing multiple monographs, he devoted himself to practical operations and entered the banking industry. In 17 years, he moved to six cities and successfully planned four branches in Shenzhen Development Bank. After retirement, Wan Anpei returned to the academic track again and actively devoted himself to cultural research. He edited the "Classic Story of Chinese Story" series of books for the "China Excellent Traditional Culture Inheritance and Development Project" for the Central Propaganda Department; ", China -German cooperation film" Face Face "and other major film and television projects.

It is particularly worth mentioning here is "My Father Jiao Yulu". This film was released nationwide in August last year and received full honor. Last year, I won four nominations for the Golden Rooster Award. As the producer of the film, Wan Anpei also made a group performer in the film and had an actor addiction.

From the hometown of folk songs, the first mention "Chu Ge's application"

How does such an academic, economy, and film and television "amphibious people" associated with Chu Ge?

Wananpei is a native of Mashan, Jingzhou. Ma Shan Su is called the "Hometown of Folk Songs". The history can be traced back to the "Yangge" and "Tian Ge" of Chu Di more than 2,000 years ago. From 298 BC -263 BC, Song Yu said in "Ask to King Chu": "The guest has a song in the middle of the middle, and it was called" Xiali "and" Pakistan ". Thousands of people ... "As early as the 1950s, some works of Ma Shanzhi once were made into records by Wuhan Records Agency as an excellent Chinese folk song. They were exported to Western Europe and Southeast Asian countries. Some works are also listed as music textbooks by primary and secondary schools. The poem "Singing Mao Zedong" in the Chinese folk song "Red Flag Songs" is the Mashan people's song. On June 7, 2008, Ma Shanmin was approved by the State Council to be included in the second batch of national intangible cultural heritage lists, the project number: Ⅱ-81.

Wan Anpei grew up in the atmosphere of listening to Ma Shan's folk songs and singing Ma Shan's folk songs. During the planning and operation of the movie "My Father Jiao Yulu", Wan Anpei met Yu Yin of Comrade Jiao Yulu's grandson and then the deputy head of the Chinese Opera Dance Theater Opera Troupe. He imagined that through Yu Yin and Chinese Songs, he created a musical drama "Home Living in the Malaysia Slide" that reflects the Malaysian folk song. In order to conceive to create this musical, he learned some folk song knowledge and found that in addition to the Malaysian folk songs, in the national non -heritage project (traditional music category) approved by Hunan and Chongqing, Song Yu "to King Chu" King Chu King Questions. There are several places. Earlier, when creating filming the movie "Beauty's Ji Jun", he found that Yongan Daqiang Opera (IV-10), which is popular in Yongan, Yongan, Fujian, turned out to be the south of the Xiong family in Jiangling County, Hubei. The introduction of China has a relationship with the Xingshan folk songs of Zhaojun's hometown.

In order to create the movie "Mrs. Peach Blossom", Wanan Pei entered the Xinxi County to collect the style. When introducing the people of Xinyang people, the local people said bluntly that Xinyang was called Shenzhou. First follow the hometown of Chun Shenjun, one of the four gentlemen of the Warring States Period, formed a unique "Yufeng Chu Yun" in the music culture inheritance of more than 2,000 years.

These explorations of Chuge have hidden the creation and research inspiration of Wan Anpei. In 2018, he was elected as the president of the Chinese Anti -Malaysia Memorial Research Association, and also undertaken the "Chu Ge and the intangible cultural heritage from Chu Ge's intangible cultural heritage. Provincial topic. In the book "Chu Ren Chu Ge" published in October 2020, he first proposed that "Chu Ge is a world -class intangible cultural heritage and deserves deep excavation and inheritance."

"Chu people Chu Ge" Wanan Pei Hubei People's Publishing House

Since then, Wan Anpei has drums and call for "Chu Ge's legacy". He said to the reporter from the Yangtze River Daily: "My biggest wish is to declare the world's non -heritage success with Chu Ge. I hope to see the permanent site of the World Affairs Chu Ge Forum. The national singers all come to the Chu Ge stage to perform on the same stage. There is really that day, I can proudly say: As a member of the Chinese nation, I have done my best to the world's music and cultural exchanges, and I am proud. "

【Interview】

From Lower Liba to Yangchun Baixue, they are "Chu Ge"

Reading+: What kind of cultural connotation does Chu Ge have? Why choose "Chu Ge Family" as the goal?

Wan Anpei: First of all, I am a Chu. I am naturally interested in the history of Chu and Chu culture. My hometown of Mashan Town's tailor town is only 10 kilometers away from Puku. "Passionate Romance" is one of the Chu culture characteristics recognized by the academic community. The most reflected characteristics of this characteristic. I think it is the music and literature of the Chu State. It is more specific. It is Chu Ge and Chu Ci. Chu Ge originated early, and Chu Ci originated from Chu Ge, so the music was put in front. I have an image: on the Chu Cultural Highland, the music culture of Chu State is a lighthouse, and Chu Ge is the pearl on this tower.

Why do I take Chu Ge to such a high status? There are mainly the following five reasons.

First, Chu Ge represents the highest level of pre -Qin Chinese music culture. There are three examples: world cultural celebrities Qu Yuan and student Song Yu have contributed to traditional Chinese music culture; the Ectulator of Zenghou Yi, who is known as the "Eighth Miracle of the World"; Essence In August 1977, the "Traveler No. 1 Space Ship" launched by the United States carried a gold -plated record with 27 world famous songs. Among them, the music representing China was the segment of "Flowing Water" played by Guqin. The recommender said: "Flowing Water" describes the integration of human consciousness and the universe, representing the top level of ancient Chinese songs.

Second, Chuge has an epoch -making impact on the inheritance and development of traditional Chinese music culture. I have always believed that the crystallization constitutes two major kernels in the most important Chinese traditional culture: one is the Qilu culture represented by the Huangdi civilization, the Yellow River civilization, and Confucianism; Chu culture. Qilu culture is steady, laying the cornerstone of China's political ethics; Chu culture is passionate and romantic, and it is the origin of Chinese literature. Qu Yuan Song Yu, who is shaped in the late Warring States Period, is regarded as the founder and leader of Chinese romantic literature. Qu Yuan is known as the great patriotic poet and the ancestor of Chu Ci. His "Nine Songs" is the classic of Chu Ge. Song Yu's famous "Questioning to the King of Chu", who "knows the sound and the text", is an immortal article in the history of Chinese music. Essence Song Yu is also the ancestor of Chinese sentimental literature, fantasy literature, landscape literature and game literature. Isn't Liu Ye's "Wenxin Eagle Dragon" saying "Qu Song Yipu, can Mo Zhi chase"?

Third, Chuge's cultural symbol characteristics are obvious and have deep cultural heritage. Whether it is the more influential small kingdoms such as Lu, Zheng, Song, Wei, Chen Guo, etc., or other six countries in the Warring States Period, that is, or such as Qin Ge, Yan Ge, Qi Ge, Zhao Ge, Lu, Lu, Lu, Lu, Lu, Lu, Lu, Lu, Lu, Lu, Lu, Lu, Lu, Lu, Lu, Lu, Lu, Lu, Lu, Lu, Lu, Lu, Lu, Lu, Lu, Lu, Lu, Lu, Lu, Lu, Lu, Lu, Lu, Lu, and Lu There are absolutely no regional music symbols such as songs, which can have such a deep cultural connotation and the brand effects recognized by the world as Chu Ge.

The fourth is Chu Ge's passion and romance, with strong vitality of inheritance. In Hubei, Hunan, Chongqing, Henan, Anhui, Jiangxi and other land, Chu Ge, who has been infiltrated by Chu culture, has a cultural heritage of Chu Ge, which has been in "Takaka Zhongtian". From the famous Song Yu's "Ask to King Chu", it can be seen that Chu Ge, which is based on the people, is suitable for ordinary grassroots (Xialiba people). It is worth mentioning that in the "Battle of the Battle" in Chu and Han, both the battle between the war comes from the original Chu Kingdom, which was deeply influenced by the Chu culture. Chu Geyuan has a long history, profound influence, and vast audience. It also shows that Chu Ge's emotions, strong infectiousness, and strong expressiveness. This is the clever application of Chu Ge's military. After the establishment of the Western Han Dynasty, Liu Bang, who was also the Chu people, "politically politically inherited the Qin Qin system and culturally inherited the Chu system." Since the Western Han Dynasty, Sao Supreme Literature (Chu Ci) represented by Qu and Song, Chu Guo (Chu Ge), which is the main melody of natives and nostalgia, has become the master of court literature and court music, but also popular. Breeding and spawning the birth of many classics after the Han and Tang Dynasties. Liu Bang's "Great Wind Songs", "Hong Xun Song", Emperor Hanwu's "Song of the Puppet", Emperor Han Zhao's "Yellow Song", Li Ling's "Better Song", and Princess Hongnong's "Dance Song" are romantic lyric, or moving heartbreaking, or moving. Or the tearful Chu Ge. Fifth, Chu Ge's open and inclusive traits are particularly consistent with today's times. Chu Ge, which originated from the "Takakada Song", has consciously and proactively integrated with various regional cultures in the process of heritage and dissemination, which has made a prominent and innovative in the colorful Chinese national music development and innovation. contribute. The birth process of Chinese Peking Opera at the end of the Qing Dynasty was the collision and blending process of multi -ethnic and different regions, and Chu Ge or "Chinese Drama Culture", known as the "mother of Peking Opera". Sexuality, inclusiveness and strong life strength signs have been fully reflected.

Chuge has a solid foundation for the "non -heritage" of the world

Reading+: Chu Ge declares the "non -heritage" of the world. What are the foundations now?

Wananpei: According to my rough investigation, there are currently at least 30 national intangible cultural heritage (traditional music) with the characteristics of Chuge regional characteristics. It is feasible to apply for the world -class intangible cultural heritage to apply for the world -class intangible cultural heritage.

Declaration of world -class non -heritage is a systematic project that requires multi -level governments and academic circles to work together, and it is impossible to achieve overnight. "Chu Ge's Application" is currently in its infancy, and it is accurate to say that the academic preparation stage. Regarding Chu Ge's regional definition, generalization of music characteristics, its relationship with Chu Ci, and what contributions to the development of Chinese music culture in the process of thousands of years of inheritance, the academic circles are required to fully discuss the contention.

In the second half of this year, the Ma Shan Min Song Research Association plans to do two things. One is to plan a Chu Ge International Academic Symposium, and the other is to plan and organize an International Chu Ge Art Festival. In addition to Hubei, the plan to invite Hunan, Chongqing, Henan, Anhui, Jiangxi and other provinces and cities such as national -level non -heritage (traditional music) inheritors to participate. If the conditions are allowed, they also want to invite some foreign music groups. We are also brewing a Chu Ge Research Society.

Reading+: Chu Ge Chu Ci Chu Le, these concepts are connected and different. What does the academic world think about this? What do you think?

Wan Anpei: Let's talk about Chu Ge and Chu Le first. If Chu Le is understood as Chu State Music, I think the concept of the two is the same. If "song" is understood as the chanting and singing, the "music" is understood as a playable tune, and the two are different. Tu Shanshi sang "The Song of the Renren" ("The Welling People") for Dayu. The music industry is known as the first female voice in Chinese history and the first folk song in the south, also known as Nanyin, and Nanyin is Chu. In addition to Chu Le, there are also many titles such as Chu, Chu Qiang, and Chu Qu. In general, they can be included in the scope of Chu Ge.

However, Chu Ge, as a world -class intangible cultural heritage, should have clear limits: first, regional can be identified as the category belonging to the ancient Chu Kingdom; the other is that there is a clear inheritance of Chu Ge's origin in the characteristics of music characteristics. The third is that they belong to the national intangible cultural heritage (traditional music) projects.

Besides, Chu Ge and Chu Ci. The Chu Ci here refers to Chu Ci, which is a separate style, instead of the Western Han Dynasty as the "Chu Ci" as the general collection of poetry.

The most important thing is two issues. One is who before and who. Feng Daoxin and Mr. Meng Xiuxiang, who studied Chu Ge's most say, believed that Chu Ge's origin was earlier than Chu Ci. As an independent literary style, Chu Ci was formed under the direct influence of Chuge. Of course I agree with the two points.

The second is influence and vitality. I think from the end of the Warring States Period or it exactly from the Western Han Dynasty, there are me and me among me. Zhu Xi, the Southern Song Dynasty, will obviously belong to Chu Ge's works such as "Yishui Song", "Great Wind Song" and "Step Songs" and other "Chu Ci", which is derived from Chu Ci; Come here. " From the perspective of studying Chu Ci, it is an important feature of Chu Ci in the form of literature, but also chanting and chanting. These parts that can "citate", I think that it should be attributed to the category of Chu Ge.

As a style of style, the impact of Chu Ci on poetry creation after the Qin and Han dynasties is epoch -making; and Chu Ge directly gave birth to the birth of national essential Peking Opera in the late Qing Dynasty. In addition, more than 30 national non -heritage projects originated from Chu Ge, which is enough to prove it Chu Ge's strong and strong vitality. Chu Ci is of course very good, but if there is no certain ancient literature skills, it is still difficult to create a high -quality work; Chu Ge is slightly different, like our Mashan folk songs, even if it is the five sounds, the "five major majority, "I can also hum a few words, and sometimes I can improvise one or two" five sentences ".

If you have to have a greater impact than whom, who has stronger vitality, I choose to stand on the side of Chu Ge. Shen Congwen said that music is the only "engineer" to teach people to transform people in the process.

Reading+: What is the survival state of Chu Ge today? What are the representative Chu Ge passes?

Wan Anpei: Chu Ge is still active today. As an important feature of the national intangible cultural heritage (traditional music), it is a series of heir behind every non -heritage project.

Taking the Ma Shan folk songs as an example, from the national heir to the provincial heir to the provincial heir Zhang Lanlan, Huang Qingfang, Duan Jiahong, etc., their singing has been floating over Taihu Port and Baling Mountain, and the sound is around the beam. Ma Shanmin's singing rhyme is unique, the melody is smooth, the rhythm is bright, and the lyrics have obvious dialect colors. The five famous "horn tunes", "budding", "tune", "dingkou", "oh tune" each have their own characteristics. In 1957, the Hubei Folk Song Choir represented by the famous Mathan Minzheng singer Wang Zhaozhen once sang Ma Shanmin into Beijing Zhongnanhai, and was accepted by the central heads of the central government of Zhou Enlai and Liu Shaoqi.

In September 2003, CCTV's special film "Chu Ge Jin Shi" filmed in Mashan was broadcast on the CCTV International Channel "Traveling to China" column and introduced the Ma Shanmin song to audiences at home and abroad. Like Hubei's famous folk songs "Happy Song", "Dragon Ship Tune", "Little Son -in -law", "Running Four Backs", "Six Plants Tea", "Fire Burning", etc., they are all characterized and classic. My "home" and the young singer Wanli in our province are a famous Chu Ge singer. At the end of this year, we will host the International Chu Ge Art Festival, and friends who like Chuge will be full of ears.

Links >>>

National Intangible Cultural Heritage Project with the characteristics of Chuge regional characteristics

[17 items in Hubei Province]

1. Xingshan folk song

2. Cao Cao Gong and Drum (Yichang, Xingshan, Changyang, Xuan En, Tujia)

3. Suona Art (Yuan'an Win Yin, frustration, sound, woo tape)

4. Yichang silk bamboo

5. Zhijiang folk blowing music

6. Tujia fights slippery (Wufeng beats slippery, Hefeng surrounding drums)

7. Wudang Mountain Palace View Daole

8. Ma Shan folk song

9. Qianjiang folk song

10. Lujiahe folk song

11.

12. Jianghe Tzu (Yangtze River Gorge)

13. Laohekou silk string

14. Brand gong (Ezhou brand gong)

15. Gongs and Drum Art (Yichangtang Tune)

16. Lichigawa Lighting

17. Tianmen folk song

【16 items outside Hubei Province】

1. Sangzhi folk song

2. Jingzhou Miao Song 靖

3. Square Pulling Workers

4. Miao folk song

5. Tujia folk song

6. Jiahe accompanied wedding song

7. Shizhu Tujia 土 土

8. Nanxi No.

9. Mutong Shange

10. Puyang folk song

11. Xiushan folk song

12. Terring number

13. Xinyang folk song

14. Xiping folk song

15. Dabai Shan people song

16. Jiujiang Mountain Song

(Yangjiang Daily reporter Li Yan)

【Edit: Zhang Jing】

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