[Yan Gongda • Baoyun Tang art review] Fifty -nine reading of reading: "Suddenly" is easy, "calm" is difficult

Mr. Yan was immersed in cursive creation and research for decades.

"Usually there are various explanations for cursive script, but I always feel that writing cursive books should be fast or slow, and adjust the breath. The sense of calmness is to be calm and calm. In China, you must grasp it yourself. "(" Baoyuntang Art Review ")

Mr. Yan said, "It is easy to be happy, calm and difficult", which has a relationship in the history of calligraphy. It is reminiscent of Su Shi's classic evaluation of Mi Yan's calligraphy: "Haiyue Pingsheng, Li, Zhen, Xing, cursive, the wind and the horses, calm and the bells and Wang, it is worthy of it!" The evaluation of horses, calmness and joy ", with Song Gaozong Zhao Gou's evaluation of Mi Shu," calmly, such as riding a steed, not bothering, there is nothing unsatisfactory. " All of them fully affirmed Mi Yan's calligraphy accomplishment, and refined the style and character of his calligraphy art profoundly.

As the language of art appraisers, "calmness and pain" first appeared in the article "Caigu's Name" in the Southern Dynasties Song Yangxin. This concept is also used in the discussion:

The study of the book takes calmness as the body, and the change is used. The two are indispensable. Huai Su's flying is more interesting. (Solution "Spring Rain Miscellaneous")

From then on, it is so hard that the painful prescription can take the ancient god of the ancients. If you just imitate the ancient method, and you feel that the painting is too much, you must take off the imitation path, come out of the machine, and gradually become familiar. Then express it. (Song Cao's "Calligraphy Appointment")

The scholarship, began with constant, can know that the extinct is out of the ground, and must be down -to -earth first, so the book is calm. (Qing Wang Zongshuang "On Calligraphy")

The word and ink are not particular about it. It is necessary to know that the method of painting and the method is in the ink, but the pen is sinking, and the pen is floating. The pen and ink cannot be calm. (Zhu Hezheng "Linchi Mind")

Mi Yan "Shu Su Tie" partial

By the Song Dynasty, the art theory of "calmness and pain" was widely used in poetry and literary reviews. One said. Later, Yan Yu said in "Canglang Poetry" that "there are about two: Youyou is not forced, and he is calm and happy." The artistic aspect has received more attention and use, such as Zhu Lingzhen's "Books and Books" and believed "calm and painful, the book of the book."

Judging from the realization of book writers on "calmness and painfulness", most scholars have combined the two in the techniques and aesthetics of cursive script. Why does Mr. Yan say "easy and difficult"? How can the scholar be calm in the pain? Mr. Yan explained:

"'So happy' is easy, 'calmness' difficult. The so -called 'happy' is comfortable, straightforward, and refreshing. The pain in the pain is a difficult point in cursive creation. Poor. If you can quickly move the pen, you will appear in false illness when you blindly appear. Incibly pens do not emphasize fast, and of course, compared with other books, it is naturally fast. The key is that it can be slow and slow. It is characterized by the writing of the writer's passion, which is rich in 'emotional'. And the slow -moving pen is characterized and stable. Confrontation and unity and harmony. It has both skill and temperament, and it is calm and happy. "

In the late Qing Dynasty, Chen Tingzheng said in Volume 6 of "Bai Yuzhai Words": "My so -called calm and happy person must be able to depressed first, and then be calm. There are sinking, the disease is frivolous, why is it? The disease is cracked, why is it painful and fast? " It is fluent and fluent, but it is by no means the so -called dragging to the end, or the pull lines that say a thousand miles, nor is it a circular circle that opens the bow from the left and right. This kind of "happy" may be a momentum of the book, but it is not the "happy" in the sense of calligraphy. As Mr. Yan said: "It is often happy and lack of calmness, causing the lines to be slippery, shallow, and poor. If the strokes are fast and fast, this kind of illusion will appear." Disaster."

Mi Yan "Shu Su Tie" partial

From the perspective of pen, calmness refers to the thick strokes without frivolous, and there is a magnificent spirit; happy refers to the use of the pen to be straightforward without stagnation, which is what Mr. Yan said "comfortable, straightforward, and refreshing", which has Xiao The wind of scattered spirit. It can be said that calmness is to use the pen to force, and the joy is that the strokes are ill, and the two are the opposite. "Pain" is out of "calmness", otherwise it will flow in the form to become a morbid state; and "calmness" must participate in "happy", otherwise it will flow in the dumpling and hurt. Huang Tingjian's "Book Ten Brown Heart Fan Because of the self -evaluation" cloud: "For decades, scholars have written Chinese algae and are not true. . The guest has a brown -hearted fan, who reads it too simple, and the algae decoration, the book old Du, the ten poems. I don't know what to do, I ca n’t hate the ears of the second father. I ’m so painful, the most wonderful places of the ancients. Try to use the words of the scholars today, and I ca n’t help it for ten years. The "wind horses" of the strokes are happy, but they still have to be calm, because "the painfulness is so happy, the most wonderful place of the ancients." Huang Tingjian also said: "Yu is in Qiannan, not even feeling the book cotton. Weak, and moved to Rongzhou, I was abominable when I saw the old books, and there were three or four differences in the cross. Today Fang Wuu's calm people are calm and happy, but it is difficult to know. " The weakness is weak, and it is biased to the feminine but not strong, so it is difficult to be the insight of "calmness and pain". Mi Yan said that "there is only one person who is a good book, I have a unique one." "Four sides" shows that he has to use the method of pen, the front is full, and the edge is eight, and it is painful! The word "brush" indicates that his fast and convenient writing is very interesting and a kind of joy. He is calm in the painfulness. He master the rich brushwork with the method of studying ancient characters, so in the writing, he can "unique four sides" in writing. Rich expression, so as to "calm down", create a powerful and natural and smooth stroke performance.

Mi Yan "Shu Su Tie" partial

Jiang Yan's "calmness and pain, heaven also." It is natural to emphasize "calmness and pain" from the perspective of temperament. Jun Buzhi said: "Learning books in the Fa, and the magic is in the law. The law can be passed on; and the magic must be alone in the chest." From the technical level, "calmness and pain" are learned After all, "law can pass on everyone." But from the perspective of the expression of the scholars' temperament, Mr. Yan said: "In the fast, the character is characterized by the passion of the writer, which is rich in 'emotional'." If you ca n’t learn, you can only rely on “raising”, to cultivate your own temperament with more foreign skills, and to express the beauty of “calmness and pain” through the sentimental intentions. The ancients said: "Books, the traces of the heart." Great creativity. Therefore, in order to have a real "happy and calm" in the art of calligraphy, in addition to refining techniques and strengthening skills, we must also pay attention to the cultivation of "heart".

Fengfang's "Book Jue" cloud: "The ancients of the ancients were so calm and happy. But the book is also the same, calm and not painful, then fat and insufficient charm; The wonderfulness is that it can be calm and happy, and the combination of the two can be cleverly combined, and it has reached a state of freedom of nature and hands. Xiao Yan's "Answer Tao Disposter Theory" cloud: "Any of what is, the principle of nature. Mr. Yan said: "Cursive strokes, eagerly handed over, so that the contradictions and emergency contradictions can achieve the unity and harmony of the opposition." Looking at the work of the grass, it is verifying the "calmness and pain". The "one extension" of the lines also has a rolling and decomposition of the word group, which is both dangerous and dangerous, and the rhythm of the rules is so happy. There is no loss in the pain. First, the anxiety in the pen is slow, fast, slow, astringent in the disease, sedation in the vertical, storage, and in the row, there are stays in the line, and the virtuality is in the line. Yes, and so on. It is the reasonable and coordinated use of these yin and yang contrasting relationships that have made his cursive script deep and agile. The second is that Mr. Yan can "enters the grass with the method", make good use of the gangsters and the ink method of turning, thirsty ink and astringent pens, and "on the basis of" the "beginning of the" beginning of the pen is the beginning of the pen, " Use the word interrupt pen, the pen is broken, and the pen is continuous, which not only retains the biggest feature of the coherent paintings of the grass, but also increases the breathability between the characters and the words. "In this way "The three -dimensional sense and life of the three -pointer of the wooden, condensed, astringent, and three -pointers in the wood showed a pure, elegant, clear, clear, relaxed, full of atmosphere, leaping out of the wind, high -spirited, high -spirited, high -spirited The aesthetic experience. "(Heng Zhengan's" A Brief Theory of the Art of Kyungda Calligraphy "), this is the heart of happiness, and Mr. Yan concluded:" both skills, also showing temperament, calmness and painfulness. "

Mi Yan "Shu Su Tie" partial

Mr. Yan said: "Substation is a difficult point in cursive creation." It is because calmness and joy are contradictory bodies of opposition restrictions.Balanced, forming the opposition and unified relationship of "harmonious and different, violated and not committed", creating a kind of existing "beef power (bone force)" and "tolerance (tendon)"There are also books, which are both masculine and gorgeous and feminine.The method of "calmness and pain", the scholar must do both skills, not only to have a mature pen and ink skills and deep traditional skills, but also the spirit of "Tao", the accumulation of personality and the improvement of literacy to pursue the spirit of the spirit to pursue the spiritDeepen.(Text/Peng Qingyang)

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