Poetic thinking (Part 1)

□ Li Feng

To write poems, you must understand the echo at the beginning and end. There must be logicality of the whole poem. How to start with writing and how to cut in, although it is important. However, the turning and paving of the middle part must also pay attention to the order. You must not be too chaotic, and you must not be successful. At the end, it is necessary to be up with the beginning of the poem. If you can't write the back, you don't care about it, you want to write there. It is not to say that it must be repeated in the content of the language, nor is it to say that the first and ending means, but the essential penetration of the poetry. It is a kind of momentum and the poetic penetration.

Poetry and philosophy

Poetry does not follow philosophy. However, good poems must have philosophy or philosophy. This is not to say that all poems are philosophical poems. I think that good poems have a secret passage, faintly directed to philosophy. Even the "Net" representing the poet Beidao, the poem, has only one word in the whole poem, but has rich connotations and meaningful meaning. A simple word summarizes the state of life of all beings. In front of the mesh, we will be helpless, angry, and sometimes even feel desperate. This poem is full of philosophy and mystery. In the communication with Schiller, Goethe said: "Only in the unconsciousness of the genius, Genius became a genius." Ketad also said, "The imagination is beyond the feeling and attracted by the feeling, but the imagination finds that there is still there any more upward, there is still there, there is still there, there is still there, there is still there, there is still there, there is still there, there is still there, there is still there, there is still there, there is still there, there is still there, there is still there, there is still there, and there is still there. Reasoning, we firmly rely on this supreme leader. "" The more it combines with rationality, the noble. In the extreme situation, there is real poetry, which is true philosophy. " The image is "rational and emotional complex." That is to find the body of flesh and blood to avoid directly expressing subjective feelings. Let's look at the word "poem". Looking at it, a temple is next to a word. Poetry is the language in the temple. The language in the temple is Zen. There is philosophy with Zen. Poetry and Zen do not provide definitions, but just show the emotional state of the flowing flow of things, understand it carefully, and feel the interest and philosophy of Zen in it. For example, Wang Wei's "The Poor of the Water" in the "End of the South" can see how "the sky is clear" by Wang Wei. "Water Poor" and "Yunqi" seem to have nothing to do, but he felt the incredible changes in the world. As a result, he advocated all kinds of fate, treating changes in the world with a quiet and lively mood, so he won the fun of life. The ethereal poetry we say is often related to Zen and Zen.

Narrative

Regarding the use of narrative techniques in poetry writing, I think: First, narrative and lyrics are not contradictory or opposite. It is not that you ca n’t be lyrical if you have a narrative, and you can reject narratives when you are lyrical. Don't be thick. How many years of classical poetry and new poems have been confirmed; second, in speaking poetry, a lot of narratives are used. When writing speaking poems, many poets have a flood of narrative composition, which greatly dilutes the poetic meaning. What's more, the passage is all narrative, cumbersome, almost saliva poems. Here is a problem of controlling control. The narrative of poetry is different from the narrative of novels. You must not forget that poetry should pay attention to jumping, and it is the jump of imagery. Instead of telling the end from the beginning of the story. In the narrative of poetry, only a few key representative poetic details can be described. Between several images, it can be discontinuous, or simply no connection. Such a paving does not affect poetic expression at all. Instead, it makes poetry more enthusiastic, and it is easier to evoke the reader's association and resonance. Furthermore, the language of poetry narrative is also different from novel narrative language. We know that the language of poetry is strange. It can be said that there is no strangeness of poetry language, it is not a poem, that is, vernacular. This requires the poet to use the imagination and association in the narrative of poetry, including metaphors, and through the metaphorical and abstract bridge (this is a poem language and words I created), in the narrative, a language is strange. I am more and more important now, and I like such poems more and more. From the perspective of the audience, this can also solve the problem that the poetry is not understood, and it can also solve the problem of "human words". At the same time, poetry narrative makes our poetry closer to life and has a strong breath of life. Instead of the appearance in that cloud.

poetry

Ordinary temple is one of the ancestors of Zen. It originally named and inherited an important denomination in the history of Zen -Yang Qizong. In the first year of Song Qianxing (1022), the 30 -year -old monk Fang will come to Yang Qishan, which is located in the west of Ganxi. He changed Yang Qishan to the Guangli Temple in the Tang Dynasty to ordinary temples, and founded Yang Qizong, who was famous in the world. He advocated not to stick to the gorgeous language, and emphasizing the intuitive cultivation of Zen is the most important. It advocates that "follow the side", "there are horses ride horses without horses", "Yang Qi has no purpose, planting Tian Boli to eat". Once, some people asked Fanghui: "The snow road is long, how to guide it?" Fang Hui replied: "Fog locks Qianshan Xiu, Xingxiang to pedestrians." That is to say, there is no need to keep the rules, and it can be used flexibly according to the specific situation. Fang Hui believes that Zen primarily depends on the self -enlightenment of "standing is true". Because "everything is the Dharma, the Buddhist temple is paired with three gates, and the monk hall is pairing to the kitchen. This is what I read from a prose "Yang Qi Cangxian". From the Fang Hui's "Fang Fang Yuan" and "Flexible", I thought of writing poems. Over the past century, the new poetry and poetry martial arts, "hazy poetry", "third generation", "postmodernism", etc. The new poetry criticism has its own words. Many new poetry critics, from Western poetry to philosophy, especially from the spiritual level, for the trend of the new poetry in my country, it has been painful to collect a lot of rise and existing theoretical basis. Some poets do not study new poems well, do not inherit the essence of traditional classical poetry, and do not draw the core of Western poetry. Under the premise of negating Hu Shi's new poem founder, Gu Fang appreciated himself and played the form of new poems. In fact, art is regular, traditional, and practical, but there is no way of art. The soul of art is alive and life. It does not distinguish between tradition and modernity, regardless of any genre and trends, and it doesn't matter what "third generation" and "postmodern". If the poem is not well written, it is useless to advertise. The practice of changing Guangli Temple to ordinary temples is a great wisdom. It also pointed out a direction for us to write a poem, that is, "as follows", "there is a horse ride on horseback without horses." How easy is it and how deeply. In a word, writing poems is to speak well, don't pretend to be ghost, moaning without disease. Recently, some people have accused the spoken poet and fully denied speaking poems. I don't agree with this. The poems are written well, not the boundary lines such as speaking poems, lyric poems, and narrative poems. Lyric is the characteristic of new poems, but not the only one. I see, whether the poem is written well, it should be based on whether there is poetic. Poetry is poetry or good poems. It is not poetry or bad poems that are not poetic in vernacular. The shortest modern poem "Net" written by Beimao has only one word in the whole poem, but it is said to be all beings. It has no narrative or lyrical, and it can not see the traces of spoken language, but it is a good poem that has spread widely.

Write what

Recently, read "Star" Poetry 2021 · Short Poetry Exhibition special special number. In this issue, the "Life", "Earth", "Character", "Geography", "Urban Pian", "Love", "Nature", "Reality", "Time" and "History" "Ten parts include several poems from several authors in each part. Whether this division is comprehensive, scientific or not, and do not talk about it. I think the Poetry of "Stars" still uses it. At least the question that everyone cares about is "what to write." Many poets have written poetry for many years, and they feel that the more difficult to write, the more they write. It is even a common problem to even go to the point of "Qianzhuo's poor skills". In fact, there are many things that can be entered in life. The key is to the poet's eyes and excavations.

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