Art Observation | Focus on the spirit of the characters and the expression of Sichuan opera

Sichuan opera "Grass Shoes County Order" Stills Still Stills Sichuan Sichuan Theater in Sichuan Theater

Under the premise of "Sichuan Literature and Art Performance Ace", "Grass Shoes and County Order" still adheres to the belief of "baking green mountains" and excellence. The effectiveness of ideas and practice is worthy of promoting and reference.

The whole drama has a significant change in pursuit of the main purpose. On the basis of the traditional cultural spirit of the original drama reflected in the spirit of integrity and caution, it has injected the spirit of the people's strong call for the people as the country, and communicated with the aesthetic fit of historical figures and the spirit of the times. , Rich and enhance the humanistic realm and cultural taste of the play. The author cleverly uses the soul symbol of the "Soul Carrying Boat" in local traditional folk customs, which conveys the philosophical thinking that the Chinese nation ’s generations advocated for the people and the spirit of the soul and spirit of the soul. These changes have surpassed the new screenwriter to promote the understanding pattern of propagating anti -corruption and promoting integrity, diligence, and loving the people. During the development process, a transcendent spiritual realm that reflects the "bamboo stick and mango shoes, a smoky rain and rain" upholds the spiritual realm of the "bamboo rod shoes". Deep thinking.

The clever suspenseful drama conflict setting is one of the factor of the success of the show. The newly added character Goshha is the predecessor of Ji Da Kui and is promoted to the Chengdu government because he dares to implement a long -term political project -to start the Wild River Beach. However, this is obviously a time -consuming and out -of -life rotten project. The emergence of this person has significantly increased the difficulty of Ji Da Kui to re -select the ancient waterfall instrument. As far as the setting of drama conflicts is concerned, Ji Da Kui must not only ask for his life for the sinned people, but also blatantly deny the political achievements of the boss and former officials. Such a sharp contradiction directly pushed the county magistrate Ji Da Kui to the opposite of the court. At the same time, because the people want to bomb the tomb of Li Bingling to excavate the river, it has triggered a fierce conflict between the people and the people who respect the Sichuan Lord Li Bing as the gods. The outbreak of contradictions brought great risks and unpredictable future for the development of the follow -up plot and the future of the protagonist. And the process of cracking problems and resolving contradictions, Ji Da Kui adopted the stupid way used by old real people -blunting the court of the court as sinned people, locking himself on the upcoming boulder to prevent the mountain people from being aggressive and drilling the table. The bottom came to avoid the bribery of the gentry, and the actions of undressing, taking off, and peeling in the survey of the mountain climbing surveyed overnight, Yang Chengzu took out the old people's water and rural "agriculture, farmers", which created a not only clean and honest, but also the official subject and the line. Correct civilian image.

Whether the success of the show is inseparable from the stage of the actor. Sichuan Provincial Academy of Arts and Sichuan Theater in Sichuan Province sent the strongest performance lineup. Chen Zhilin, the winner of the Wenhua Performance Award, the second plum blossom award winner, the first protagonist county magistrate Ji Da Kui, the plum blossom winner Xiao Demei No. 2 character Yang Chengzu, the monk of the county magistrate is the plum blossom actor Liu Yi, the leader of the mountain people The famous face -faced Li Qiaosong played, the indispensable ugly character in the Sichuan opera, and the old family of Ji Da Kui, Yong Nu, played by the famous ugly Su Mingde. The name of the whole stage, Shengdan Jingtu ugly talents, set up a good and beautiful show.

(The author is a second -level researcher at the Sichuan Academy of Arts)

Responsible editor: Hao Gongzi

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