"The Sea of Basan" in Haitgen: In the depths of the grassland and the sea, there are countless souls with fate and fate

Text/Meng Fanhua

"Basan's Sea" is a novel about compassion, about the pity of the same life, and the novel about paying tribute to life. "The Sea" is a metaphor or a metaphor. It is the hero's mind, feelings, and the sea of ​​loveless love. It is a hero who has not been defeated by the day after tomorrow. One leaf flying boat.

Hemorgen and Zhang Chengzhi, Alai, Tashida, Fan Ping and other writers wrote and presented the edge experience of Chinese literature, providing new frontier and national culture knowledge, thoughts, and emotions. Therefore, including Heilgen's novels, it expands the territory and boundary of the current novel, adding new elements to the literature of this era, such as his "Where to Go, Dark Horse", "Finding Bagana", "Rider", "Rider Rider" "Gadas", "Horse Riding the World" and "Little Yellow Horse" and other works. "The Sea of ​​Basan" continues some parts of the theme of Hemiligan's novels. This is the awareness, understanding and face of human survival dilemma and spiritual dilemma. The refinement of the theme of Haylergen not only comes from the education he received, the smoking and dyeing of national culture, but also from his personal childhood trauma memory.

This is a story about compassion and fate: Basan's incomplete body, under the call of his father, under the encouragement of the old Erging mother -like care, with the encouragement of Alma's hazy love, toughly decided to decide toughly With a given destiny, he wants to rush out of the fate, singing the Hao song of his life in the grassland and the sea. Basan really did it. He finally returned to the sea, and was the destination of the writer for him, and it was also his home. The white hair wind in the grassland has ended, and the nine -level waves of the sea are calmed down. The brave and tired Basan can stop running around and no longer to work. He finally rest. This is a novel about compassion, the pity of the same life, and the novel about paying tribute to life. It is also a novel from the deep and deep history of a nation. It is in this way, which is gathered in Basan, who is disabled, humble, and wise. Basan has always been surpassing the situation of real survival, or the heart of transcendence. Therefore, Xinchi is a keyword to understand Haylegen's novels. This is a word related to flying, one related to transcendence and super -excessive words, and the other is a word related to the surpassing real world. If this is the case, Heilgen's novels are flying novels and free novels. His flying and freedom came from his suffering childhood memory. This is indeed the case. Most of anyone's novels are related to childhood memory. Under the reality, especially the current life, this childhood memory has gained new cognition. As a result, all sufferings are finally transformed into the resources or wealth of creation, which can also be understood as the historical gift of the experience of childhood suffering today.

Reading Hemiligan's novels will remind us of Hemingway, think of Zhang Chengzhi, and think of Xi Murong's "Father's Prairie Mother's River". There are San Tiago -like tough guys, the depression and sadness of Baiyin Baolige, and the sincere nostalgia and feelings of "the river of the father's grassland mother". The works of these writers are related to nature, and human life and nature complement each other. Of course, this is not only the unity of heaven and man in traditional Chinese culture, but also the understanding of the relationship between man and nature. Man is the product of society and the product of nature. Through modern concepts, people are not higher than everything, and human limitations can be reflected through nature. This is just as Rousseau said in "Botanical Communication": "Exploring the natural mystery can make people avoid the entertainment that is obsessed with superficiality, and calm down the commotion caused by passion. A beneficial nutrient. "Therefore, Haylegen's novels surpass the omnipotent understanding of people in the sense of life. The background color of Heilgen's novel is realism. His details can withstand strict investigation and scrutiny. The description of the environment and the character characteristics of the character are typical. It is essentially romanticism. This is not to say that his novel's depiction of the grassland style style is full of romantic atmosphere. The attention of Baiyun, Success, Hibari, and Yunxia. Then the obsession of real life, especially the "heart of heart" and tireless writing. This makes Hiregen form a unique novel style and personality; on the other hand, specific people can change. After a person is superb in temperament, the image of this person has completely changed. Basan defeated the powerful Buren. This Buren is indeed a "not benevolent", and it is enough to reveal his weakness and bad heart with his weakness. His battle with Basan was not to kill Basan, he wanted to completely destroy Basan. Regardless of individuals and national nations, the attitude towards the weak is its civilization. But this is just one aspect of Buren, and on the other hand, Bu Ren is not a thorough ten evils. When Basan left Mucun and the circus, Bu Ren gave a wheelchair car to Basan, and he wanted Basan to leave Mu Village. This scene is the pens of Helegen's God. He expressed his compassion and understanding of Bu Ren, expressing the goodwill, caution and tolerance that a writer should have. This feelings have a direct relationship with nature's cultivation of Heilgen. He wrote this in an article that he was talking about -I went to the river with the shepherd owner to fight the water. Wet the robe and horse boots. In the evening, I stepped up the warm horse back to drive the greedy sheep and cattle, and give them water. The flock of the sheep was like Lan, and the cow collapse was loud. At this time, a fiery sunset plated the entire nomadic camp with gold -like light, which was the light of the Mongolian Plateau from the Mongolian History of Mongolia. After the twilight, the boundless grassland was overwhelmed by huge darkness. The big black color blocks of the earth were cut off with a knife with a knife. Everything is quiet and quiet. It seems that the entire world has forgotten this camp. The shepherd is used to this kind of darkness and silence, standing under a dim light, chewing dried milk without words, siping milk tea, and occasionally drinking old white dried wine. At this time The ancient songs one by one will float out of this dome, like the more and more prosperous cow dung fire, light up this night.

This is a fragment of the article "My Dead and Sad Pedications" published in "Jiangnan Poetry", published in "Jiangnan Poems" in 2020. This clip is a lyrical poem about the grassland. It is also the powerful evidence of the romanticism of the grassland, or the history and reality of the grassland.

The love of Basan and "I" Sister Alma is the most romantic bridge in the novel. This hazy "love" without any substantial content was a challenge to the secular world from the beginning, and this challenge was essentially abducted the instinctual requirements of human beings in aesthetic way. It has already contained tragedy. Alma's purity and kindness are as good as the grassland, such as the blue sky and white clouds, she is so beautiful. But she is destined not to belong to Basan. This fateful destiny, not only the love of Basan and Alma, but also after the death of Lao Erji, the two little snakes also mysteriously disappeared. There is no solution on the grassland that is so amazing. The worship, admiration and maintenance of Ah Dad is the maintenance of the glory and dignity of the ancestors. Therefore, Ang Qin showed off and contempt for Basan, and he could tolerate it. What he could not bear was to slander and insult to Dad. As a result, the anger scene happened: "He rushed like madly, and fell Angqin to the ground with his healthy arm, followed by the rainy fist, if it wasn't for Ang Qin's call for help, the sound of help quoted the sound of helping the rescue voice. When the adult came to separate them, Ang Qin would definitely be stunned by Basan half to death ... "Hylegen talked about Basan's experience and fate in an extreme way. This extremism is completed in a paradox. For example, Basan is a tough guy. He is not afraid of violence, including language violence and injustice who is not afraid of fate. He says that he is dedicated to his reputation; on the other hand, Basan is another good person. This perfection is reflected in two aspects: one is the rejection of Alma's love. He thought he could not deserve Alma's love and could not bring her happiness. He took the initiative to choose to escape; on the other hand, his choice of lifestyle. His wife and children are disabled. He and Shan Kou fell in love, and also reached the consensus of raising disabled children. This kind of kindness looks incredible: Basan and Sugo, who were originally disabled, also had to bear the support of children with disabled. However, it is also this extreme and absolute plot settings that have completed the shaping of the image of Basan. This seemingly somewhat town -up plot has made full pavement in the novel. The image of Lao Erji is very important, and she profoundly affects Basan's growth. Erji's kindness and the sincere love for Basan laid the foundation of Basan's spiritual character; the bunch of Buddha beads implied Basan's spiritual source from two aspects in the way of religion. Buddhism has never left Basan, which is a very important metaphor or suggestion. Another point is Alma's love for Basan. A girl like a flower, loved Basan, also gave Basan's nurturing and nourishment to Basan from the reverse aspect. Therefore, the idea of ​​novels in structure and details is exhausted. Only in this way can novels have no omissions that can be picky. The novel is named "The Sea of ​​Basan", which tells the difficult journey from Basan from the grassland to the sea, but this is just the ability to finger on the surface of the novel. The sea here is a metaphor or a metaphor. This sea is the sea of ​​Basan's mind, feelings, and unparalleled love. It is a hero who has not been knocked down to the ground by the day after tomorrow. He can still split the waves of the ocean on the ocean of love and good. When I read "The Sea of ​​Basan", I saw a video reposted by a friend. This video tells how a child with a congenital disease grows into an excellent teacher, and then helps in the same way to help in the same way. More children with congenital obstacles. It was a story based on the real experience of Brad Cohen. From this I thought that although Hernegana created "The Sea of ​​Basan" in an extreme way, it did have a realistic basis. New values ​​are changing the world and society, but people's hearts are unstoppable. Therefore, his Basan must not be alone.

The structure of the novel is from the grassland to the sea. Both scenes are naturally romantic. Basan is more than two scenes, such as steeds, like dolphins. Later, Basan caused a prison for helping a Philippine boy, and he was sentenced to six months' imprisonment by the court. The kind captain pre -saved his salary to help him through the difficulties. He wanted to support his wife, Shan Kou and five children. He asked to fish in the Bailing Strait so that he could go to Vladivostok to see his wife Sugong and the children. The captain helped him fulfill his desire. However, I think there are still some problems in the structure. On the one hand, this structure should be a long structure, and the novel adds some content, which is the scale of the long story. In the capacity of a middle chapter, the scene of the novel is clearly divided into two parts: grassland and the sea, and the force is relatively uniform, making the novel jump a lot, and the clues and plots are disconnected. This is one of them; the second is that the sea should be a symbol or metaphor in the novel, but now it is completely treated as an entity. A life scene that can be perceived and touching, the sea has lost his symbolic function. In the end, Basan also buried the sea and wrote too solid. If the processing here is more blur and more romantic, the novel may be more artistic and more touching. Of course, this is a question of seeking wisdom, and it is only for the reference of writers.

Edit: Liu Qihan

Source: Journal of Literature

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