Hello, Tianjin cultural relics!| Jinmingchi competes for map

"Hello Tianjin Cultural Relics"

-The Terrace of Tianjin Museum Collection of Cultural Relics-

Tianjin Su has a deep cultural relic collection tradition. Since the modern times in the late Qing Dynasty, this tradition has developed to the extreme. The Tianjin Museum is rooted in this fertile soil. Its development process is not only a process of gradually combining public and private collection, but also a testimony of the Cultural Relics Museum's business since the founding of the New China.

The Tianjin Museum is a comprehensive museum of historical art. Its predecessor can be traced back to the Tianjin Museum established in 1918. It is one of the earlier museums established in China. Its collection features are equal emphasis on Chinese artworks and modern historical documents and local historical materials. There are existing ancient bronze, ceramics, law books, painting, jade, seal, literary room appliances, armor, currency, stamps, bamboo testament, bamboo, bamboo Various collections such as wooden tooth angle, local folk crafts and modern historical documents.

Appreciate the treasures of the Tianjin Museum together ~

painting and calligraphy

The collection and calligraphy of the Tianjin Museum is mainly based on the works of the Ming and Qing dynasties, covering the works of the main scholars and artists of the Ming and Qing Dynasties, and the system is relatively complete. In the early Tang and Song dynasties, there were no shortage of masterpieces. For example, Tang Ying Wang Xizhi's cursive "Cold Cutting" volume is a valuable information to study Wang Xizhi's calligraphy and its various engraved books. He once learned from Dong Qichang and was a treasured art treasures. Song Su Hanchen's "Baby Play" page is currently the only one in the country with real Su Hanchen works, which is very precious.

Jinmingchi compete (Tianjin Museum Collection)

Zhang Zheduan, the year of birth and death is unknown, the word is right, Dongwu (now Zhucheng, Shandong), Song Huizong was at the time of painting. Working in boundary paintings, exquisite portrayal, the name of the world is the volume of "Qingming Shanghe Tu".

Jinmingchi is located outside the Tianden of the Liangliang of the Northern Song Dynasty (now the west of Kaifeng City, Henan). It was one of the famous Royal Garden at the time. Every year, the emperor ordered by the emperor, and watched the dragon boat with the scholars to compete for the bidding. After the change of Jingkang, the Zhao Song dynasty crossed the south, and the "fight for the bid" became the historical trace of history, and no longer existed.

Jinmingchi compete (partial)

In this picture, the authors of about one foot of the square are about nine miles around Jinmingchi and the scenery and characters on the shore vividly painted, and the picture shows a wide and sparse layout. Entering the park from the lower part of the picture, the main buildings such as "Linshui Hall", "Baodin Tower", "Xianqiao", "Five Hall", and "Olympic House" were described in detail with the techniques of boundary painting. The dragon boat bidding scene on the theme is centered on a large dragon boat. There are five small dragon boats on each side. Each head of the head stands one military academy. The dance flag is attracted. go. The space arrangements of each dragon boat in the picture created the fierce, exciting and tense atmosphere of the bidding. The depiction of the "water puppet", "water autumn" and "music boat" at the bottom right of "Xianqiao" present the performance of the Song Dynasty's 100th drama in front of the viewer. In the "Linshui Hall", the emperor gave a banquet to the ministers and appreciated the bids; the people of Chi'an or the dragon boat, or the spring tour, or buy and sell transactions ... Although many characters are as small as ants, they are carefully observed, but the proportion of characters is proportioned. Proper, different attitudes, vivid expressions, and artistic charm.

The scenery and activities depicted in the painting are basically consistent with the "Kaijinchi Qionglin Garden on March 1st" in "Tokyo Menghua Record" written by the veteran Song Meng. Higher historical literature value.

Zhouxing Bibo upper body in the painting

Recently, several college students from the New Creation Team of Guangdong University of Technology, for the first time in the "Poetry, Painting and Calligraphy" column of Oriental Satellite TV for the first time, watched the "Golden Mingchi Struggle", which was attracted by the style of this royal garden. And the beauty of the Chinese architecture and the profoundness of the dragon boat culture from the ancient painting volume. They hope to promote the development of excellent traditional culture through novel digital methods, so that the ancient painting volumes can truly "live" and rejuvenate their vitality. After nearly two months of hard work, the team members have restored the traditional classic paintings into 3D scenes through 3D modeling and other technologies, creating a beautiful atmosphere of "Zhou Xingbi, in the painting" ~

Next, let's cross the ancient and modern times through the video, enter the "Golden Mingchi Struggle", and appreciate the prosperity of the artist's pen in the royal garden!

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... stay tuned ...

source:

1. "Tianjin Museum Collection Painting", Cultural Relics Publishing House, 2012-04

2. Tianjin Museum official website

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