Let the millennium non -heritage culture continue to radiate!Experts bring the visiting group to learn about Chu -style lacquerware 髹 decoration skills

The Hubei Provincial Museum, the "Tiger Bird Bird Drum" during the Warring States Period of the "Eight hundred Years of Chu State" exhibition, was unearthed in the tomb No. 2 2 of Jiulian Dundun, Zaoyang, Zaoyang, Hubei in 2002. Changjiang Daily reporter Qiu Yan

Yangtze River Network (Trainee reporter Bao Meng) On July 26 and August 26, the visiting delegation of "understand China -Hubei Qianli Yangtze River Bank" on the Yangtze River has entered the Jingchu intangible cultural heritage skills inheritance and Hubei Provincial Museum. Understand the romantic and magical Chu -style lacquerware, and visit Chu -style lacquerware modification skills.

Chu -style lacquerware pattern appears the earliest serial painting in China

The two -headed curls, the limbs flexed, and the back of the back were the base, and the tiger's back had a long legs on each of the head to lead the singing phoenix. In the middle of Mingfeng, a big drum was hung on the crown with a red rope. On the back of the two phoenixes, each has a young tiger who is struggling. This is one of the treasures of the town museum in the Hubei Provincial Museum -Tiger Bird Bird Drum.

Fang Qin, the head of the Hubei Provincial Museum, introduced that the ancients regarded the tigers as the most powerful animals in the beast, and the phoenix birds were regarded as the god birds in the sky. "The tiger bird rack drums express the romance, magic, and magnificent expression of Chu culture. It is also the most representative lacquerware cultural relic of Chu culture."

In addition to the drum of tiger birds, there are many lacquer wares representing Chu State. The members of the visiting group saw a colorful "painted character car and horse travel round" placed in the showcase, that is, ancient dressing boxes, and currently only painted patent leather with pictures. "You see, even if more than 2000 years have passed, this cultural relic drawing picture still maintains bright colors, and the earliest serial painting in China is drawn." Fang Qin introduced that the outer wall of the lacquer cover is one week, and the picture is separated from the five sections of the trees. The content depicts the five scenes of people traveling during the Warring States Period.

"It seems that Chu people can not only be romantic, but also creative and ingenuity." The members of the visiting group and Wang Rui, a sophomore student of the Broadcasting and Host of the School of Journalism and Information Communication of Huazhong University of Science and Technology, lamented.

Zhang Shuo, special experts invited to visit the group, researcher at Hubei Provincial Academy of Social Sciences, and vice chairman of the Jingchu Culture Research Association of Hubei Province, said that Hubei has a humid climate and rich bamboo and wood resources. These are all necessary raw materials for lacquerware production. All of this provided unique natural conditions for the development of Chu State lacquerware and lacquer technology thousands of years ago.

"From the mid -spring and autumn period to nearly 400 years from the mid -spring and autumn, production has not been interrupted and has achieved high achievements. This is not among other vassals. It was reflected by the development of Chu State lacquerware. "Zhang Shuo said.

"Chu -style lacquerware 艺 艺 skill reflects the pursuit of artistic taste of Chu people"

Chu -style lacquerware 艺 艺 艺 艺 艺 艺, "髹" is painted with lacquer, "decoration" has the meaning of decoration. The Chu -style lacquerware jewelry skills were included in the third batch of national intangible cultural heritage representative projects in 2011.

As the birthplace of Chu culture, the Chu -style lacquerware of Jingzhou has already become a local cultural symbol, and the Chu -style lacquerware decorative skills in Jingzhou have also become a characteristic.

In 2012, Jingzhou established Jingchu's intangible cultural heritage skills inheritance (hereinafter referred to as non -genetic inheritance institutes), set up non -heritage protection, inheritance, teaching and production workshops, covering 18 national and 12 national and 12 national and 12 of the Chu -style lacquer art. Provincial non -heritage project. On July 26, members of the visiting group of Yijingjing Metropolitan City came to Jingzhou Non -hereditary Institute to learn about Chu -style lacquerware decorative skills.

As soon as he entered the inheritance of the courtyard, Chu culture representative lacquer wares such as the colorful and large -body imitation tiger birds drum appeared in front of the visiting group members. Meng Xianggao, the first winner of the national lacquer art "National Technical Expert" and the Chu -style lacquer artifacts, introduced to the visiting group. The lacquerware in the courtyard was a copy of the inheritance of the inheritance of the inheritance courtyard.

"Why can Chu -style lacquerware be huge but no traces of stitching?" Zhou Yongyi, a member of the visiting group and a student of English major in the School of Foreign Languages ​​of Hubei University of Technology.

Non -genetic inheritance imitation of the imitation paint lacquerware. Photo by Li Ziyun, a reporter from the Yangtze River Daily

Meng Xianggao said that this is related to the three characteristics of Chu -style lacquerware decorative skills: First, the bionic shape design concept of Chu -style lacquerware, the shape of the lacquerware shape is imitated as the image of natural birds and beasts, reflecting the pursuit of artistic taste of Chu people. It is also the creative revelation of the Chu people from the natural environment and the artistic practice of the aesthetic imagination; the second is to combine the carving of tenon -and -mortise carving, using round carvings, reliefs, transparent carvings, tenon -and -mortise structures, bonding techniques and other comprehensive methods. The third is lacquer painting, that is, painted lacquerware.

For lacquerware artists, understanding the characteristics of lacquerware is only the foundation. It is most important to accumulate and make a delicate Chu -style lacquerware. Meng Xianggao introduced that a complete lacquerware crafts need to be made from more than 20 processes such as materials selection, carving, and tenon -and -mortise molding. In addition, lacquerware learning requires extremely delicate ways to portray it.

"What are you doing? Why do you use eggshells?" In the inheritance of the courtyard, the members of the visiting group observed that the artists were embellished with lacquer paintings with crushed eggs shells. Meng Xianggao introduced that this is an egg shell inlaid and a technique for lacquerware decoration. "The lacquerware production has a lot of comprehensive materials, such as shells, jade gold foil, etc. Egg shells are also one of the decorative skills." Meng Xianggao said.

Meng Xiang Gao guided the students of Jingchu's non -heritage skills inheritance. The reporter Li Ziyun, a reporter from the Yangtze River Daily, pushed the protection and inheritance of Chu -style lacquer ornaments

"It's so mighty!" When the members of the visiting group visited the master lacquerware work exhibition, a "Marshal of Shenwu" lacquer carving works in the hall attracted many members of the visiting group. From the appearance, the lacquer work is a narrowing ancient Chinese general armor, full of metal.

"Marshal Shenwu" paint line carving. Changjiang.com reporter Lu Shiwen Photo

Meng Xianggao introduced that the work is a lacquerware work made of Xiamen lacquer carving technology. "There are two" Marshals of Shenwu ", one was given to Russian President Putin as a national ceremony during the 2017 Vancouver leader Xiamen meeting in 2017, and the other was exhibited in the non -genetic inheritance hospital." Meng Xiang Gao Say.

Why is Xiamen crafts exhibited in Jingzhou? Meng Xianggao said that this was "collected" back. In order to drive non -heritage projects in various places and the exchanges of inheritors, it also brings the public to understand the development of Chinese lacquer art from the materials, tools, and carcass in lacquerware crafts. Essence The event was visited by Zhao Yuchun and others of Jingzhou Intangible Cultural Heritage Expert Committee. The results of the visit and collection were brought back to Jingzhou Jingchu African Heritage Skills Heritage Institute to display it to the public.

Communication is a way to promote the protection of non -heritage. In order to deepen the inheritance and protection of Chu -style lacquerware, Meng Xianggao introduced that the non -genetic inheritance institute has paid more and more attention to infrastructure, and initially built lacquer culture, lacquer materials, and lacquer carcass body , Lacquer Craft and Master's Boutique Exhibition of the China Pain Craft Museum; relying on Hubei Library to initially complete the booking of the Book Bibliography of the "Large Classic Document", and open the museum for trial operation; Three textbooks such as "Classes Making Clasm Skills", "Graphic Tire Making Skills" and "True Spelling Skills" filled the gap in the cultivation of the textbooks of lacquer craftsmanship talents in Hubei Province.

Jingzhou Jingchu African Non -hereditary Institute paint line carving works. Changjiang.com reporter Li Shiwen Photo

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In addition to the Chu -style lacquerware decorative skills, the Jingchu African Heritage Skills Institute also includes non -heritage projects such as Chu -style piano, grinding eagle kite, freshwater shellfish, and gourd bait. Zhao Yuchun, a member of the Commissioner of Jingzhou Intangible Cultural Heritage, said that on the one hand, the Jingchu Non -Heritage Skills Inheritance Institute is from the perspective of non -heritage protection to do public welfare projects for non -genetic inheritors; Gathering effects, gathering non -genetic inheritors to communicate and display at the inheritance home.

Sun Hongcheng, a provincial non -genetic inheritor who produced Jingzhou grinding eagle kite for more than 50 years, set up a studio in the non -genetic inheritance home. Every year, young students who have continuous sources to learn how to make grinding hawk kites. Sun Hongcheng said that the special feature of non -heritage culture is technology, technical needs inheritance, rather than the inheritance of the Heritage inheritance, and set up a platform for those who learn non -heritage culture.

Li Yuanqiang, a national arts and craftsman and Hubei Provincial Technical Expert, established the Zisha Art Studio in the non -genetic inheritance home. When the members of the visiting group walked into the studio, he was polishing a fast -forming purple sand pot. Li Yuanqiang said that although the current purple sand pot craft is a niche craft in Jingzhou, its elegant appearance and the deep culture behind it make the purple sand pot full of charm. Human bridge.

Craftsman made a purple sand pot. Changjiang.com reporter Lu Shiwen Photo

At present, the non -genetic inheritance institute has developed and implemented rich experience content such as research and implementation, and has a important role in promoting and displaying the charm of traditional craftsmanship and cultural charm of traditional craftsmanship, and improving the construction of youth inheritance groups. "At present, we have cultivated more than 200 people through the arts and art majors. In addition, we also regularly hold a one -month research and training class, with a total of 4 phases, and the students have reached about 300. Each year through research experience, it has reached 60,000 traditional craftsmanship to 60,000. The number of people is around. "Meng Xianggao said.

Mengxiang Gao Bian visiting team members learned about Chu -style lacquer ware decoration skills. Changjiang.com reporter Lu Shiwen Photo

"We also tried to send non -heritage culture into colleges and universities, integrate into college elective courses, and inherit the generation of non -heritage skills. On the other hand, the inheritance of non -heritage cultural inheritance is connected with related cultural industries, and the production of non -heritage culture production will be sold to the outside world. Related crafts. Some people who prefer traditional non -heritage culture will also find customization in the store, such as grinding eagle kites, purple sand pots, and paint crafts to make chopsticks. Zhao Yuchun said.

The members of the visiting regiment listened to the non -genetic inheritance institute to perform the Chu -style piano in the non -genetic inheritance, and also experienced the process of making freshwater shell sculptures and gourd bait.

"In the past, I always felt that non -heritage culture was both traditional and far away for me. This experience discovered that the original non -heritage was so interesting. We should continue to increase the strength of the student group to understand the non -heritage culture." Essence

Wang Xizheng, a member of the visiting group and the second -year student of Wuhan Foreign Language Elementary School, made a flower shape with a shell carving. "I hope that the non -heritage culture will be as popular as flowers forever."

Visiting small members of the group experience non -heritage project freshwater shell carving. Changjiang.com reporter Lu Shiwen Photo

[Edit: Xiong Zhanping]

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