"" Emergence "Li Tianyuan painting &" Rebirth "Mei Faya Art" doubles launch

Jiangnan You Rongrong Media on September 6 Ningbo Electric (reporter Chen Chong correspondent Chen Xiaoyi Editor Jiangnan) "emerge: Li Tianyuan Painting Exhibition" and "Rebirth: Mei Faye Art Exhibition" were launched at the Ningbo Art Museum. There are nearly 80 paintings of Li Tianyuan's paintings and about 20 large -scale devices and paintings of Meifa. The exhibition will continue until September 21.

According to reports, the works of the two famous artists have a common theme: life and death. "Emergence" is the process of continuous renewal and birth, and "rebirth" also means that the world is constantly changing and Su Sheng. Whether it is the sculpted work in the sculpted work and the implication of the remodeling of the wooden temple, or the distance between the time and space of the universe and the small humans. Shock, even more thoughtful.

Li Tianyuan formed a path of artistic thinking and evolution and presentation

Li Tianyuan graduated from the Milk Academy Department of the Central Academy of Fine Arts in 1988. He is currently a professor and doctoral supervisor of the Academy of Fine Arts of Tsinghua University. His early realistic oil painting works reveal elegance, delicate, rich, and have the charm of classical European paintings, with both oriental aesthetics, and have won the gold award. In 2001, he began to create art and science -related works. He has collaborated with the Satellite Institute of the Chinese Academy of Sciences and the Institute of Chemistry to participate in the first art and science international work exhibition "Portrait of Li Tianyuan". One of the pioneers of creation.

He used "emerging" to explain his recent painting. Wang Chunchen, a well -known curator and critic, professor of the Central Academy of Fine Arts, believes that "emergence" is the concept of continuous discussion in systematic theory, science, philosophy, and art. The combination, changes, and repeated associations are full of behaviors that are both determined and changing.

Li Tianyuan "Fission -explosion"

Li Tianyuan is always "emerging". Over the past and forty years, he has created different types of works, subject matter, and concepts in different periods, forming a path of artistic thinking and evolution and presentation. He crossed different media and thought about the overlapping contradiction between painting, technology, and thought.

The huge representative work in the exhibition "Cloud Map" (2008-2021) is the consciousness of the invisible world through complex aesthetics, although it is only a link of a portrait in my mind. Portrait aggregation. His works are always in the continued creation, and this method itself is conceptual.

Li Tianyuan "Tree"

Chen Han, a professor at the School of Sculpture and Public Art of the Chinese Academy of Fine Arts, believes that the individual and universe in Li Tianyuan's works, life and death, and new pictures have emerged. Overlapping, micro -world, and macro -world superposition.

Li Tianyuan said that artistic creation is first of all spiritual. Everyone's spiritual world is different, and the works of creation are different. I quoted the theory of Chaos, and the Nobel Prize winner of the Nobel Prize in Chemistry believes that all our wisdom and all the thinking activities of the human brain comes from "chaos". All the creations or creation in the universe are created. Expressing with art is what I am interested in.

Meifer is focusing on the expression of life around the wood material

Mei Faye studied at the Central Academy of Arts and Crafts (now the School of Fine Arts of Tsinghua University) and the Tokyo University of Art, and obtained a doctorate degree; is now the dean and professor of the School of Design and Art of the School of Science and Technology of Ningbo University; Essence He carried out artistic creations of various media such as painting, ceramics, and sculptures, especially in the installation art creation.

Meifa "Prayer"

The works on display this time have a sorrowful meaning to express their perception around wooden materials. The exhibited "Ancestors", "Ideal", "Far Far", "Tears of Paradise", etc., used burnt wooden stakes and gray charcoal, showing a kind of disappearance, but there are still traces of traces, but still still remain, and still remain. There is a carrier of the sustenance that we will send us. These works come from reborn, and the characters do not have details, but they can make people feel speechless.

These charcoal installations, the raw materials come from an ancient building of the city god temple that collapsed by a fire in Taizhou, Taizhou, in his hometown. Meifa collected them without burning, and formed its own unique artistic language. Although burning and disabled, it has transformed into memories, thoughts, and death. Such historical philosophy and humanistic care surpass the skills of appearance. It internal description of the fragility of humanities and the disappearance of historical and culture we encountered in modernity.

Wang Chunchen believes that he uses these burnt wood to build a grand scene, as if it is a palace of soul, which is contemplative and lingering, and God has fallen. Mu Ruyi has a flesh, notice: We are reborn as a bath fire. The fields of scorched wood have gradually turned into the spiritual desk of us to realize the world. After such methods, they can penetrate the meaning of silence.

Mei Fahe and the work "The Ideal"

In art, Meifa always maintains a challenge to himself. He said: "Contemporary art is more challenging at the moment. Art is practice, life is short, and my work is mostly philosophy of life. I think how to live as you. I am very important. Whether my work can return to real individuals and individuals is meaningful for individual existence. "

Witness the relationship between individuals and society and history in the process of social process. Huaibin believes that the works of the two artists witnessed the development relationship between individuals and society and history in the social process, and constructing their own objects from reality. This "elephant" is a medium and channel. Art is like a remote sensor that advances from the media to concepts, or re -gives its concepts. They are undoubtedly predicted and forward -looking for what happened and not happened.

Citizens are rewarding paintings in the exhibition hall

"Li Tianyuan and Meifa have suddenly entered from different fields for many years, and they seek to ask for it. The various creative stages, whether it is the emergence of vision, and the nirvana of the material, focus , Paying attention to the innovation and expression of concepts, this is also the value of contemporary art. "The curator, Yang Jin, chairman of the Ningbo Literary Federation and Party Secretary, said.

In addition, the exhibition also held an art salon with theme "from the media to the concept". Wang Chunchen, deputy director of the Academy of Fine Arts of the Central Academy of Fine Arts, Liu Xuguang, a professor at the Beijing Academy of Film Academy, deputy dean of the School of New Media, a professor and doctoral tutor Guan Huaibin of the Chinese Academy of Fine Arts, Chen Han Yang Dawei, a member of the Chinese Academy of Arts Art Theory, a professor at Zhejiang Media College, and well -known artists Li Tianyuan and Mei Fa. The guests used their own creation or teaching experience to surround the core concepts of the two contemporary art of "media" and "ideas". Explore and share.

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