The world watching Hunan 丨 Leather and Shadow: The inheritance and guardianship in the light and shadow

Author:Hunan International Channel Time:2022.09.08

On China's "ancestors of the Hundred Opera", non -puppets and shadows cannot be. According to historical records, the shadow drama was born more than 2,000 years ago. It can be seen throughout the country. The characteristics of each place are different, and the shadow opera has been transformed differently. Today, "Looking at Hunan", it will take everyone into Hunan Yingying Culture.

Hunan Shadow Play

The shadow drama, formerly known as "lantern play", "shadow drama" or "lamp and shadow play", is a folk drama made by the silhouettes made of beast skin or cardboard.

Hunan shadow play is popular in Changsha and Hengyang, Hunan, as well as Yiyang, Changde, Xiangtan and other places. It has a long history in Hunan Province and has become one of the main form of artistic performance in the people in the past. In 2006, the shadow drama was rated as the first batch of the protection of the protection of the intangible cultural heritage protection list in Hunan Province. In 2008, it was identified as the first national protection list expansion project.

Inherited in the people and walking in the township, it is a tradition that the shadow and drama class has been unchanged for thousands of years.

One curtain, two incandescent lamps, and three old artists, in less than a few minutes of effort, were completed.

After the curtain, He Zhiming operated the filmmaker with both hands, sang Changsha dialect in his mouth, and told the folk story in conjunction with the authentic Hunan opera and Huagu opera vocals. The sound of drums, gongs, and suona filled with a dim room, which was very lively.

He Zhiming is the third -generation inheritor of Changsha Shadow. At the age of twelve, he began to learn to produce shadow. At the age of seventeen and eighteen, he officially worshiped and sang shadow drama. He has been engaged in the shadow show for more than 40 years. For decades, "wonderful, lifelike, lifelike" is the most familiar admiration in Lao He's ear.

The endless art is the greatest feeling of He Zhiming's inheritance of the film and shadow play for more than 40 years. "To play and play to sing, and to operate the shadow, I think our art is very amazing."

Shadow play is a comprehensive art that needs comprehensive cultivation in many aspects such as music, art, history and other aspects. Compared to singing the film manipulator, making shadow is He Zhiming's good play.

The traditional steps for making shadow are: processing leather, painting, carving, coloring, dehydration, and binding. These steps seem simple, but the detailed crafts include scraping, grinding, washing, engraving, coloring, etc. There are 24 processes.

In order to avoid large shadows during the performance, exquisite hollow line carving technology is usually required. On average, a hand -carved shadow requires the craftsman to engrave about 3,000 knives. The fine craftsmanship is amazing.

He Zhiming basically couldn't use the draft, and the carving knife began to make it on his head. Every time he finished, he had to compare the shadow in his hand with the template left by Grandpa.

He Zhiming's grandfather He De Run is a famous shadow producer.

He Zhiming's shadow in his opponent loved it, but because there were fewer people who watched the shadow play, he moved the idea of turning career and became a long -distance passenger driver for more than two years. The money made back, but every time Grandpa He Derun, who was sitting aside, was silent.

"My grandfather is a famous master of shadow. If I go for a passenger, I will lose this thing again. No one will take over the shadow play in the future. He is anxious. He said that we can do the shadow play, you can only do the shadow play well. Just listening to Grandpa's words, I have been inheriting the shadow play. "

Inheriting the shadow is the wish of grandfather, and it is more like the "family training" of He's family. He Huaiyu is the son of He Zhiming. The feeling of inheriting the shadow play has been buried in his heart, so he resigned from his father He Zhiming, and opened a shadow -shadow in the Non -Heritage Hall in Yuhua District, Changsha.

In the process of sorting out the drama data, He Huaiyu found that the traditional teaching method of the traditional shadow mouth is difficult to achieve promotion in today's life. So he focused on the teaching methods of innovating shadow, and started from the children, let them feel approaching the shadow, understand the shadow, and woven the bright fairy tale world and cultural kingdom for children in the shadow drama.

At the same time, in the classroom of the Hunan Puppet Shadow Art Protection and Inheritance Center, Li Guixiang, a national inheritor of Hunan Shadow, is taking the students to practice.

In order to develop shadow dramas more widely, the Hunan Puppet Shadow Art Protection and Inheritance Center boldly changed the inheritance mode of two -way teaching in the old opera class and introduced it to professional classrooms.

There are not many young people in the city who are willing to engage in this performing arts. These children are taking the burden of their predecessors step by step, carrying the hope of the predecessors ...

For more exciting, stay tuned for "Watching Hunan in the World".

Watching method: Hunan International Channel has now covered 230 countries and regions around the world. TV users can watch frequently. Network users can watch online through the "live page → TV station → International Channel" of Mango TV.