The "Spirit of Times" of the National Grand Theater, the opening of the new music season, will perform 149 performances

Author:Not just the theater Time:2022.09.17

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On September 16th, the National Theater Orchestra and Choir 2022/23, the theme of the "Spirit of the Times", was officially announced. That night, the conductor Li Xincao held the head of the National Theater of the National Theater, with the prelude to Weber's "Magic Bouncing Sagittarius", Richard Strauss "Rose Knights" and Lahmanov E minimalized symphony. The season opened.

Rehearsal photos (photography/Niu Xiaobei)

In this music season, the two groups will present a total of 29 sets of 53 symphony, 17 sets of 23 rooms, 11 sets of 22 choruses, and 10 51 opera, a total of 149 huge magnitude performance seasons with spectacular scale, spectacular scale, large scale, Ingenuity planning, diverse programs, and powerful lineups appropriately reflect the active and strong situation and demonstration of the national theater art production.

Action scene of the event (photography/Niu Xiaobei)

The spirit of the era with the view of the music: Looking back at history, writing the present, looking forward to the future

The National Grand Theater Orchestra and Choir's Leji Federation of Leji will have a clear theme. It is committed to finding and resonating between music and reality, but also use its philosophical thinking to promote the value of music and express the ambition of the orchestra. exception. When it comes to the theme of the new music season, Ren Xiaolong, general manager of the National Theater Orchestra, said, "Literature and art are always reflecting, shaping and inheriting the spirit of the times. The self -reliance of the mission. "

Orchestra General Manager Ren Xiaolong (Photography/Niu Xiaobei)

In his opinion, from the early 19th century, Hegel proposed the concept of "the spirit of the times" in German in the early 19th century, explaining it as "an atmosphere, characteristics and trends of an overall intellectual, moral or cultural" to Zeitgeist's German Words become philosophical vocabulary commonly used in English and Latin, and then "Times Spirit" has become a topic of contemporary Chinese life, concerns about society, and academic research. Proposition.

Music Director Lu Jia (Photography/Niu Xiaobei)

Music Director Lu Jia believes that in the process of studying and understanding the spiritual appearance of a certain era, music is a very effective medium, and even the spiritual incarnation of the times. The spirit, both looking back at history, writing the present, and looking forward to the future. To this end, Xinle Season reflects the inheritance, innovation, mutual learning and development of the "spirit of the times" with four or dark or dark programs, that is, world classics, national characteristics, contemporary spirit, and youth generation.

Zhu Wei, a specially invited painter of the orchestra and the choir, also dedicated the theme paintings for the fourth consecutive year. In the 31 theme group paintings full of the times, he restructured the shape of the orchestral instrument with the elegant and complex digital lines, inspired the viewer from a new perspective from a new perspective. Re -examine these seemingly familiar appliances, and see and follow the soul inside the body of the instrument. The chief of the orchestra felt self -reliance from it. Play! "

The atmosphere of the strong era: a strong contemporary spirit, full national characteristics, heavy world classics

In the four looming programs that are carefully arranged, the strong atmosphere of the times can be seen everywhere. According to Tang Ning, the leader of the orchestra program, it is the first time in the history of the National Theater's Orchestra in the history of the National Theater.

In the "Time", "Le is the Hometown Ming" and other sectors, with John Adams, Avo Pat, Wandeche, Ricagti, John Cage, Philip Grasse, Chen Qigang, Tan Dun, Guo Wenjing, The exhibition of contemporary master masterpieces such as Ye Xiaogang, as well as the traditional ethnic instrumental music concertastes such as Zhou Long, Fang Yanqing, Zhao Jiping, Hao Weiya, Guanxia, and Guanxia's pipa, zheng, tube, bamboo flute, Suona, etc. The strongest spirit and the most full national characteristics. Tang Ning believes that such a program arrangement contains the intention of systematically introducing contemporary contemporary works, exploring and promoting national characteristics, and strengthening mutual exchanges between Chinese and Western music.

In addition, the orchestra's exploration of classic works is still a lot of views. Leaded by the music director Lu Jia, the orchestra will be staged in the third, seventh and eighth symphony and record recording after the sixth and ninth symphony of Brookina, which has praised the tide in the first two music season. This becomes the most dense music season in Brookina. In addition, Lu Jia's Rafel's "Daphne and Croy", Li Xincao's Richard Strauss "Rose Knight" group song and Rachmaninov's "Second Symphony", Liao Guomin's San-Sang's "Third Symphony", Hong Yiquan's Berliaz's "Fantasy Symphony", and Lin Daye's Shostakovic "Eighth Symphony", all of which are highlights.

Command solo lineup: full of youthful breath, strong Chinese federation

The dense appearance of young conductors and performers not only adds a bright youthful bright color to the new music season, but also shows the orchestra's attention and support for the emergence. Except for Lai Jiajing and Sun Yifan who brought classical and modern two sets of different songs in the new orchestra assistant, Yin Jiongjie, who awarded the award in the Beison Song Command Contest, Sun Yutong, who was well received in the Van Cleen piano competition, and talented in the field of jazz piano. Abu, Yu Xiang, the new violin of Shanghai's second violin, and Lu Yiwen, the new generation of power erhu performers, all appeared at the National Theater Orchestra for the first time. The vigorous youth power indicates that the new generation of musicians who have written the spirit of the future music life are mature. According to reports, there are 15 conductors of the Perseverance Orchestra in this music season, more than 30 soloists who have cooperated with the orchestra, and 6 conductors will perform on stage with the choir. In addition to the names that have been mentioned, Li Biao, Zhang Guoyong, Jing Huan, Yang Yang, Xu Zhong, Zhang Yi, Tan Dun, Wu Lingfen, Zheng Jian, Jiao Miao, Meng Xi and other conductors, Sun Yingdi, Sheng Yuan, Zhang Haochen, Huang Meng La, Wang Zhixuan, Wang Xiaoming, Qin Liwei, Lei Jia, Wang Hongwei, Han Peng, Zhang Yang and other soloists will have a wonderful appearance, and pianist Lang Lang and Gina Alice will also be in the country for the first time in the country. The Grand Theater staged a "husband and wife file" and joined hands with Lu Jiahe to appear in the "New Year Waltz" concert before the Chinese New Year.

In addition, it is also an important way to enjoy the international female treble singer and Hui as the artist in the hospital. As an artist in the hospital in the Music Season, He Hui will be in the "Tuska" actress in "Tuska", who will be renovated for the first time after ten years and the first rehearsal. , Wagner's classic opera chapters celebrate their debut on the 25th anniversary of the world stage with 2 sets of 4 concerts and one opera.

Unbounded indoor music: continuously upgrade and expand, integrate into urban life

As the orchestra expands and the player team is becoming more and more abundant, the indoor music project will continue to upgrade the expansion in this music season. Containing 17 sets of 23 concerts "Unbounded indoor music", for the first time, entered the indoor music week of Langyuan, a landmark cultural and creative district, and the growing indoor music fixed group. The Grand Theater Orchestra has richer quality in the field of indoor music in the field of indoor music.

Tang Ning (Photography/Niu Xiaobei)

According to Tang Ning, participating in the fixed reign of this music season will reach a record high, and the enthusiasm of the orchestra performers to participate in the track planning is also unprecedented, representing that the indoor music performance culture has become more and more mature and active in the orchestra. Except for the four -formation of the National Grand Theater, the bridge and integration are all the quadranges that have formed more than five years, while minimalist and Shi Chun are newly formed string quadranges.

On the stage of indoor music, fans will also see the Shanghai four players led by Li Weigang, as well as guitar players Yang Xuezhang, erhu player Lu Yiwen, flute player Zhang Weiliang, Pipa performer Wu Man, pianist Abu, Yuanxiaguang, Xiao Tiqin, Xiao Tiqin Family Wang Xiaoming and other star -studded names, they and the pearls of the band's dear groups will create a "unbounded indoor music" series that can really surpass traditional imagination and break the Chinese and Western borders.

At the same time, the orchestra also created the first Langyuan of Langyuan, with the carefully planned "NCPAO in the City" series, and walked into the Langyuan Cultural Park in Vintage, Station, Park, and other Langyuan Cultural Park at the end of October. The indoor music drama, and shared the indoor music with the public in a simple explanation, and truly allowed classical music to enter the public and integrate into the city.

New works committees: promoting new classic masterpieces, writing a new spirit of the era

The National Theater Orchestra's emphasis on the new works and achievements have always been widely the first to the industry. Over the years, many new works they have applied for, from Chen Qigang's "Life of the Play", "Jiangchengzi" to Zhao Jiping's pipa, Xiao Ti, cello and other concerto, have become frequently staged and well -received masterpieces at home and abroad. In Ren Xiaolong's opinion, as a literary and artist, the orchestra must be a ferryer who has a good historical and cultural treasure, but also a writer who is a new contemporary fashion. The new classic masterpiece and the spirit of writing a new era.

Event site (photography/Niu Xiaobei)

In the new music season, the orchestra still has many important works of the premiere: at the invitation of the orchestra, Zhao Jiping has devoted himself to creating a symphony fairy tale "Flower Story" in the past two years. The essence of the soundtrack and his many years of research on northwestern folk music have gathered a magnificent symphony chorus, and will be premiered by the Zhang Guoyong in November. Yao Chen, a young composer who accepted the appointment of the orchestra for the first time, has always been committed to the creation of the accumulation. He was inspired by the "Tianshu" series of works "Tianshu" series of works "Board", which was inspired by the "Tianshu" series of works. Premiere in the world. The new work "Butterfly · Change", which is jointly appointment with Huang Ruo, and other Dutch Broadcasting Philharmonic. After three re -schedules due to the epidemic, it will finally usher in the world's premiere in the music season. In addition, there are "Silk Bamboo Concerto" made by Liang Lei for the flute and Xiao chords. Hao Weiya tailored Chinese -style dance tailored by the "New Year Waltz" concert.

Looking for the future from the New Leji season: while dealing with challenges, seeking development

As the third music season since the National Theater Orchestra and Choir New Crown Epidemium, the new music season shows a larger scale, more categories, and more detailed ingenuity. Zhuo Er's extraordinary development. Since the epidemic, they have dynamically arranged to adjust their performances, and they have made both online and offline. The number of performances and artistic quality not only does not fall, but instead shows a stable rising momentum, which has made examples and demonstrations for many peer institutions. On the opening day of the Leji, the orchestra invited more than 10 music fans to observe the Le Season conference for the first time. After the meeting, they also asked them to talk to the management team and performers. In the exchange, Ren Xiaolong summarized the path of the orchestra and the choir's epidemic with "more challenges, more intentions, and surprises", and said that he was fully prepared to continue to cope with challenges and seek development. In fact, the new music season has been busy with the challenge before the opening: and Hui Yin's epidemic could not come to Beijing. In the last minute, the orchestra decisively modified the plan and replaced the tracks, but it also re -planned Hehui synchronously. The new performance schedule does not shrink the performance of its performance as an artist in the hospital.

It is understood that in the new music season, in addition to working hard to ensure the realization of the planned performance, the National Theater Orchestra and Choir will also adhere to the practice of online and offline in line and offline. And broadcast tradition to continue. At the same time, under the new pattern of the National Grand Theater's "One Academy and Three Site", both groups have launched artist expansion and expanded to a new scale with three to five years to welcome the opening of the urban sub -center theater next year and enter the "dual -core" operation of the "dual -core" operation. In the "double home" era, management will also be planned to optimize and upgrade a lot of development vitality with "from the inside and outside".

Orchestra chief Li Yan (Photography/Niu Xiaobei)

This year is also the tenth year of work of the orchestra, Li Yan, who worked in the regiment. He also had more than 40 performers in the delegation like him for ten years, reflecting that the National Theater Orchestra and Choir were moving towards his golden age in a solid step. Looking forward to the future, Li Yan said emotionally, "In the inheritance and innovation of the spirit of the times, there will always be the responsibilities and mission of artists. With the growth of the team and the diversity of art activities, the stronger strength of our duties must be stronger, but The spirit, temperament and quality of the National Theater artist will never change. "