The first "Taihang Painting School Exhibition" was held in Hebei Provincial Museum of Art Museum

The first "Taihang Painting School Exhibition" participated in the exhibition. Photo Conferring in Yanzhao Poetry and Calligraphy Institute of Yanzhao, Hebei Province

The Taihang Mountains stretch for eight hundred miles and is one of the famous historical and cultural geography signs in my country. In the history of Chinese civilization, it has given birth to a unique Taihang culture. A few days ago, the first "Taihang Painting Work Exhibition" hosted by the Yanzhao Poetry and Calligraphy Academy of Hebei Province and co -organized by the Hebei Provincial Mass Art Museum was held at the Hebei Provincial Museum of Art. The exhibition concentrated shows that many local painters of Yan Zhao's Painting and Calligraphy Institute express their writing as the flag, showing the fruitful results of the Taihang landscape iron bone wind god.

The theme of "Entering Taihang" this exhibition is mostly ink and wash Chinese paintings, which fully shows the style and characteristics of the Taihang School. Representative works include "Taihang Soul" collaborated by Wang Weimin and Dai Pei, Wang Weimin's "The Love of Evergrande", "Taica", "Night Training", Dai Pei's "Smelling Chicken Dance", "Under the Taihang Mountain", "Taihang Family", Storm Golden Bell's "Huangya Cave", "Set Fuping Type" and "Snow Wolf Yaoshan" and so on. Yang Hongxia, a member of the Hebei Provincial Critics Association, believes that these works mostly use the expression of scattered perspective, high composition, clear color, and co -produced in the hearty pen and ink. , Show the clearing, bone and vastness of the Taihang School of Painting.

Over the years, many painters in Hebei Province have continued to penetrate Taihang Mountain, live in in -depth life, carry out sketching, and give full play to their artistic characteristics on the basis of inheriting the tradition. They insist on digging deeper cultural elements, and every time they come to Taihang Mountain, they will feel different. Many painters said that the temperament of Taihang Mountain is not only big and vast, but also a warm and elegant side.

Taihang Mountain is sloppy, and it is very dangerous. The ancients described the poem with the poems of "the first sun and the moon are close, the eyes are the same, and the fifth -month". Advocating nature and returning is really a major artistic feature of the Taihang School. Gengyunxuan's "Taihang Chu Snow" depicts the straight and straight mountains. Yunchang's turbulent stream in "Towering Taihang", Chen Xu's "White Stone Spring" uses elegant pink as a bright mountain flower, Wei Dong's "Taihang Xunyou" Chenghong Mountain Spring, surrounded by the peaks, Xiaomei's "Snow Snow View" is dyed with a little snow -stained, which is a snow -capped scenery of the red flag canal, and the towering clouds and the miracles of the Mid -Autumn Festival in Xiwu "The Moon Is the Hometown" Mountains ... These works have caused the audience to think deeply about Taihang culture and their spirit. In addition, the poem "Qiushan is not exhausted, and the autumn thinking is also endless" draws the clouds of clouds, snowfalls and autumn leaves of Taihang Mountain with superb brushwork. It can be said that the landscape of the Taihang School, Qing Gang's qi is the origin of its artistic changes.

Taihang Mountain has given Hebei people with a broad mind and tough personality. The Taihang School shows the work of the work through the strong lines of the ridge and the magnificent facade. The works such as "Tai Quotes", "Quanming Mountain Rhymes", "Shili Waterfall Flying Hill", "Autumn Falling Taihang Thousand Layers" and other works, all of which are all used with steep lines and rich colors to express the hardness The strong contrast of the virtual and real, sizes, and severity contrasts the different style of Taihang's iron bones; Dai Pei's works such as "Guanyun Map", "Guest Come" and "Mountain Man" and other works reflect the unique overall point -to -face painting method to reflect the grass and trees of Taihang Mountain. These works have both the artistic exchanges between Hebei artists and the re -cognition of the spirit of Taihang.

The "mighty cannot be aggrieved" is an indelible red spiritual imprint in the Taihang Mountains. It is the unforgettable bright color in the revolutionary seniors who have been fighting here. Qin Xianglin's work "China Beltic" vividly painted the hard years and firm beliefs of the older generation of proletarian revolutionaries during the period of working in Xibaipo; Ink and ink contrast the land of Marshal Liu Bocheng's fortune; Su Yun's "Responsibility of Party Members" showed the tension scene of the Chinese Communist Party members who led the masses before the arrival of mountain floods. Storm Golden Bell's work "Zan Zuoquan General" poems: "The Chief of Staff of the War of Resistance Against Japan, crossing the river, Vietnam Luliang, Pingxing 100 Tuan Tao Tao, the masses hanging up. "His other work," Set up the Ping Pass ", made people the dangerous terrain of" one man, Wanfu Mo Kai ".

Because of the special geographical location of Taihang's hinterland, Hebei has become a hot land for painters to gather sketches in recent years. "The beginning of everything is difficult. The first exhibition itself is worth a book. There is still a long way to go in the future. We will continue to unite local painters, go deep into Taixing, based on academics, exert influence, play a boost and help The important role of the prosperity and development of Hebei. "Wang Weimin, Dean of the Yanzhao Poetry and Calligraphy Institute of Yanzhao, Hebei Province, said that it is a cultural messenger who promotes Taihang culture and is a good inheritance of Taihang culture. Pride and glory.

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