Qiao Yu, who lived lively, spent his life

Qiao Yu, who lived lively, spent his life. He cares for children and ordinary people. He described mountains and rivers, and also wrote a lot of things that didn't seem "important": the flocks and Gua fields of the small villages, the pine towering in the forest, the ancient ballads in the county, the wild flowers everywhere, and the birds on the balcony. He used his child's heart and eyes to watch the world and record the world.

Text ｜ Gao Guo Meng

Edit ｜ Chu Ming

Figure ｜ Vision China (except for special labels)

"I think it's boring, I don't write it hard!"

Regarding water and river, Mr. Qiao's memory is different from others.

There is a canal in Jining, the hometown, and the crowd of cargo ships. In the summer, the ghost lantern festival is held in the summer. The lotus river lanterns fell in the water shining. Each lamp represents a dead soul, and it is also a wish. He saw such a situation and "feels both fear and beautiful."

There are also two large pots next to the canal banks that are always burned. Live the live fish and fried directly, boiled into a thick fresh fish soup. The unloading boatman, the people who slept under the tree with the soil cloth, as well as the strong wine, dry cigarette leaves and red pepper used by fishermen to resist the "water vapor". This is a living day, and Qiao Yu's first memory of the water and the deepest memory.

In 1956, the director of the movie "Shang Ganling" Shamun asked him to write a song, saying that it was not demanding. No one watched the film in a few years, and the song was still singing. Qiao Yu did not write tunnels, nor did he write war, let alone Ganling, but wrote a large river, rice incense on both sides of the Taiwan Strait, the number of Gonggong, and the white sails on the boat.

Shameng asked him why it was not "Wanli Yangtze River Wave", but "a large river wave width." Qiao Yu said that a large river can be the Yellow River Yangtze River or the streams by the family. A big river is a river without marking. "Everyone has their own river."

He said, "The true spiritual world of people always associates with some most basic things, with land, land, years, and nature, and nature, and the kind of affection between people."

On June 20, after the death of 95 -year -old writer Qiao Yu, many people recalled more of his songs, "Let's Swash Patstels", "People Saying Shanxi Beauty", "Missing", "Say Liao Zhai", "Unforgettable Tonight" ", And" Big Windmill "," Animation City "and" Little Nezha "that were unable to hide in the 1980s and 1990s.

Like a long scroll, those nearly described lyrics record the daily life of several generations: how do our children grow up, how young people are in love, how the elderly spend their old age, and how do thousands of ordinary people be in this film in this film. Land survival.

His lyrics are full of observations of the world, all details, and they are vitality. He wrote that Huang Chengcheng's ears seemed to be wolf tails. The fruit of harvest was dense than rice. The bee walked with thunder. He also wrote that the ghost and snake god was more cute than the gentleman. "The song must be understood as soon as you hear it, so you like it, so you have to have moving feelings and flattelling. I don't like to apply fat and apply it. I like to write very simple vernacular." Qiao Yu Say.

Without a real experience, he couldn't write it. For a while, many people came to him, the theme of the frontier, and the scientific research theme. He said, "I am also very painful, where is so many life." After the popularity of "People Shanxi", many provinces and cities and regions invited him to create provincial songs, city songs, and school songs. "I don't agree with any factory to write a song. Do you want to make soy sauce and sing soy sauce?"

He wrote a lot of proposition compositions, "But I never go the road to shouting slogans. No matter what time, I have to express the best feelings of the people in this era." He wrote a common, simple, basic emotion.

Many descriptions naturally jumped out. He loved to study, read Zhuangzi Laozi, read four masterpieces, also read Western philosophy, read natural sciences, likes Lu Xun and Goethe, and said that he grew up "eating grain grains" in reading. He also prefers "Insects", not only because of its rustic style, but also because of Fabul's respect and love of "small life, describing those trivial insects, full of humanity."

This may be connected with his sight. Qiao Yu said that his temper is sometimes very big, angry, and hate those villains to fight for power, but anger will not stimulate his creation. Weak people, things, scenery, and things, always dial my desire to create. I like worldly life, live the real life. "

In the winter of 1991, in the preface of "Chinese Songs and Sea Cong", he wrote, "I have never regarded the lyrics as a beautiful thing in Jinyi and Gao Tang Hua. , Coarse clothing, or a small courtyard that is not spacious but warm. "

Qiao Yu set up his own small courtyard for ordinary people in China. Everyone has a memory of Qiao Yu's songs, and no one can avoid it. If the small courtyard is also interesting, attractive, it should not be vitamin tablets, and it must be fresh.

He never worried about what was published. He said that writing is his own business, and it is a matter of others.

In 1999, Qiao Yu in Jining, Shandong, hometown

The boat was gently, and it took more than 50 years

Before the age of 18, Qiao Yu was not called Qiao Yu, called Qiao Qingbao. In 1946, before studying at the North University of the Communist Party, he changed his name, both secretly and found a new symbol for himself. The biography "Qiao Yu's" Love "Song" detailed the details of Qiao Yu's rename: heavy rain that day, Qiao Yu was in the toilet. After thinking about the new name for half an hour, looking at the rain, thinking about "Qiao Yu", it would be better to be called "Qiao Yu". I also feel that the word "rain" is more appropriate and lighter to change to the word "Yu". The filming of his own idea is the best, while running out of his pants, he ran out of the school.

Qiao Yu, Qiao Yu, very light and comfortable. Qiao Yu had a collection of lyrics in his later years. Others asked him to name him. He said that he was called "The Boat Light". I am happy and happy. "

In fact, his growth was not easy. He grew up in a poor family, his father died early, and experienced war and the "Cultural Revolution". He knew more than many people. But he didn't write much suffering.

Zhou Changxing, a writer who had written a biography for Qiao Yu, asked him why he started from "Let's Swaying the Pagoda" and never see his complaint on the old society. After ten years of turmoil, the scar literature rose. He almost said nothing.

"I probably experienced too much pain to not be willing to express pain, and the expression of pain was more painful than experiencing pain." Qiao Yu said, "In my youth, that is, 20 years before liberation, there was almost no one who had sang a relaxed song. The free song that should belong to our age group ... In the era of being able to sing "Swaying the paddles", it is not the sin of the writer. Later, I gradually understood Mozart. He said that he said that The suffering of life can't overwhelm me. I noticed joy into music in order to make the whole world happy. "

Qiao Yu grew up in his mother's folk songs, folk songs and riddles. His mother is a farm girl, who is not literate, but has a rich folk story, and she will give him a one before going to bed every day. His first children's opera "Sisters of Orchards" also stemmed from childhood.

It was one of the few growing years, a few, warm and moving moments, and he hoped that Chinese children should feel this joy. "In art, tragedy is not suitable for children. Cultivating children's happiness is the primary task of writers."

He depicts the world that the children should have in the work- "After doing the homework for a day, let's enjoy the joy", "The sky is good -looking, the earth is good -looking, and there is a group of happy friends", "Building this city without bricks does not need brick bricks, no bricks are used to build a city. , Without tiles, just use one picture to connect another picture. "

The source "Let's Swash the Double Pash" MV

Even if he stopped writing children's drama, he always wanted to keep this relaxed. He wrote songs for tragic war movies, but did not write sacrifice or artillery fire. He wrote the beauty on the land and wrote those who were worthy of defending.

He will describe some very complicated emotions in a very simple and free language. Those people have the moods that everyone can't say.

In the Spring Festival Gala 1988, Mao Amin sang Qiao Yu's lyrics "Missing", "Where do you come from, my friend, like a butterfly flew into my window."

Many people think that it is love, and some people say it is friendship, but Qiao Yu believes that it is a kind of emotion that is difficult to be defined, the subtlety of human spiritual world, love in love, friendship in friendship.

After "Missing" sang North and South, he met a strange thing on the bus. When the car was driving, someone suddenly posted it in his ear, and I liked your "Miss". Turning around, she was a little girl. Qiao Yu asked her how old she was, and learned that she was only 13 years old. Qiao Yu said, 13 years old, you don't understand this thing. The little girl answered, I understand, I understand everything.

He said that his works are always more easily more heavy and more joyful than depression. "In my thousands of lyrics, there are almost no songs that make you cry."

Qiao Yu and Li Gu sang a total of "Unforgettable Tonight"

With his ballad, the world will never aging

Before the age of 60, Qiao Yu was not born in his birthday.

Later, he became old, and the children wanted to Zhang Luo, and he also followed everyone's wishes. To be happy, he felt that the birthday banquet was just playing. Everyone was looking for happiness. Such happiness is very important to Qiao Yu. This is the opportunity he can "blend" with young people. "Being with young people, hee hipped, that is really happy. At this time, you are not lively. Consciousness.

Vivid and lively, running through his life. At the age of 62, he wrote "Miss", and people did not believe it was made by the old man. "The windmill squeaks, the scenery here is really beautiful." It is a word that he is 66 years old after retiring, and people feel strange. Why is it so childish and innocent. Even "Sunset Red", Qiao Yu also said that he used the child's perspective to tell the "warmth and calmness" of the elderly.

"An old man wants to write a song that young people love. This is also very fun to be bitter. The work can make the author youthful, so he is willing to write it down."

He was always gifted, with a round face with a smile, and a child wrote to him: "You really look like a porcelain doll." Today, his song sounds full of innocence and interest.

Last year, the musician Zhang Yan wrote a letter to Qiao Yu when he adapted "Big Windmill". He was born in the northwestern countryside in 1989. The only TV station that can be found in the family is a central set. The happiest one daily is to see the "big windmill". In the letter, he said that Grandpa Qiao might not have thought of us with a rough and bearded face, (now), like a little doll, playing games when he was a little doll every day, and dancing with "Big Wind". In 1954, Qiao Yu joined the Chinese Writers Association and created in the Children's Literature Group. He was a colleague with Bingxin and Ye Shengtao. At that time, he wrote songs for the children, and he was immersed in it and felt unprecedented happiness. In those years, he wrote 7 children's literature works, and has been thinking about what children need and what they want to know.

People ask him what skills are there. He said what he said, "Keep childhood and childishness." He said that, and did the same. He never wants to be old, it doesn't matter. He always wants to be a child, and there are many happy things to do.

He was curious about everything, and many people who had interviewed and contacted Qiao Yu said that he had a good relationship with the owners of the stalls near the home. Zhou Changxing mentioned that more than 20 years ago, he and Qiao Yu went to the Fangzhuang vegetable market in Beijing. As soon as they entered the market, the vendors shouted like "electric shock", called Mr. Qiao, called the fellow, and called his little old man.

The haircuts, selling smoke and selling newspapers, all of the restaurants are friends. To what extent, Qiao Yu said that if you do n’t see them for a few days, you feel uncomfortable. When he went to a business trip, he turned around and ran to sit in front of the snack stall.

At that time, Huang Qishi, his friend and word writer, also lived nearby. Sometimes he met Qiao Yu when he met Qiao Yu. Newspaper and milk. The stall owners know that he likes pigs to launch, and he will keep him deliberately. He also knew to eat, bought a lively pig lung, irrigated it in it, was irrigated until snow, and the blood was removed.

He liked to drink. At the age of 90, he was interviewed. The reporter came to the house and couldn't help drinking two cups. Once I was hospitalized at cerebral thrombosis, he joked with the nurse and lost Wuliangye. Someone came to shoot and asked him to run a glass of drinking. The other party said, Master Qiao toast! He shouted, "fake!"

His living law is different from others. Once, the editor -in -chief of a health magazine asked Qiao Yu, what was the secret of maintaining health. The old man said, "I never consider how old I want to live, how to live in love, and wherever I live, don't think about it."

He chatted with the people who repaired shoes and car repair. He observed the birds parked on the balcony. He went to karaoke, while listening to the young people singing, and watching the MV of "Unforgettable Tonight", he was happy for this form, and couldn't help but criticize the screen.

In some years, he put a few packs of new manuscripts on his desk. He didn't know who the other party was, and he read it seriously. After reading it, I also wrote a preface to the young authors. "He promotes me, and I also use my own artistic experience to help him" "Writing lyrics and not essay, you have to splash it lively."

Qiao Yu, who lived lively, spent his life. He cares for children and ordinary people. He described mountains and rivers, and also wrote a lot of things that didn't seem "important": the flocks and Gua fields of the small villages, the pine towering in the forest, the ancient ballads in the county, the wild flowers everywhere, and the birds on the balcony. He used his child's heart and eyes to watch the world and record the world.

In 1999, Qiao Yu met Guo Mengyong, head of the Taiwanese artist choir in Shenzhen. The other party learned that he was a lyricist of a large river, and deliberately arranged a performance. There was no makeup or accompaniment. Everyone in the choir sang with a score. During the difference, he gave a song "We will always be a child" to Guo Mengyong. This lyrics are the longest and most words of Qiao Yu's works. In the lyrics, he wrote a wish: we are all children, all things are with children, the sun will not be aging, the moon will not aging, and the forest will not be aging.

We will always be children

There is our smile on the world

Humans will never aging

There are our ballads in the world

The world will never aging

Reference materials:

"Qiao Yu's" Love "Song" Zhou Changxing in Shandong Literature and Art Publishing House 1999.04

"Qiao Yu's Collection Article Volume" Qiao Yu and Xinhua Publishing House 2004.01

"Qiao Yuwen's Poetry Volume" Qiao Yu with Xinhua Publishing House 2004.01

"No Drunk Loving the Love of Qiao Yu's Dahe" Zhou Changxing is a unity publishing house 2007.07

"Chinese Literature and Art: Tribute to Classics -Ci Writers Qiao Yu" CCTV4 2017.03

"Thai Dou Qiao Yu: Sixty -one years ago, he wrote" My Motherland "" Zhang Wei peeled onion 2017.10

"Qiao Yu is such a person" Zhou Changxing Chinese young writer News 2019.10

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