"Chinese Literature Critic" 2022 Idea 3 Catalog

· Writer Focus · Xu Zechen album ·

Xu Zichen's manuscript

Northern China's style and style of style -evaluate Xu Zichen's novel "Bei Shang"

Summary: "North Upper" is a novel with the canal as the central content. The novel is familiar with the deep historical consciousness, reality, and the well -known to the canal culture, expressing the historical fate of the century -old canal; The appeal of a nation's secret history shows the effective measurement and understanding of the writer's literary literature. The powerful style lineup is a speechless evidence of a national spirit and personality, where the cultural password of Chinese experience is implicit, which also expresses the historical view of the writer's materialism from one aspect; It is the "style book". The love of the canal is endless. Whether in the past and present, it is the most beautiful story, legend, and landscape of the canal. The canal soup of the canal in "North Upper" is vast, and at the same time, it is also full of confusion.

The author Meng Fushan, a special professor of Shenyang Normal University (Shenyang 110136).

The dual confirmation of self and world -On Xu Zichen's view of writing

Abstract: Modern novels reflect on and criticize the world in the reflection and criticism. It not only does the writer and the world look like, but also think about what people and the world should look like. Xu Zichen is a representative writer who has made his writing wide through thinking. Examining the formation, changes and the purpose of his writing concept can confirm how rational thinking and self -argument are how to expand the consequences of the writer's vision and construct the meaning of novels. His novel aesthetics are strict, balanced, and honest, with both interest and knowledge, realism, and philosophy. He has a clear sense of self -consciousness, and can balance his feelings and expand his capacity by writing the same as aspects of the same generation, "going to the world" and art self -discipline. His writing is a dual confirmation of himself and the world, and also represents the trek and guardianship of the art of novel art.

Author Xie Youshun, Professor of Chinese Department of Sun Yat -sen University (Guangzhou 510275).

"National Epic -Yuan Novel" Weaving Form -a social history reading of Xu Zichen's "North"

Summary: From the perspective of social history, observe Xu Zichen's novel "Bei Shang". It can be seen that in order to realize his four ambitions, the novelist focuses on the century -old Chinese history from 1900-2014 in "North Upper", forming the "Ethnic Epic — Yuan "Novel" Weaving form. On the one hand, the novel has a lot of efforts to geographical and historical details along the Grand Canal, and the combination of reality and reality covers a long time span to form a sense of historical sense of "national epic"; Generate the self -awareness of "Yuan Novel", so that the sense of history continues to generate self -generation and solve itself. The novel's discussion on "history" stopped, but by opening up the vision of social history, we found that the novel still has room for continuing discussion in the intellectual heart of the intellectuals in the late Qing Dynasty, the integration of the west civilization, and the overall cognition of the Grand Canal.

Author Chen Si, an associate researcher at the Institute of Literature of the Chinese Academy of Social Sciences (Beijing 100732).

Motivation of writing

Xu Zichen

· Chinese Literary Culture Construction · Chinese Paradigm of Literature Theory ·

The operation and regulation mechanism of the Chinese paradigm of literature theory

Summary: The theoretical paradigm is to give the object a overall thinking mode or model. It is the Chinese Communist Party's structure, co -successive and co -following the theoretical thinking for certain group members. Literary theory Chinese paradigm is a theoretical thinking mode formed by accumulating, habiting, molding, and communication in the continuous theoretical construction of the Chinese literary theory research group. Coordinating objects and changing the characteristics of the overall generation object, and there is a set of adjustment mechanisms. The characteristics of Chinese characteristics are reflected through a paradigm mechanism. Such mechanisms can be summarized as transcendence mechanisms and dual -domain regulation mechanisms for theoretical construction. Such a mechanism is significantly different from the continuation mechanism of non -transcendence in the Western theoretical paradigm.

Author Gao Nan, Professor of Liaoning University School of Arts (Shenyang 110136).

Realism: The unique background of Chinese literature theory

Abstract: From the perspective of the development of Chinese literature theory and the influence of theory, realist creative methods are the most prominent in all creative methods, which has become one of the backgrounds of Chinese literature theory. Compared with European and American realist literary theory, the realist background of Chinese literature theory has the following three characteristics: one is strong romantic colors, the other is strong political, and the third is the first of theory. From a historical perspective, the formation of Chinese realist creation methods is the result of real choice.

Author Zhao Yanqiu, Professor of the School of Arts of Hunan Normal University (Changsha 410081).

The "knot" and "solution" of the concept of modern literary theory progress

Abstract: Although the concept of progress has brought Chinese modern literary theory out of the traditional retro and cycle concepts, it has also made the Chinese literary theory purpose, subjectivity and academic criticism, which is related to our misunderstanding of the concept of progress. This misunderstanding mainly refers to the equivalent of progress with modernity, equivalent to the progress of human beings, and equivalent to positive value, which is related to many people under the concept of linear time and its logical guidance as additional factors. The "progress" of Chinese modern literary theory should obtain the proliferation of new knowledge, new knowledge, and new vocabulary in the process of returning to specific literary problems and solving specific literary problems.

Author Hao Ertao, lecturer at the School of Literature and News of Xiangtan University (Xiangtan 411105). · Contemporary Literature Observation · Science Fiction Literature Creation Theory Research ·

Chinese science futurism: Time performance, type and characteristics

Abstract: Science futurism is a genre generated when science fiction is occurred. I look forward to leading humans to the future through innovation. The creation of Chinese science futurism is extremely rich. In the late Qing Dynasty, the "seventeen years" period, the new period, and the 21st century, a number of creative climax was formed. Its works can be roughly divided into blueprints, operations, experience, and mixed types. kind. Chinese science futuristic works often show the following characteristics: the development of science and technology and future society, faith to good beliefs, optimism, collectivism, and family feelings, as well as showing the toughness unique to the nation during the change. Chinese science futurism highlights the role of solution to mainstream literature. Strengthening the international communication of this genre work will help enhance the competitiveness of local cultural competitiveness and construct future dominance.

Author Wu Yan, Professor of Humanities and Sciences Center of Southern University of Science and Technology (Shenzhen 518055).

Multi -meaning of science fiction realism

Abstract: The naming of science fiction realism is rich. The "realism" in science fiction realism means that Chinese science fiction literature grasps reality macroely with a three -dimensional perspective, and writes the integrity of human society; "science fiction" means building dreams, imagination, and consciousness, and thinking about the future with science fiction. From the perspective of social history and technology, the creation of Chinese science fiction realism is closely related to social reality, showing a strong sense of worry, paying attention to the expansion and changes of science and technology development on the meaning of reality, and deeply reflecting on the future of human civilization. Chinese science fiction realism relies on the deep foundation of Chinese culture to explore the nature of people, reveals the relationship between people and the universe, and provides literary reference for understanding and understanding reality with its own unique creative style.

Author Meng Qingshu, Professor of International Media University of Jilin University of Foreign Languages ​​(Changchun 130117).

Realism creative characteristics

Abstract: Science fiction realism has become a very influential manner and creative trend in the domestic science fiction industry. Discussing science fiction realism needs to pay attention to scientific and technological dimensions and place it in the process of modernization in China. There are three important features of science fiction realism: first, the performance of a shocking experience, showing the beauty of science and technology, combining the exploration of the universe with the thinking of human nature; the second is the social change brought by the metaphor of the metaphor, deeply involved in the reality. A civilized warning is issued; the third is to pay attention to the relationship between science and technology and people, transcend human centerism, and think about the ultimate significance of "human" from the perspective of human beings. Science fiction realism provides a unique path for science fiction literature to observe and intervene in reality.

Author Peng Chao, a lecturer at the University of Petroleum (Beijing) (Beijing) (Beijing 102249).

· Chinese Aesthetics Spirit · Chinese and Western Keyword Comparison ·

The aesthetic dimension of qi theory

Abstract: There are concepts of "qi" in Chinese and Western philosophy, and they all exist as initial elements generated by all things. There are many things between the two. However, Chinese qi theory has become a main vein of Chinese philosophy, and at the same time, it has also had a very common impact on Chinese literary and artistic creative ideas and aesthetic concepts. The dual -opposite tradition of material and spiritual in Western philosophy does not exist in the development of Chinese qi theory. The body, morality and creative thinking of Chinese spirit are digital. "Nourishing qi" has become the basic condition for the cultivation of writers and artists. The overallness and sense of life of the work comes from the full filling of the work.

Author Zhang Jing, Professor of the School of Humanities of Chinese University of China (Beijing 100024).

Gasing and atmosphere: the comparison and dialogue of Chinese and Western aesthetics

Abstract: The theory of gasification occupies an important position in Chinese philosophy, and has also affected the development trend of Chinese aesthetics, forming a unique gasification aesthetics. The atmosphere aesthetics has emerged near the west late, emphasizing the atmosphere of uncertainty and liquidity. It is similar to the "qi" in Chinese philosophy. The aesthetics of the atmosphere and the aesthetic aesthetics of the atmosphere have a broad comparison. Gas chemical aesthetics exclude the mandatoryness of fun judgment, emphasizes the cultivation of life experience, and the atmosphere aesthetics is based on physical perception, showing vagueness and sportiness, trying to build the perceptual existence of the unity of master and guests, which makes the atmosphere aesthetics and China and China’s. Gas chemical aesthetics has a deeper cross -cultural dialogue. Under the comparison of atmosphere aesthetics, ancient Chinese aesthetic experience and artistic phenomenon can be more clear, and the traditional Chinese gasification aesthetics can promote the depth of the aesthetics of the atmosphere, and the new direction of the combination of the aesthetics of the atmosphere and the theory of cultivation.

Author Liu Yiqing, a special professor of the School of Humanities of Nanchang University (Nanchang 330031).

The rhythm translation of the rhythm of the rhyme

Abstract: When French collectors and scholars Du Bosi took the lead in registering the aesthetic value of calligraphy and painting in the Ming and Qing dynasties in the 1930s and 1930s, it corresponds to "rhythm" to "rhythm" and reconcile another translation of "charm". Echo. This concept benefits from Lin Yutang's interpretation of the "form" and "rhythm" of Chinese calligraphy aesthetics. "Qi Yun" has a complex aspect of cross -cultural modernity in the west. On the one hand, Western scholars selected "rhythm" translation of "rhythm" from their own culture, so as to give "rhythm" new significance and complete the modern transformation of Western art; on the other hand, Driske, Lin Yutang and others explained to the West to explain to the West The vivid rhythm of Chinese calligraphy also realized the modern significance of Chinese art. Lin Yutang's theory of all things about calligraphy was consciously used by Ben Yaming for his imitation theory, showing the modern potential of Chinese art concept to reshape the consciousness. Author Li Sha, Beijing Normal University Literature and Art Research Center, Lecturer of the School of Arts (Beijing 100875).

· Literature Interpretation Study · The characteristics of the concept of ancient Chinese interpretation ·

"Endless words" interpretation of academic ideas

Abstract: "Endless words" reveal a general expression and understanding, that is, the paradox of "words" and "meaning". "Word" is a language, and it is discourse and speech in the text; "meaning" is the meaning of the text, including the author's meaning and the reader's meaning. The author's meaning is meaning and meaning, it is free meaning, limited. The meaning of the reader is derivative. It is constructed and can be generated infinitely. The interpretation of the meaning of text is both limited and infinite. It is limited and unified unity. The academic value of "endless words" is manifested in the development of meaning in historical development, promoting the deepening of understanding, and promoting the generation of knowledge. Therefore, it is historical, and the rationalization extension in history is realized by interpreting the cross, reassembly, discovery, and creation of interpretation. At the same time, it is aesthetic, the basis for the formation of aesthetic taste and artistic conception, and the eternal charm of literature and art.

Author Li Jian, a professor at the Institute of Aesthetics and Literature and Art criticism of Shenzhen University (Shenzhen 518060).

"Weiyan and Righteousness" and the comments of ancient novels are explained

Abstract: The traditional interpretation method is an important source of the construction of the ancient novel evaluation system and its speech expression. The novel reviewer has built a enthusiasm for the critics that can mobilize the commentators themselves, but also leads other readers to continuously discuss the interpretation effect of the text "micro -words and righteousness". The "Weiyan" type causal hidden perspective, usual method and value construction of the interpretation of ancient novels had a profound impact. It reorganized the diverse possibilities of novel text information and provided a hidden interpretation structure to promote the information of the novel text Get the long -term period and multi -angle explanation. The "Weiyan" style is a model that can surpass the original meaning system of novel text and has a significant creative insight. It is the basic logic of the establishment of the ancient novel evaluation system. Essence

The author Wen Qingxin, a professor at the School of Arts of Yangzhou University (Yangzhou 225002).

Literature interpretation under the concept of "Zong Jing"

Abstract: Under the influence of the concept of the Scriptures, the interpretation of classical classics shows the characteristics of the "purpose theory" as the core, which is reflected in the constant changes contained in the concept of "Jing". At the same time, the saints who interpret the intermediary are also direction and practical about the development, understanding and interpretation of the concept of the intermediary. Consistent with the "purpose theory" of scientific interpretation. In the interpretation of classical literature, the "Scripture" has set up a boundary for the interpreter's understanding of the "literature", that is, in the literary relationship, the priority of the Tao guarantees the interpretation boundary limit. The presence. From the interpretation of the text in the three types of interpretations in literature, it reflects the characteristics of literary interpretation affected by the interpretation of classics, that is, the dialectical unity of boundary and freedom.

Author Zhou Haitian, lecturer of the School of Literature, Shanghai University (Shanghai 20044).

· New Media Literature · Network Literature Criticism Construction ·

Network Literature Critical: "Online and offline" recognition

Abstract: Online and offline "dual structures" constitute the overall pattern of my country's online literature criticism. Both of the two criticism positions are very active, but their characteristics have different functions. For example, the subject identity is different from the criticism of the two when criticizing the two. There are different influence fields. Based on the strong integration of online media, the interaction and integration of the two major criticisms of criticism has its necessity and inevitable. In the future, online literature criticism is particularly required to build strong online criticism positions to better implement "readers -centered" The literary philosophy, enhancing the vitality and spirit of online literary criticism, making the people the real subject of online literature aesthetics and their judgment.

Author Ouyang Youquan, Professor of the School of Literature and News and Communication of Central South University (Changsha 410012).

Division and harmony of network literary criticism form

Summary: Online literature criticism has an interval between online and offline. The formation of this separation is mainly based on the three aspects of the media field, the main body composition and the discourse system. In order to break through the segmentation, the criticism of online literature should conduct online criticism and experts and scholars' "admission" online. This construction helps to create a new pattern of online literary criticism, promote the formation of a new situation in the new era of literary criticism, and has a positive significance for the overall development of literary criticism.

Author Zhou Xingjie, Professor of Literature of Guizhou University of Finance and Economics (Guiyang 550025).

There is a large difference between building online literature criticism integration development mechanism: online literature online criticism and offline criticism. In order to better improve the quality of online literary criticism, we should actively seek the integration and development of online criticism and offline criticism. This is the current research perspective conversion, researcher's identity, and overall grasping the needs of the network culture ecology. Establish a harmonious criticism of discourse, highlight the "intermediary" role of the network platform, play the adjustment and supplementary role of media criticism, and expand the construction of public space criticism of online literature.

Author Wu Changqing, special researcher at the Anhui University Network Literature Research Center (Hefei 230039).

· Doctoral Forum ·

"Discovery of Landscape" and the generation of writer Wang Zengqi

Summary: "Landscape" presented in Wang Zengqi's early creation as a process of gradually "discovery": from the early stage of aesthetic vision to the world, presented poetic in the heart, and the landscape writing as the recognition world in the loneliness state as the world. Confirm the carrier of self, and then to the anxiety brought by the "scenery Kunming" against the urban life, and therefore produce continuous reflection on the process of self -life. The viewing and writing methods of the landscape implied a set of value concepts such as the literary view and life outlook of young people. At the same time, the writer's self -identity mechanism was deepened. Therefore, "the discovery of the landscape" is an important literary perspective we understand Wang Zengqi.

Author Zhang Xiaoqing, PhD student at the School of Arts of Nankai University (Tianjin 300071).

Write from the urban -rural relations in Li Peifu's novels

Abstract: Writing urban -rural relations is an important theme of Li Peifu's literary creation. From the "Plain Trilogy" to "Plain", Li Peifu's urban -rural relations narrative have a clear change process, that is, to describe the countryside of the Central Plains from the perspective of village viewing cities, urban trials, and urban and rural areas. Through the review and writing of urban -rural relations, Li Peifu presented the survival experience, emotional confusion and meaning of significant life, recorded the spiritual map of individual life in the space flow during the social transformation process, and also provided a copy of the urbanization process of China. Vivid spiritual history.

Author Li Chao, PhD student at the School of Arts of Shandong Normal University (Jinan 250014).

Artificial intelligence image in contemporary science fiction literature

Abstract: The artificial intelligence image in contemporary Chinese science fiction works shows the evolution of "physicalization" to "digital". Analysis of the evolution of AI image in related science fiction literature will help us further reflect on the relationship between people and artificial intelligence. The vagueness of human -machine boundaries reflects the cognitive anxiety that humans have occurred when facing artificial intelligence. The description of robots in science fiction works projected the "sense of crisis" brought by artificial intelligence to humans. With the development of sensing equipment and virtual reality technology, the possibility of the integration of human body and artificial intelligence has a realistic foundation. The increasing virtual illusion and human survival status in science fiction literature, warning people's spiritual life may be defined by artificial intelligence programs.

The author became a doctoral student at the School of Arts of Fujian Normal University (Fuzhou 350007).

Source: China Social Sciences Magazine

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