◇ Masterpiece Poetry Thinking (below)

□ Li Feng

"Beauty in architecture"

The architectural beauty of the new poem is a pseudo -concept.

The new poem has its unique aesthetic space, as well as its specific aesthetic direction. For example, the beauty of poetry. Because Chinese poetry has been closely linked with music since the first "Book of Songs", it can be sung. Poetry should first originate from the labor number. People are exhausted, and they use some simple words to form the labor number. These labor numbers have repeatedly reorganized and repeatedly reorganized, forming a fixed melody. Every time I worked tired, I sang. So far, we still have the habit of humming when we do housework or labor. Sometimes, I ca n’t remember the words, but the tone is very familiar, so I remember the words that I remember. The word is wrong, but the melody has not changed. There are also old songs in some literary programs. Most of those lyrics from ancient times can be regarded as poetry. This is the right relationship between music and poetry, which is right.

However, some people also put forward new poems to pay attention to architectural beauty. This is a bit far -fetched. The new poem was originally relieved from the fence of the old body poetry, and it was to complete a thorough liberation from content to form. Why do you want to formulate a standard of building beauty? This is tantamount to putting a handcuffs for the new poem. In ancient times, the rhythmic poems and quatrains, each row and every section were several words, and the words were several words. Of course, these classical poetry, whether it is Tang poetry or Song poetry, has a good poem and good sentences that have been circulated for thousands of years. Writing into the text is placed there, there is a neat and unified architectural beauty. But it must be pointed out that there is also a kind of aesthetic fatigue. I refer to not only the form of poetic appearance. More often, because of this form of crickets, it will also affect the depth of poetry. Because when it expresses poetic and poetic, it restricts the creativity of the poet. Therefore, it is inevitable that there are homogeneity or some far -fetched things. Even in the poetry of many poets, the poet's shadow cannot be seen, and the poet's soul and unique feelings cannot be felt.

Some people say: Isn't it to learn from classical poetry? That's right. Chinese new poetry is not only influenced by Western poetry, but also while absorbing the expression of Western poetry, it still needs to absorb nutrients from Chinese classical poetry. This is the spirit of our Chinese nation, such as the wind, elegance, and eunuch in the Book of Songs, such as the use of Fu, Bi, and Content, such as the unique ideas of Chinese people in the creation of artistic conception, and so on. This is what we must learn from classical poetry, but it is by no means that new poems must be bent back to the old way. Some people have proposed that the new poems should also pay attention to the rhyme. I resolutely disagree with this view. All forms must serve content, not to pursue forms and make fresh language dead. Of course, the poetry's mouth is right. But this is by no means the standard of new poems. It can be advocated in some recitation poems. As mentioned earlier, the aesthetics of China are constantly changing in architectural aesthetics, not static. Of course, the fourteen lines of lyric poems in the West are another code.

simile

Fu, Bi, and Xing have been three important means of poetry expression since ancient times. Among them, of course, it means metaphor. New poems are naturally inseparable from metaphors. For example, compare the moon to miss, to drink drinking to dispel sorrow, compare the night to the difficulty of life, compare the sun to happiness, and so on. In the past 40 years of Xi Poetry's poems, it can be said that each poem cannot be separated from metaphors. At the beginning of writing, most of them followed the metaphorical methods commonly used in ancient poems or poems in other people to personally use the imagery and image to make it vitality and personality of life. Later, from the perspective of strangeness of poetry language, and the level of imagery deconstruction, in the expression of imagery, further deepened the core of the image to find a more unique and unique metaphorical object. This mainly relies on life experience and inspiration. Sometimes, you need to look at it from the perspective of philosophy, so that the metaphor of poetry is more appropriate and deeper, and more creative. This is another difficult exploration process. So far, there are still many poets, including famous poets, still use this metaphor in their own poems. Received good results. However, I think that the poetry can write about the stages of the source and the innocence of the fire, how to write it is poetry. That metaphor is deeply hidden in each word and every sentence, penetrating in poetic. Instead of simply expressed "like", "like", "like", "like", "like". I write poems, especially when using metaphors, try to avoid using those intuitive metaphors to find the core of poetry. Then, just right to give me a sense of sympathy and association. Of course, it is not a direct metaphor. This is just a question of sophisticated and not sophisticated.

Is it a poem? It can be said without exaggeration that any subject matter and any material can be written as a poem. The key is to see how to write. In addition to the concept, finding the entry point, digging poetry, presenting poetic eyes, and grasping architecture, I read the language of poetry is the most important. I don't know if Han Dong's "poetry is until the language" does this mean. But at least in my understanding, it must also include this meaning. We often say the language of poetry. Explain that only the language of poetry can write poems, the text written by the branch can be regarded as a poem. As soon as someone talked about the narrative of poetry, the poem was written as a prose of the branch, and it was written as oil poems and smooth. As soon as someone was writing lyric poems, he would only use "ah", and then he shouted exhaustedly, completely losing the beauty of the poem. When it comes to writing recitation poems, it is a large paragraph, a series of adjectives. These written things are not poems. Those who are new to writing poetry have such passionate creative experiences, and they are also complacent and excited for these branches of branches. Later, I felt that the poetry became more and more written, and the language of the poem became more and more lacking. Moreover, when I keep writing poetry with those adjectives and metaphors, I have a feeling of shame. It can be mentioned that the "poverty of Guizhou donkeys" and exhaustion of mountains and rivers. At this time, many people withdrew from the ranks of writing poems, or in other words, this is why many people who like literature do not dare to "touch poetry". Try to see, many people now write the so -called prose of thousands of words sprinkled with thousands of words. Because this style of style itself is very low. Written well, you can't say that it is not prose. But you try to write a short poem, or a sentence, it is very difficult. Of course, there are some people who insist on writing poetry all their lives, deeply study the language of poetry, and explore poetry, and gradually enter the righteousness of writing poetry. In the study of poetry language, I have a clear understanding of poetry "what" and "how to write". Finally, the conversion of poetry "where the prosperity comes" to "where the heart is coming", and wrote a lot of real poems and good poems. title

Title of poetry. The title of each poem is the name of this poem. Needless to say, the title of a poem has the role of outlined collars, which means that it is a highly summarized summary of this poem. But the title of the poem is different from prose. For example, prose writing travel notes can be written as "travel notes in a certain place", and poetry cannot be written like this. The title of the poem should write the enlightenment and the poet's deep understanding of a certain kind of nature; the title of the poem can be reflected in the entire poem, or it can be reflected. It is mainly to see if the whole poem expresses the content to be expressed accurately. To some extent, I even advocated that the title of the poem is not reflected in the word of the whole poem. It seems that there is always a sense of mystery or a faint taste. The title of the poem is preferably left to the reader to experience it before it is more realm; the title of the poem can be long or short, and there is no rule. The title of "Life" in North Island is two words, and the content is only one word, and it is also a good poem. Many poets, including some important poets, and many poems, most of them use two words. I think this is a high degree of summary; the title poem is not without title, nor cannot it be available, it is to hidden the title in the whole poem. The poet believes that if the title is set up, it is enough to paint a snake. Like a wordless monument, leaving people more room for imagination. Someone now wrote this kind of useful poem. However, I think it is a bit reluctant and unnecessary. Occasionally write a few inscription poems, it is not impossible, just don't deliberately do it, there is suspicion of making show.

state

There are many status of poetry. Some people move after a long period of thought or brewing. There are even people to create a poem to consult a lot of relevant materials or background materials. Some people have occasional inspiration, so they have picked poetry. Each poet's writing status is different. In most cases, there are two types of poetry: one is occasionally touched, so I start to write. Most of the time, I did n’t even think about the title, but I just felt that this touched should be expressed in poetry. Sometimes, when you write, you change the expected ending. That is to say, under the traction of language, a more wonderful way out for it. If in the state, those words will jump out vividly. After that, I was surprised. Of course, writing poetry is different from composition. You cannot propose propositions in advance and establish the theme ideas. This kind of poem does not have much poem. I do n’t write; the other is to have a poetic ending first, and then write the whole poem. It is to write the poem reverse, and after the end of the poem is determined, starting from the brain to start imagination, linked experience, and collect related images. It looks like a little bit of evidence. In fact, in the practice of writing poetry, when I thought of this ending, a lot of images had been tapped in my mind, and it was sorted out and accurately and vividly. Like the paper, after careful idea, and then put into a poem to the characters. I think, too logical, too rational, maybe I have written well, I haven't written it. The occurrence of poetry was strange, and the poet's writing state was different. Just write a poem.

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