The second issue of "Xinhua Daily · ingenuity Jiangsu" is exciting online

Author:Xinhua Daily Time:2022.06.28

How does Yixing Zisha continue to develop? Shi Juntang, President of the Ceramics Industry Association of Yixing City, Jiangsu, talks about industry talents

President Shi Juntang was interviewed

After the reform and opening up, the Yixing Zisha industry entered a channel of prosperity: from hundreds of people from the technical team to tens of thousands of people to work today; people have gradually increased the aesthetic and technological requirements of Zisha to the height of art, pot -making skills The exquisite degree of exquisiteness has also increased.

However, although there are many categories in the market, many of them have a sense of acquaintance, and their demeanor is rarely compared with the old pot. At the same time, although the pots of pots are increasingly large, the growth environment and training of high -quality talents are still lacking. "How the continuous development of the Zisha industry is a topic worthy of attention." Shi Juntang, president of the Ceramic Industry Association of Yixing City, Jiangsu Province solemnly pointed out.

Shi Juntang, the director of the second factory of Yixing Zisha Craft Factory in 1982, can be described as the decades of development of the Yixing Zisha industry for decades. He believes that today, generations of purple sand technology talents are still the most important factor in achieving Yixing Zisha. As of 2021, the total number of ceramic artists with all kinds of technical titles at all levels has a total of 6,440, of which 783 are senior titles, 1303 in intermediate titles, and 4,324 junior titles. In addition, there are indeed some players who make good pots. They do not apply for technical titles, so they cannot enjoy various honorary titles. The Philippines, over time, is regarded as the "excellent stocks" of the Zisha world, that is, the "strength faction" commonly called by the pot people. In fact, in groups that evaluate the technical title and the title of the honorary title of the master, most of the strengths are still. After all, the test titles and declaration honors are step -by -step. Of course, the existence of some "excellent stocks" pot people is also a positive energy in Yixing Zisha world, which is also the pride of the purple sand industry. In the history of Zisha in the future, there will be both masters and senior workers and "strength factions". They are all talents that our industry needs respect and protection.

How to innovate the existing talent training environment and model, inherit the inheritance of the basic skills of Zisha? How to comply with the needs of the times and the market, and cultivate a new generation of purple sand talents who understand skills, diligently thinking, and innovate? Shi Juntang believes that these are issues that the entire industry should think more. At present, it is urgent to explore a scientific and systematic talent training system. It must be able to carry out technical inheritance well and give higher cultural literacy education. In order to combine two aspects, it can cultivate outstanding pottery artists in the new era to promote it to promote The Zisha industry has better move forward. Now there are many university college students and even graduate students, doctoral students, and returnees, and have joined the Zisha industry; many young people who have not educated the previous academic qualifications are spontaneous to advance to colleges and universities. Essence In addition, some of the high -quality purple sand practitioners start a class to train art apprentices themselves, and then organize various works exhibitions to solicit opinions from peers and society from all walks of life, which is also very conducive to promoting the growth of talents.

"Markets and practitioners are constantly shuffling. If you don't pay attention to cultural roots and industry standards, it is difficult to continue development." Shi Juntang said sincerely, "For example, whether your skills inherit the context clear, from art, from art, from art, What are the years, how much innovation works are, whether there are representative works, the authority of authoritative awards, how many apprentices have been brought, how many apprentices have been brought, what is the social reputation of the work and character ... Only establish a strict evaluation system, so you can select it. This is selected. The technical titles and honorary titles, or the inheritance of the 'non -heritage', can truly become the backbone and leaders of this industry. In addition, even if you are a master, senior work, or the "non -heritage 'identified by the cultural departments at all levels, you Inheritors, they cannot chase their names with these banners! "

(Wen Qiu)

Links >>>

The technical title of Zisha Industry, divided into primary (including arts and artists, assistant arts and craftsmen), intermediate (arts and crafts), senior (including senior and senior arts and crafts); , Chinese Ceramics Master, Master of Arts and Crafts and Arts and Crafts, Ceremony Master and Ceramic Art Celebrity, etc., must be reviewed on the basis of the corresponding technical title.

【Tribute Master】

Graduate Grand Master Grand Master

Ren Yanting and his apprentice are together (the picture is provided by Xu Xiutang)

Cloud fan bottle Renyu court system

Yunlong Bottle (Collection of Yixing Ceramics Museum in China) Ren Ying Ting System

Ren Yanting (1888-1969), also known as Qian Ting, is a masterpiece. The pottery carved everyone, with a wide range of works, diverse forms, exquisite and rich knives. It has a great influence in my country's art world. It is known as one of the "Seven Old Artists of Purple Sands".

"The master is deaf since he was young, although he is not deaf, but hearing is affected. When he is learning art, he is often reprimanded by his master Lu Lanfang because he is unable to understand. The symmetrical flowers, birds, landscapes, patterns ... "At the Mao Guoqiang Zisha Art Museum in Yixing, Mao Guoqiang, a master of Zisha, took us to appreciate the classic works of Ren Yanting, and recalled affectionately.

In the purple sand pottery industry, Ren Yanting is undoubtedly a generation of pottery carved masters. The biggest contribution of his life is to be the Yixing Zisha Craft Factory, and it has also trained a number of talents to be opened and down for today's Zisha industry. He broke through the previous model of hand -made master and apprenticeship, and also broke the consciousness of feudal consciousness such as the portal and "teaching men and not teaching women". A large number of apprentices are all famous masters in the purple sand world today. Under the master, one pulse continued, cultivating another generation of ceramic celebrities. Ren Yanting often said whether a teacher has achieved impressive achievements, but also depends on whether the students he have trained have been promoted. He loves his apprentices like a parent -child, and never keeps conservative. Xu Xiutang once recalled that Mr. Ren was very serious about his apprentices' teaching. He taught how to "apply the sand" to practice pottery carving, how to engrav the circle to practice turning, and how to engrave the word "Yong" to practice various strokes. These basic skills, including practicing calligraphy every day, are checked the next day and grasped tightly. Mao Guoqiang still remembers the scene of the year: afraid that the apprentice could not keep up, the master accumulated the cigarette box binding of his smoke, draw a picture on the back of the cigarette case for everyone to copy and learn. The design draft. He often said to the students: "You have to study hard, learn well before you can afford the party, be worthy of the people, be worthy of your parents, and explain to yourself. Today, you are a man of workers, and you will become a gentleman one day."

Mr. Ren is a kind and easy -going person. He usually doesn't talk much, and rarely criticizes students. Sometimes the apprentices do things for the master's house, and the master and master will bring a bowl of small ravioli and wine wineballs as a reward. Mr. Ren particularly loves to watch the drama. He always pushed his apprentice Wang Pinrong from Shushan to the Dingshan studio to watch the show. However, in the eyes of his apprentices, he is still a master of anger. In the ancient years, Ren Lao also insisted on drawing characters every day, and gave it to his apprentices to promote his practice. Although his wrist was uninstalled, he still wrote a pen. Ren Qingsing, who lived in the old -fashioned man, is the best model for disciples. As Mao Guoqiang said, behind the legend of Yixing Zisha's endless salary, it is the light of the high -winds of a generation of famous teachers.

(Dragon also)

【Dingshu Tea House】

The legend of "Long Kiln"

It is said that in ancient times, there was a dark oolong in Taihu Lake. When he grew up, he was called by the Jade Emperor to the heavens to manage the rain. However, there is a place in the place that Jade Emperor is not allowed to spray water. This is Dingshan and Shushan on the west of Taihu Lake. Because the people of this side did not respect the heavenly emperor, the Jade Emperor had to punish them.

Oolong passed through Ding Shan and Shushan, and saw that the fields below were so dry that they had a big seam. The people died and fled, very desolate. Wulong was very sympathetic. He did not listen to the dissuasion of the King of the Dragon.

The Jade Emperor learned that Oolong violated the Tiandao, and immediately sent Tianbing to catch it. The oolong was dissatisfied, and the Tianbingtian will be darkened, and in the end, he was out ofacing the crowd. He was poked by the shot of the gods all over the body.

After the death of oolong, the local people were very sad, so they picked a lot of soil to bury it. I don't know how many years, many holes appeared on the mound of the funeral dragon. The elderly said, "These caves are the wounds that Tianbingtian will poke out of Wulong." People drilled in from the entrance to see, and the oolong bones inside were gone and turned into a long tunnel. Someone proposed: How about treating here as a kiln burning pottery? Everyone said that this is a good idea. The effect of the test is really good. The pottery burns more, fast, and transparent, and saves firewood.

Since then, people have put the pottery in the dragon belly to burn, and call this place as an oolong kiln. Later, many kilns were created according to the appearance of the oolong kiln, all called dragon kiln. The dragon kiln was built on the soil slope, the dragon head facing down, and the dragon tail facing up. The dragon mouth is the place where the kiln was ignited, and it is called "dragon's head"; the large wounds on the dragon body are used as the import and export of the kiln and the kiln to become a "hukou"; the small wound on the dragon body is the place where the firewood is added when the kiln is burned. It is called "Lin's Eye Cave"; the first pair of Linyan Cave by the dragon head is "longan".

【Zisha celebrities】

Fan Weiqun: The preacher of Zisha culture

Fan Weiqun System of Six Fangzhuzhu Ding Pot

Fan Weiqun (1970 —), a researcher -level senior arts and craftsman, a master of arts and crafts in Jiangsu Province, a master of ceramic art in Jiangsu Province, enjoys experts from special allowances of the State Council, and won the title of "Jiangsu Artisan".

The world has the reputation of "difficult to find a big pot". "Dasheng" is a stage name for Fan Guangshan and Fan Qinren's father and son. His works can be called Yixing Zisha's classic traditional device type. Visiting the studio of Fan Weiqun, the fourth generation of the "Dasheng pot", is like entering an art hall that has entered the artistic password of the purple sand.

Fan Weiqun has entered the Zisha industry 37 spring and autumn. Pulling his long resume, each paragraph is extremely glorious.

"I have innate advantages, and I will get started quickly as soon as I make a pot, but more thanks to the care of the teacher and the care of the elders." At the age of 14, Fan Weiqun inherited the spirit left by the sages, in Wu Tongfen Under the careful teaching of many famous teachers such as Ji Yishun and Xu Hantang, the production techniques and creative techniques improved fast, and they stood out among many practitioners.

Fan Weiqun made a pot, and between the light, there are five colors and exquisite branches; in the virtual reality, the beauty of the hundreds of attitudes and the ancient charm of ancient times. His works are well -known at home and abroad due to exquisite work, beautiful shape, and deep charm. "Fans" are spread all over the world, and the market recognition is quite high. In the contact with Fan Weiqun, you can feel the humility of a master -level character. "No one dares to say that they have reached the peak, so they must always learn, and continue to innovate, and continue to enrich the connotation and vitality of the works." Fan Weiqun once made a well -known "reversing the Qiankun pot" for the resistance. The strong inner power of the work and the outer type of the waves flowed naturally, which naturally trapped each other, meaning. He laughed that Zisha's works were difficult to solve with the "expression" of the times: "The infiltration of culture has a sense of quiet power. Zisha is a spiritual and emotional thing, which can become the creative carrier of any traditional elements and avant -garde design."

Fan Weiqun went to foreign abroad to hold the Zisha works exhibition and pot art demonstration. In the process of promoting and exchanging the purple sand culture, he realized that Zisha's production model should take the initiative to change and follow the path of branding. As a result, he inherited the style of the sages and founded Fanjiahuzhuang. "Huguang" is open. Some people want to make pots and can learn. Fan Weiqun not only taught himself, but also often invited well -known seniors to give pointers. Later, Fan Weiqun responded to the government's call to set up the "Ziwang Village Zisha Ceramics Professional Cooperative" to teach hundreds of apprentices and bring more villagers to the village to revitalize the giant wheel.

Fan Weiqun has been awarded the honor of the "China Ceramic Art Heritage Inheritance Award", "The first Jiangsu Province Talent Three Celebrities", "Representative Inheritance of Jiangsu Provincial Intangible Cultural Heritage". Human efforts will not only stay on the tea table in the future, but also become a lifestyle, shining Chinese culture. "

(Zong He)

【New REM】

Exploring the depth of life -the impression of the young Taoist Geng Hao

A two -meter -wide street, every day, there is a sound of mud films, and Geng Hao's studio is located in the ancient old house in Shushan South Street.

Geng Hao was born in a family of Zisha. He has been neighboring with Master Gu Jingzhou since he was a child, but he really became interested in Zisha. It was still the fourth summer vacation with his mother Huang Liping (senior arts and craftsman) to participate in some purple sand activities. The urge to belong to your own pot. Taking 200 clay films a day, repeat continuously, for 3 years, Geng Hao has practiced solid basic skills, and the bitterness of them is probably only known to those who have experienced it.

From the idea of making pots, Geng Hao knew what he wanted, so in these three years, he did not have a pot in the market. When others laughed at him stupid, he adhered to his own principles: first -class craftsmen, character is more important than technology, making pots do not make money, and must do the best. His first pot, Zixian Stone Scoop, took two and a half years, and finally reached the industry's collection level. This pot was collected by a Taiwanese star. Later, the two met. At first sight, this was probably the so -called "pot fate".

Although he studied science, Geng Hao likes traditional culture and likes to read; when he is inspired, he will choose to go out. The Palace Museums and other domestic and foreign museums are the most intoxicated parts of him. He seems to have entered the scene of the ancients to make pottery, see the circulation of gossip yin and yang, hearing the breathing of these antiquities, the inspiration of the creative inspiration of the Wuji Lianghu pot burst out under the chance of chance. Essence There is a circle in the overall square of the pot, and the S -shaped pot lid is particularly difficult. With this work, he won the gold award of the "Fenghua Zhengmao" youth ceramic artist innovation contest.

In recent years, more and more people like Geng Hao's works. People in the industry call him the industry in the industry. Faced with the praise of others, Geng Hao always smiled shyly: "I'm just doing something I think is meaningful."

(New force)

【Grape Art Grand View】

Yixing celadon oriental sapphire

Pingbu Qingyun Tan Zhijian System

Celadon is the earliest invented porcelain in the world, and Yixing is one of the main birthplaces of Chinese celadon. It has a long history, began in the Shang and Zhou Dynasties.

In the 1960s, Yixing Modern celadon was produced in the 1960s. Its prosperous utensils were in various ways, and the glaze was blue and blue, like ice -like jade, and became a wonderful work in the five golden flowers of pottery capital. In the 1980s, Yixing celadon was sold in more than 50 countries and regions.

Entering the new century, Yixing celadon emphasizes personality manifestations. On the basis of inheriting traditional skills and traditional device types, boldly quoting the production skills of other ceramic door categories, actively absorbing modern scientific and technological means, in raw materials glaze, forming firing technology, decorative techniques In all aspects, we will innovate, especially the artistic language with more metaphorical colors and aesthetic tastes, extending the tentacles of the celadon beauty to the heart of the people, and the comprehensive performance of the celadon "beauty" from the deep level of art, and developed the development of the celadon "beauty" and developed. Many epoch -making crafts and daily necessities have emerged to talk about the production brands such as green kiln arts, jasper, blue clouds, and Zhongyuan, showing the rich artistic expression and deep cultural connotation of Yixing celadon.

Tan Zhijian (the author is the master of ceramics art in Jiangsu Province, the "non -heritage" Yixing celadon production technology in Jiangsu Province)

【Treasure Casting Appreciation】

The ancient style is Chen Mingyuan

Matsumi pot Chen Mingyuan system

Chen Mingyuan, Kangxi in the Qing Dynasty and Yixing during the Yongzheng period. His skills are superb and have a long carving. He is the most comprehensive and well -known master in the history of Zisha. He is known as another milestone in the history of Zi Bin after Shibin. Chen Mingyuan's creative category is extremely wide, with both light and flowers and flowers. The style of the work has both the Park Ya of the Ming -style light pot, but also the realistic and exquisite and elegant charm of the zodiac. This "pine section pot" is conceived into the pot with a long pine tree in nature, and the ancient pine texture is used to create the ancient pot, pot mouth, and pot handle. The overall workmanship is simple and generous. The bionic form of the pot stump is lifted up and down, lifelike, and the appearance of scars, cracks, and bark is more vivid. It is also matched with the mud color of the old tree, full of vivid interest and humanistic atmosphere of nature.

【Industry Information】

China Yixing International Ceramics Flower Pot Art Festival opening

A few days ago, the 6th China Yixing International Ceramics Flower Pot Art Festival and "Divine Cup" innovative work sponsored by the Jiangsu Ceramic Industry Association, Yixing Cultural Sports Radio, Television and Tourism Bureau, and Yixing Ceramics Industry Association. The contest was held at the Yixing Ceramics Museum in China, and relevant leaders of Yixing Municipal Party Committee and Municipal Government participated in the event.

This "Potching Festival" attracted 350 (sets) innovative works in Yixing and domestic ceramic flower pots and more than 20 countries overseas to participate in the exhibition. In the review, a total of 111 (sets) works won the gold, silver, and bronze awards.

"Zisha Jiuyu Innovation Work Exhibition" was held

On June 15th, supported by the National Art Fund, the Propaganda Department of the Yixing Municipal Party Committee, the Jiangsu Ceramic Industry Association, the Jiangsu Provincial Arts and Crafts Industry Association, and the Yixing Ceramic Industry Association, etc. The first exhibition opened on the bank of the beautiful Hangzhou Xizi Lake.

Participating leaders, guests, and "Zisha Jiuyi" took a group photo

The exhibition exhibited more than 160 pieces of Zisha art works such as Yu Xiaofang, Fan Weiqun, Shi Xiaoming, Jiang Yanbin, Mao Zijian, Fan Zefeng, Fan Jianjun, Gu Meiqun, and Jiang Yongjun. The work category covers the purple sand photinal, square ware, gluten, purple sand sculpture, and modern pottery. The decorative methods include pottery, pottery, painting (embedded) gold and silver, mud painting, etc.; Features and artistic personality allows the art world to observe the latest trends of Zisha's creation in a timely manner, and let the audience enjoy the innovative results of contemporary purple sand art.

(Yangyang)