Ten years of sharpening, Tian Yan stepping on the song and dancing

The burden, which is a very common tool for life, production, labor, and transportation in farming areas. The Zhuang people are traditional rice nations. In long -term labor practice, the Zhuang people have created and developed rice culture. Essence

During the farming leisure, the two or more people held a flat burden on the bench to hit the bench, sometimes hitting each other, and sometimes hit the bench, hit from different directions from top, down, left, and right. The labor process from the Zhuang agricultural production from planting to collected is the embodiment of farming culture. This is the burden of Zhuang people. In 2021, the Zhuang tribe was approved in the fifth batch of national intangible cultural heritage representative project list.

Wei Jinling, dean of the Dance Academy of Guangxi Academy of Art, won the work of the work of the National Art Fund's small stage creation of the National Art Fund's small stage creation of the drama project, which was created by the Zhuang Bian Dance Dance as the material.

In order to further enhance the work, the Dance Academy held a seminar on the experts of the National Art Fund's stage art creation funding project dance "Song on the field". Essence

A work has experienced countless polishing, modifications and improvements in the long 10 years. Compared with the previous version, the dance structure, clothing, or props have been changed. Rendering the scene and atmosphere of labor.

At the expert seminar, the old man named Huang Runzheng, who nodded frequently and gave affirmation to the work "The Song of Tian Yan". In 1955, she was the first predecessor to go to Beijing to be Chairman Mao and perform Bian Dance. The other two are Wu Guanming and Lan Qiuyun, dance artists, and they have performed flat dances for Chairman Mao.

The work that spent 10 years has not only been affirmed by the predecessors, but also recognized by all walks of life. In 2019, Dean Wei Jinling took his work "The Song of Tian Yan" to the Great Hall of the People in Beijing for the leaders of China and DPRK, and was favored by the Ministry of Culture and Tourism.

The Zhuang Bian dance came from the field, hit Nanning, hit Beijing, and moved to the world. This is the result of generations of "flat -man" efforts.

Although Grandma Huang Runzheng had white hair and faltering, the complete flat dance routine was still kept in mind in his mind, and some of them had been lost in the field. After learning about this, Dean Wei Jinling invited Grandma Huang to the classroom and put them in the classroom. The complete routine is taught to the students. Grandma Huang was full of vitality as soon as he picked up the whole person.

The road of non -genetic inheritance is far away. A variety of living inheritance methods of the Guangxi Academy of Arts have allowed a rich non -heritage dance culture to enter college classrooms from the fields, enter the campus of primary and secondary schools, and embark on the national stage. The increasing number of non -genetic inheritance teams have grown, let us work together to dance inheritance, so that the non -heritage culture is endless and passed down from generation to generation! For more exciting content, stay tuned today at 21:20 Guangxi Satellite TV "National Culture"!

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