Sea ink: Chen Sanshi

Awakening and starting

Text/Zhang Peicheng

I have met Sanshi for ten years. A strong guy born in the mountainous area of ​​southern Anhui, his name made me particularly appreciate, simple and elegant, and thought that it should be from Shuxiang Meni. Let me realize, in fact, elegance is in front of you, but you can only find it. Later, in the photo of his circle of friends, I have seen the three big stones in front of his house as strong as the three stones. Then he often holds some paintings to Shanghai to see me every year, and let me say something. After graduating from Anhui Normal University, he came to Zhangjiagang alone and worked alone at Zhangjiagang Art Museum. He also responsible for the curator's work. He had to face tedious and messy administrative affairs every day. , But every time he is a big bundle, it seems really enough!

Walk through the spring and autumn 50 × 100cm paper ink 2021

Fireworks Cold Cold Paper Ink 180 × 96cm 2021

Sanshi is not just hard work. His artistic understanding is still very good. Although he painted ink and ink, he likes Dkkinin, Ansham Kifove, Milton Iveri. Gravemare murals. Facing the old -fashioned old wall or the separated road tooth to stop, all this education makes it open when the tube is manipulated, and will never stick to the so -called pen and ink specification. Once, in a batch of creations he showed me, the artifact machinery on the background of the character was very charm. I was called the case, and I proposed why not to paint it alone? Unexpectedly, he drew a large number of batches soon, and I was overjoyed by WeChat, and immediately congratulated his great progress and was happy for his enlightenment.

Where is the Township Guan 180 × 96cm Covered ink 2021

Singer silent 200cm × 240cm paper ink 2021

His groups of works are very inconspicuous in life. It's so strange again, which attracts you into a new visual experience. It makes it difficult for you to classify as landscapes according to inertia's thinking, and forcing you to find a ready -made language in the traditional vocabulary manual. Then, forcing you to find and try and error, search for the most appropriate language to express your unique emotions at this moment. Therefore, the mountains and rivers are a threatening of the new road. Sanshi seized the opportunity of this creation, and found the clever machine of poetic expression in ordinary triviality. He thought of the plane and peeling of murals, and thought of the mountains and wilds that had been roasted with fire, and he made the three -dimensional space flattened. In the middle, simple and clean. What followed was how the writing of the writing was cold and regular. He avoided the original arrangement and discovery that had been arranged, and broke away from the entanglement of three -dimensional and perspective appearances. Respect your own unique vision, touch the skin texture of the object, and reflect the corresponding color and texture of the corresponding perception.

Fisheries sing late 200 × 240cm 2021

Summary Spring 180cm × 180cm Covered Ink 2021

The leap of Sanshi is inadvertently, but it is by no means accidental. Why is he inadvertently? Because he has always attacked the character. The basic paintings he showed me before were characters. Because the characters in his industrial theme creation are always placed in such industrial scenarios, and these large -scale industrial scenery failed to have a ready -made reference, the demand for expression inspired the creation. Entering indifferent. However, this treatment is attributed to the reading of Chinese and foreign painting classics, and the thinking of the Chinese and Western painting language is integrated with each other. It is accustomed to the arrangement of space in the creation.

180cm × 180cm paper ink in other towns 2021

Fenghua Story 160cm × 160cm 2020

In the face of the complicated utensils, it is difficult to get away from the tedious geometric block entanglement, but the Sanshi seems to quietly pull away from the dense when dealing with it. Essence The overall color tone of the screen is controlled at 2 to 3 levels of the flat grade, which is stable and lively. Although the lines of the line are not frustrated by calligraphy, the loose rhythm is full of tenacity and has a charm. I also saw a few paintings of a pile of building materials and building waste in the picture of my picture, which also caused my interest, because there is no fixed shape in this type, and each individual is a messy and invisible existence. It is difficult to enter the painting. Strictly speaking, it can also belong to the category of abstract painting.

The other shore 180 × 360cm paper ink 2021

Tongchen 180 × 288cm paper ink 2020

On the single gray surface of a large pyramid shape, Sanshi uses a pale and jumping latch to draw a variety of irregular shapes. One by one, the jumping notes aggregate a whole, and the inner order of the shape is revealed. The ink color also controls its grayscale, but how to make this dull and monotonous gray be dull, and during the period, there will be a few thick inks that have been scratched by a dry pen. Things, the wonderful thing is that it is not the same, and it is properly incorporated between this large gray texture, silent. Suyan 1 110cm × 95cm paper ink 2020

Suyan two 97cm × 70cm 2020

This surprised me a little, which was beyond the three stones in my original impression. However, this is the state of Sanshi today. The experience of the art museum's work over the years has opened up his mind and expands his horizons. Although it is the curator now, I believe that the first position in his heart is still a painter. This is also my secret telling of him. Art is a lifetime follower.

Suyan 3 68cm × 45cm paper ink 2021

Sanshi's recent creation was selected into various national beauty exhibitions, and it was attracted the attention of the painting industry. This was his return of hard work and talent. The exploration of these artistic languages ​​has its significance. I believe he can get more understanding and awakening from it. From the search for the new painting language generated by the new object Inner logic. This step he takes today is very revolutionary, and I believe his feeling and strength.

I look forward to starting with a new Chen Sanshi!

Zhang Peicheng

Advisor of Shanghai Artists Association

Researcher at the Chinese Academy of Painting

Chen Sanshi

Born in Guangde, Anhui in 1980

Graduated from the Academy of Fine Arts of Anhui Normal University

Now

Member of Chinese Artists Association

Director of Jiangsu Province Chinese Painting Society

Deputy Secretary -General of Jiangsu Youth Artists Association

Special painter of Jiangsu Painting and Calligraphy Academy

Nanjing Painting and Calligraphy Academy specially appointed painter

Director of Suzhou Artists Association

Vice Chairman of the Suzhou Youth Artists Association

Vice Chairman of Zhangjiagang Artists Association

Zhangjiagang City Art Museum Chief

The 2019 works were rated "The 13th National Art Works Exhibition" (Entering Beijing Works)

In 2019, he was selected as "Twelfth China Art Festival · National Excellent Art Exhibition"

In 2020, he was rated as "Top Ten Outstanding Young Artists in Jiangsu Province"

2020 won the 3rd "Jiangsu Art Award"

In 2020, he was selected as "Jiangsu Zijin Cultural Talent Training Project" Cultural Cultural Youqing

In 2020, he was rated as "Gusu Publicity Culture Key Talent"

In 2020, "Singing on Paper · Chen San graphite works exhibition" Suzhou

In 2021, the individual exhibition "Conquest · 2021 Chen San Gobu Gwang Work Exhibition" Hefei

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