Yang Huanting: In the era of social transformation, the psychology of marriage and love -reading Gaohong short stories "Spring Wind Ten Miles"

In the era of social transformation, the psychology of marriage and love

—— Reading Gaohong Short Story "Spring Wind Ten Miles"

Yang Huanting

American literary critic Ian Watt said: "What is reflected behind the novel is an expression of the times, history, and human mental state. This is the reality of the novel." It is such a work that expresses the psychological confusion of the national transformation, the family relationship, the change of family relationship, the soul redemption, and the spiritual regression appeal. The author stands on the commanding height of the times, and is based on the marriage and love of the protagonist Hang Yun and Ni Jian. In the context of complex patterns, the families have gathered in the most basic unit of society, and their character, fate, and psychological world of the person who are "here" blooms, so as to be the ecology of the marriage and love ecology. The value orientation of psychological realism in literary exploration. one

The psychological ecology of paying attention to the period of social transformation is the foothold of "Ten Miles of Spring Wind".

In the work, "Spring Breeze Ten Miles" is a literary image with a very rich connotation. On the object, it symbolizes the hero of the work. A time that can freely release personality. Therefore, the protagonist is sometimes beautiful, sometimes windy and rainy, sometimes looking at each other, and sometimes the emotional scenery of the rainbow reproduced. In a sense, "spring breeze" is a "symbol", which paint a warm and vibrant color; at the main level, it carries several protagonists in the work for life encounters, happiness vision and life value of life. The longing and yearning; in the extension, it covers the multi -level relationship ecology and psychological interwoven from Hangyun to Hu Yangang, from Mi Juan to Ni Jian, from Ni Xiaoxiao to Hu Yanyu Ze. Such a choice allows writers to use the marriage and love of Hang Yun and Ni Jian as a section. From this to explore the re -plasticine of the national psychological world in the bustling era, it shows the keenness of the writer as a "social atmosphere". And cutting edge.

This is a pain of identity gap. Although the story conflict was from the daughter Xiao Xiao left by Ni Jian's ex -wife Mi Juan, Xiao Xiao took her boyfriend home, however, its deep reason was in Hang Yun's chewing and thinking about life. The reason why Hang Yun and Hu Yangang came together to a large extent based on the "identity" marriage psychology. They all come from the countryside, and they are standing on the starting line to change their destiny. From Hangyun's view, there will be no identity discrimination in each other. However, the author's profoundness is that when the plot layout tells readers, when this psychological lack of moral support and love as a lubricant, the harm to the other party will be heavier. She was fired by the school because she had a child, and she immediately attracted identity. In Hu Yangang's eyes, it became a "big oil bottle". Similarly, when Hangyun relied on his own intelligence to apply for a company outside, to do agency sales, and after changing his own destiny, "Hu Yangang became less than so I am irritable. " On the surface, it seems that "the huge changes in economic conditions have eased the contradiction between husband and wife", in fact, it reflects the resurrection of "identity" inferiority under the poor family poverty in the early family. Once this psychology loses moral constraints, it will quickly swell into the vanity psychology and humanity of "holding his wife's money to call friends, the scenery is infinitely". The breakup of Hang Yun and Hu Yangang, although there are factors such as "Hu Yangang's derailment". reverse.

However, in the eyes of writers, this is not an individual phenomenon, but an unconscious national inertia. The emotional tilt brought about by this identity also happened to Hang Yun's second husband Ni Jian. When Ni Jian became generous because of Hang Yun's operation, he found that the principal "seemed to look at him with a high glance, but in fact he thought he had found a rich woman, with a weird look and rich connotation." It contains our nation The spirit of abandonment should be abandoned in the process of rejuvenation. In this way, the writer revealed artificially that the love rationality of an era can only obtain a constant value of value only under the premise of realizing modernization as a "here". Of course, this is not a material plenty of material, but a complete personality and psychological construction project.

This is a kind of non -self -characteristic position conflict. As early as the end of the ten years before the new century, there was a prompt of social psychology experts. With the establishment of a well -off society in an all -round way, the arrival of a relatively wealthy era will bring about the intensification of workplace competition. The conflict of adaptation to the objective environment will become more and more common, and it will inevitably affect the ecology of marriage and love. In "Ten Miles of Spring Breeze", the writer gave Hang Yun to multiple free and unreasonable characters. As Hu Yangang's ex -wife, she is a mother with a son; as the current wife of Ni Jian, it is Xiaoxiao's stepmother; as a struggler in the workplace, she has been a teacher, a sales agent, and has served as a sales agent. The principal of private schools has become the focus of all contradictions in the story. "In order to divorce, Hang Yun was out of his family and carried hundreds of thousands of foreign debts." "After the marriage, Hang Yun opened a gift company", "also opened an advertising company", "gets up early and is busy at night every day." This diverse role has undoubtedly exacerbated her mental fatigue and emotional anxiety. Not only should we face the coordination of their own characters, but also to look at different roles at the same time. This situation often makes her psychological world either tilt, or chaotic. Therefore, whether it is the turmoil that Xiaoxiao takes her boyfriend home or the contradiction between the contradiction between Ni Jian, it is a cause and effect of a role. If the Hang Yun and Ni Jian in Gao Hong's writing compared with the Zijun and Juan Sheng in Lu Xun's "Burning", it is not difficult to conclude that there is no material foundation. The love is just like the boat in the night sea, fragile without the future. The psychological excavation of this "role anxiety" is just rare in literary works in recent years. Similarly, the helplessness of Ni Jian and Mi Juan, the gradual numbness and silence in the debate with Hang Yun, is just another expression of "role anxiety". It is not difficult to see that Gao Hong's handling of the relationship between the character is at ease. As Lucari said: In literary works, "its characters are described by the existence of each other and their society, and the mutual dependence between major issues that exist", " The deeper these relationships ", the more successful it is," the more the relationship between these relationships develops, the more successful. two

It is the aesthetic orientation of "Ten Miles of Spring Wind" to reveal the characteristics of ordinary people in the social transformation period.

Milan Kundela said: "Novel characters are not born from the mother like creatures, but produce a scene, a statement, a metaphor." Instead, it is the exploration of life that is trapped in the world. "The person's personality is a complete and open system, and the personality is the core characteristics of personality psychology. Its clear emotional mechanism and will often have important psychological psychology. Impact. Reading "Ten Miles of Spring Wind", you will find that the characters in Gao Hong's writing are "this" created by the writer for no duplicate disadvantages for the literary gallery.

This is not duplicated, and the personality is manifested in the pattern of diversified interests. Hang Yun, Ni Jian, Mi Juan, Hu Yangang, etc. in "Ten Miles of Spring Wind" are not heroes shaped by grand narrative, nor are they extremely dwarfed in some works, but follow the tide of the times. And looking for ordinary people in the future. Only in this way, the exploration of their psychological world has the significance of "dissection", and it is easier to grasp the profound social contradictions in the process of rejuvenation of contemporary China through this group.

In the aesthetic balance of writers, Hang Yun belongs to the kind of life individual who does not succumb to fate. "She looks very weak, but she has a masculinity of a man in her bones, so as not to let her eyebrows." She likes to work hard and dare to enjoy. Putang, let the nephew drive to himself. "" I didn't go to college, but went out of the other way. It was more mixed than the students who were admitted to the university. I feel "Hangyun's ambition is too great." In fact, all her behavior is to get out of the shadow of "identity", holding her fate throat tightly, getting her own position in all beings, and getting the happiness she deserves. The problem is that this personality consciousness requires cultural consciousness as a pavement, otherwise, this personality consciousness will be distorted into utilitarian and vanity. Although she formed a new family again because of the literary dream and Ni Jian again, this "Dream" bond that became their emotional leadership was soon drowned by her strong utilitarian desire, which laid a one for their love. trap. At first, "she didn't want to make him angry, nor was he unwilling to compromise with him." "Gradually, Ni Jian was a little numb." Therefore, the difference between Hang Yun and Ni Jian belongs to a spiritual conflict and psychological collision is completely different from the breakup with Hu Yangang.

Is there a conscious personality and determining the trend of destiny development. As another heroine who appeared in the work compared with Hangyun, Mi Juan, who appeared in the work, belonged to the kind of character who floated in the trend of the era, and even wandered in the spirit. The combination of her and Ni Jian is not only because of "beautiful beauty", but the essence is that she is a city girl, and she can make up for the "regret" of Ni Jian's "identity". However, Mi Juan is a young woman who is very naive. "With the continuous expansion of the circle, the wife's pursuit of beauty is getting higher and higher. Dressing herself like a butterfly every day. "This is doomed to live a tragedy life from losing her personality to being drowned by the trend of the times. This is not duplicated, but also manifested in a diverse psychological ecology. A "Ten Miles of Spring Wind", Ni Jian is a hub in the architecture of Gaohong's narrative. As a traveler of love, he has formed a marriage and family with two women with completely different personalities. And the active party of each marriage crisis is always in women. This makes this character a very intriguing image in the Literature Gallery. The writer gave him a long "compassion" and gave him the characteristics of "tolerance" and "good". Whether it is Mi Juan's muddy or subjective stubbornness, the only attitude he adopted is "forbearance", "Mi Juan's attitude is firm. Ni Jian thinks repeatedly and agrees to divorce her", "The moment of breaking up Ni Jian handed to Mi Juan a envelope with 10,000 yuan in it. Mi Juan does not want it. Ni Jian said it, no matter what the husband and wife said, you also gave me a child. "He and Hang Yun The contradiction upgrade is also because when Mi Juan was impoverished, he accepted her and temporarily lived a house in the school, which caused Hang Yun to write a divorce agreement. Not only that, he still adhered to the value orientation of "forbearance" on his career on his career, so that he was deceived by President Wei. He once became the director of the office. He did everything he should do as always. For characters like Ni Jian, readers may make a variety of comments from their respective positions. However, in my opinion, the writer's praise here is a kind of "good beauty" that deeply sneaked into the blood of the Chinese people. It was this moral force that called back Hang Yun's love, and it also prompted Ni Jian to have a faint self -introspection at the moment when he lay on the bed. From this I thought of the speech after the Nobel Prize of Literature won the Nobel Literature Award: "A writer, who filled his creative space, should be in the ancient human heart ... love, honor, sympathy, sympathy, sympathy, sympathy, sympathy, sympathy, sympathy, sympathy, sympathy, sympathy, sympathy, sympathy, sympathy Dignity and spirituality and sacrifice spirit. If these eternal truths and truths are not available, any story is nothing more than dew, and it is fleeting instantly. "

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Some discussions believe: "The structure of the novel is more internal and more natural."

As a short story, "Spring Breeze Ten Miles" is also very distinctive in structure. The work does not follow the logic of the development of things itself. Instead, the contradiction caused by Ni Jian's daughter's cited girlfriend's girlfriend is the beginning of the article. This "inverted pyramid" narrative has made the story hit the character's psychological world from the beginning. The aesthetic impact of putting in Dajiang. It is not difficult to see Gao Hong's artistic consciousness of the integration of traditional narrative and modern narrative.

Taking the characters as the scriptures, the environment and relationship as the weft, the dual -line parallel, cross -promoting the psychological process, constitutes the main characteristics of the narrative structure of "Spring Wind Ten Miles".

One is the journey of Hang Yun's heart. Although the author acts as a "stealth" narrator here, we might as well regard it as a self -prosecution of the heroine's heart. In the full five quarters of narrative, the heroine meanders the heroine's first knowledge with Mi Juan, the combination of Hu Yangang, and the story of Xiaoxiao's acceptance. , Sort on interpersonal relationships around her and Ni Jian. As a result, the hero of the protagonist's sadness and joy, love and hate, and the defeat of success and or defeat.

The other line uses Ni Jian as the axis, and the emotional entanglement between Mi Juan, Hang Yun, and Xiaoxiao is spread out. The author stood in the emotional position of Ni Jian with a deep stroke, spreading his life experience from Mi Juan to the breakup, and the brushwork described the brushwork with Hang Yun with each other with the treatment of marriage and love scars. On the grounds of literary dreams, the family re -established the family. Especially, as a man, Ni Jian faces a psychological shock brought by social transformation. Exhaustion and forbearance all show the author's artistic skills that the author is good at deeply rooted.

These two lines, the temporary interruption of each section, naturally transferred to the line of Ni Jian, which has both the plot continuity and the complementary details, thereby showing the integrity and text system of the work. Openness. At the end of the work, the work does not provide readers with a ready -made answer. The second is to settle in the tears of Hangyun and Ni Jian's heart. Essence As Shimura Haruki said: "The task of the novelist does not find a closed answer, but a good person who tells stories, setting up more possibilities in the story, and providing readers with an open and continuous thinking ","

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