Summer social practice 丨 Visiting non -heritage paintings to help non -genetic inheritance

Author:Changsha University of Technol Time:2022.07.16

(Correspondent Yang Zhihui Duan Rao Yu) Recently, the summer professional practice group of Changsha University of Science and Technology went to the Liang's Miao Painting Studio, Ganshi, Ganshu City, Jishou City, Hunan Province, Hunan Province, and launched it with Teacher Liang De Song, the inheritance of non -heritage seedlings. A seminar on "Visiting Anti -Hermond Paintings and Help Non -Genetic Heritage".

Miao painting is mainly popular in the Miao area of ​​Xiangxi. It is an artistic form that originated from the Miao embroidered draft. Later, it developed into an independent and mature folk skill. On May 23, 2011, it was approved to be included in the third batch of national intangible substances Cultural Heritage List. Liang's Miao Painting Studio was established in 2016. The studio displayed colorful seedlings, exaggerated and novel seedlings, and "Miao Painting+Miao Drum", "Miao Painting+Wallet", "Miao Painting+Mobile Phone Shell" and other series of cultural and creative creatives product.

At the seminar, Teacher Liang Deesong introduced the history of Xiangxi seedlings in detail from the historical origin, production process, pattern meaning, material use, and marketing of Miao painting. The drawing process allows everyone to further feel the charm of non -heritage painting.

Through discussions, it is found that in the process of development, the scope of inheritance is stenosis and the degree of digital use is not high. Professor Wei Taochu discussed and exchanged with Teacher Liang on the differentiated development model of farmers in Longlipingpo Village in Guizhou. At the same time, Professor Wei proposed the new idea of ​​the inheritance of "Miao Painting+School Art Teacher", which provided a reference path for the inheritance and development of Western Hunan Miao painting.

The purpose of this seminar is to inherit the painting of non -heritage seedlings, visit the dilemma faced by non -heritage paintings, and provide a new direction for the continuity and innovative development of Xiangxi seedlings to find effective inheritance and communication strategies. "In the inheritance of non -heritage seedlings, we must adhere to the national cultural position, inherit the national cultural genes, and combine the characteristics of the times and the market, and gradually form the Xiangxi seedlings that meet the needs of the public in the process of modernization." Essence

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