China Animation Industry International Cooperation Forum: Tell the Chinese Story in World Language

Under the rapid development of the international animation industry, how can Chinese animation use its own industrial advantages in the face of opportunities and challenges? Take the development of animation development with Chinese characteristics. From a global perspective, this forum will analyze the competitiveness of the Chinese animation industry and the shortcomings of existence. In -depth interpretation of how to implant Chinese elements in Chinese and foreign co -production animation works, how to use world languages, and speak well Chinese stories, as well as the experience of Chinese animation going global, jointly explore the development path under the global animation industry. Through the analysis of the development process and characteristics of some countries, it provides a scientific reference for the development of world animation and the development of my country's animation.

Rao Shuguang

President of the Chinese Film Review Society, the former Secretary -General of the Chinese Filmists Association

Researcher (second -level professor), doctoral supervisor

Opening speech

"Chinese films are at a critical moment of development, and Chinese animation films are also at a critical moment of development. The majority of film workers must go deep into life and play greater creativity and imagination. Create more and better and better Animated film works. Meet the diverse, personalized and refined needs of the people of the people, while promoting the sustainable prosperity and high -quality development of animation films, and have become more contributions to Chinese films from large powers to strong powers. "

Wang Fan

Literary Creation Level, Director of Chinese Filmmakers Association

Director of the China World Film Society, Deputy Director of the China Viewing Association Television Committee

Director of the Art Committee of Hebei Film and Television Association

Theme "Cultural Thoughts on the Development of China's Animation Industry"

"Promote the excellent traditional culture of China and achieve creative transformation and innovation development. We have a great responsibility, a glorious mission, and a long way to go. The treasures of the treasure must be tapped in the ideological concepts, humanistic spirit, and moral norms of Chinese excellent traditional culture, integrate artistic creativity and Chinese culture value, combine the spirit of Chinese aesthetics with contemporary aesthetic pursuit to activate the vitality of Chinese culture. The animation IP of the ministry drives the cultural tourism industry. The stories and cultural images in the animation works, scene derivatives and cultural real estate, and theme parks, including cultural tourism town, are combined with each other. There are also a big chess chess of research bases. Actively carry out international animation film cooperation, show China's aesthetic intention in the mutual learning of Chinese and Western civilizations, present the style of Chinese aesthetics and the elements of Chinese landscapes, and promote the excellent traditional culture of China. It is also a positive exploration of Chinese stories in the world's vision and international art form. Tell the Chinese story in the world language and tell the Chinese story in the world. "

Liu Jun

Professor of Beijing Film Academy and Director of Scientific Research Division

President of the Chinese Aiko Film and Television Education Promotion Association

Vice President of the Chinese Filmists Association Film Theory Review Working Committee

Vice chairman

Theme "International Cooperation Strategy Principles and Paths of China's Animation Industry"

"In principle, we must first pay attention to the diversity of cultural diversity. In fact, the artistic characteristics of the animation lies in the rich imagination. In this regard, the theme of expression is rich and diverse. It can also reflect the future. But we also need to know that in the cultural diversity of human society, there are some different cultural backgrounds, including religious traditions, and there will be corresponding taboos. In the process of expression, we must treat other cultural in other cultures in the process of expression It reflects full respect and affirmation. It is also necessary to pay attention to spreading in these countries. Only by customizing the work for different cultural backgrounds, can we achieve good communication effects. "

Guo Chunning

International Animation Research Expert

Deputy Director and Associate Professor of the Department of Design of the School of Art of Renmin University of China

Researcher of the National People's Congress Cosmic Research Center

Researcher at the Digital Humanities Research Center of the National People's Congress

Topic: "Digital Fashion in the Future: Enlightenment and Reflection of the Yuan Cosmic Revelation in the visual threshold of the animation"

"The prototype of the Yuan Universe that everyone sees today can still be able to sense the future world of the Yuan universe that they imagine. The construction of the blockchain system. With these two constructions, the imagination of new digital myths can be launched towards the Yuan universe. The theory that expand the theory brings to us is such a practice. And this practice requires each of us to explain our own ourselves. Imagination also requires us as a person who tells stories in China, and also forms a community of knowledge community with the world's animators and scholars. The animation is a century -old.

Fan Xinlin

Swimming painter, pottery artist, animation artist

Wonderful speech

"A good cartoon should have a good story. It is necessary to spend a lot of effort to do a good job of the script. The story must have a sense of true feelings. The content of the story with the world must be used to use the talent. "

Yang Xiaoxuan

Vice President of Beijing iqiyi Technology Co., Ltd.

Theme "How Domestic Animation is Competitive in the International Market"

"The internationalization of our eyes and the Chinese style in the eyes of foreigners are one -sided. We cannot meet blindly, and we cannot persist blindly. We must understand each other's needs and find common points and empathy. The aesthetics of the global market, too localized design will limit the understanding and acceptance of works in the international market. There must be a image to tell stories for the international market to better realize the internationalization of the work. "Manu Eric. Manuel J Garcia (Manuel J Garcia)

Famous internationally renowned animation director,

Representative works include "Batman", "Smurfs",

Season 6, 7, 8 of "Small Foot Board"

Blessing speech

Affected by the epidemic, Mr. Manuel J Garcia, a well -known international animation director in Spain, blessed the successful convening of the first Beijing Animation Week. It also demonstrated the propaganda trailer of China's first co -produced movie "Bicycle Story". At the same time, the second work of China and Spain's second work "Libo Planet". The work of this work is integrated into Beijing Xishan-Yongdinghe Culture, Great Wall Culture and Chinese Kung Fu, Hot Pot Food and other Chinese elements. Promote Beijing to the world and convey Chinese voices.

From the era of film to the digital age, to the Yuan universe; from traditional animation technology to immersive VR experience, Chinese animation has a technology engine, more and more domestic animation creators have returned to their own culture Mother, they will use worldwide artistic language to tell the audience in a empathy way to convey the Chinese spirit, Chinese value, and Chinese power to the world.

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