Find the "origin" in the advanced search path of costume dramas

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In the boom of this summer, a large proportion of costume dramas. Yunhe data shows that in July, the top five of the series of serial dramas were played in the top five in the top five costume dramas of "Star Han", "Menghua Record" and "Agarwood Like Dedication". The list of the list and the set V7 is ranked first in the middle of the list.

But before, the industry had some doubts about the market prospects of costume dramas. This suspicion is largely from the trend of homogeneity in costume dramas in the past few years. The creative direction of "industrial sugar+pseudo -quality" has gradually been gradually not accepted by the audience. This summer costume dramas can be achieved by word of mouth, because it has brought many "lively" perceptions to the audience.

"Menghua Lu", which was launched in June, has been analyzed by the industry, and I won't go into details. And "Star Han" can continue to lead July with the type of costume, and the Douban score has also reached 7.4 points above the same type. This is actually more than industry expectations. From the differentiated creative concept of "Star Han", we may also be able to get a glimpse of the "direction of ways" for the advanced costume drama.

Is it innovative, or "naturally"?

The story of "Star Han" is difficult to summarize alone. Costume family drama? Love drama? Light comedy? Homeland feelings? These diverse elements are integrated into the progressive drama. It seems to be mixed, the plot is sometimes funny and serious, but it always revolves around Ling's revenge on Ling's unsteady to find the truth, as well as Cheng Shaoshang's growth family. The two main lines of the story unfold in an orderly manner, and the plot is not confused or stagnant.

In the early days of "Star Han", there are comes with a happy plot, the family influence of the father and Yan's mother, the sacrifice of the old county command, He Zhaojun being destroyed, and the details of the picture. These topics are actually not very similar to the common style of "ancient puppets". In the play, Ling and Cheng Shaoshang's two protagonists are quite sharp. The three -dimensional level of character character is obviously related to growth experience.

The "differentiation" in the perception is largely from the clear concept of early creative concepts. The director of this play, Fei Zhenxiang, has directed "Nu Qing Xiangxi" and "Longling Mats". However, the "first time" did not let the director choose to go to the re -engraving mode. In an interview with the media, he said: "The costume drama should not only be locked in a fixed type, but should be based on stories and plots. "

This "plot film" shooting concept has given "Star Han Lighth" with a rich room for content dimension. For example, the high -voltage relationship between Xiao Yuanyi and Cheng Shaoshang's mother and daughter caused the discussion of the influence of native family. On the one hand, it can be highly consent with some audiences with similar experiences. On the other hand, Xiao Yuanyi also has many advantages such as capable and decisiveness. The gradual transformation of a person's attitude towards parent -child in the play may also convey a direction of a little family relationship relief at the real society.

From the perspective of entertainment, the biggest feature of the plot and characters in "Star Han" is to go to the "natural sense" after a single label. The choice of creative expression and the design of the character is not for the type label, but for the plot itself While retaining the fun of the story, while trying to use three -dimensional characters and life -oriented expressions, "flesh and blood" enhance the narrative support point, and subtly improve the audience's sense of substitution. For example, Cheng Shaoshang feels brave, rebellious, and ancient, but she has her own sensitivity and even slightly inferiority. It's open.

If you do not use the "label" to limit creative expression in advance, the narrative of costume dramas has actually returned to the essence of film and television drama expression -telling a story. "Star Han Silver" is adapted from concern, but the novel "Star Han is brilliant, fortunately even", like the "knowledge" of the same author as the same "group image stories", "Star Han Lily" original name is more than 170 characters, more than 170 characters have more than 170 characters. After the adaptation of film and television, it has also reached as many as 98 places. It is very important to avoid supporting supporting characters and tooling. From the perspective of entertainment, the reasonable shaping of the character portrait is an important foundation for the "freshness" of this drama, and it is also the source of its heavy side.

If the plot and value expression is not rootless, the first prerequisite is the three -dimensional character. In "Star Han", the main supporting roles such as Lou Ye, Wan Yan, Yuefei, Cheng Yan, He Zhaojun, and Laosheng Cheng, and the edge characters of only one or two scenes have basically done. Go ", the character's arc light is not based on the plot. For example, in the twelfth episode, there are old county magistrates who have white -haired Cang Cang Cang Cang Cang, and there are little girls with wooden swords after breaking the city, and even the motion design of the tile pot resistance among the civilians who have been slaughtered. The little people can also make people forget.

In the image language, "cost more thoughts", the audience can see

Another important evaluation criterion for the audience for costume dramas is "texture", and it is often a visual requirement.

Over the years, what is the "texture" of costume dramas is also a question that creators have been thinking. But obviously, a more convenient way to copy the "high -level sense" that has been confirmed by the market -repeat some filter, some makeup, or scene construction. However, although this method is insurance, it is easy to accelerate the aesthetic fatigue of the audience, but it may not fit with various characteristics and character style.

As for the image style of "Star Han", a microcosm is the question of "lighting" on the Internet: Some netizens think that it can be shot more "normally and beautiful" from the perspective and light, but the director chose not to choose not to choose not The mode of raising less, light and dark, shooting the character is very compressive and edges. From the perspective of Reading Jun, netizens' views cannot be said to be wrong. There are indeed many ways to shoot the characters more beautiful, but in the final analysis, this is actually a choice of direction -external expression techniques should be ordered to serve "" "Beauty" itself, or serving characters and plots? Obviously, Director Fei Zhenxiang is more inclined to the latter. Under this general direction, the images of Ling's undoubtedly in "Star Han" are actually in line with the character's mood. At that time, as a young general, he was full of blood. At this time Ling Ling did not doubt and met with Cheng Shaoshang and gradually changed. The mirror and light selection in the play also obviously changed. For example, episodes 38 were punished by the emperor because of Cheng Shaoshang. The picture is all warm and warm.

In an interview with the media, Fei Zhenxiang once said: "The light of each drama is very complicated. There are layers of light. For a long time, many crews have not been so long, but they are in In this case, the team is willing to give me this time to do these complicated things. It may be invisible to the audience, but it must be valuable. "Fei Zhenxiang, born in the family of Liyuan, has many years of director experience, obviously for image narratives for image narrative Art has its own persistence.

Therefore, the image characteristics of "Star Han" are actually serving the narrative and transmitting emotions. For example, Fu's mother was killed for a while, and He Zhaojun, who was in red, hid under the floor. The light in the gap of the floor was swept over by the murderer's figure. The tense atmosphere was so strong that the audience seemed to hold his breath together. The eyes of Fu Mu's finally in the gap are actually similar to the previous motion of Li Guanwu and Cheng Lao County. Essence Judging from the effect of the broadcast, the audience is not "invisible". Douban and Weibo have praised the discussion of these paragraphs of lens language.

If compared with those classic film and television works, "Star Han" may not have to reach the superb art level in mirrors and composition. However, from the perspective of most costume dramas on the market, it is not easy to be able to "think about one more step and do more" in visual expression. It is already worthy of affirmation. Beauty is not a single standard. To form a real texture in costume dramas, it should be combined with its own plot to build a "aesthetic system" exclusive to its own drama. The composition of texture.

Find the origin in the costume drama "iteration"

Reading entertainment is not saying "de -mode" is the only solution to costume dramas. High -type content has long formed large -scale audiences, and of course it has its own market significance. However, the broadcast results of "Star Han" and the audience feedback on the details of the plot, the shaping of the group portrait, and the composition of the mirror, all show that the background of returning to the film and television narrative, and building a good story in one brick and a tile are also worthy of cultivation.

This direction is not so much "innovation" as a "return" of many outstanding national dramas in the past.

Not to mention the classics of national drama, re -production and heavy works themselves are basic literacy. In recent years, the main theme dramas such as "Shan Haiqing", "Awakening", "Fun", "Dajiang and Big River" have become Douban high -scoring representatives, "Longling Mats", "Love Delicious", "Skyscraper", "Sweeping Storm", "Menghua Record 》 The types of diverse themes such as advanced word of mouth can also be seen in the tide of high -quality national dramas, and the concept of film and television creation is also more "centered on works". Under the premise of solidifying topics and ideas, film and television dramas, film and television dramas The artistic expression exploration of creation will become more and more deeper.

Of course, the costume drama will not be out of the case. In recent years, the public's discussion of the aesthetic texture of costume dramas has gradually deepened, and various types of dramas of costumes have become more flowers. Although there are different themes and different styles, from the perspective of the entertainment monarch, the costume dramas that have received praise from the audience also have the common creative style of the creative style -from the imitation wind to the adaptation of the work, returning to film and television narrative, returning to film and television narratives The logic itself, the segmentation of multiple themes is gradually becoming normal. From the perspective of aesthetics, external forms and expression styles are more inclined to serve stories. The overall market has gradually transformed from a model beauty to a diverse, true, fresh, and individual beauty.

In this trend, "Star Han Gel" may not be a perfect representative. In addition to the innovation and breakthrough mentioned above, the show also has some flaws in narrative and editing rhythm, and netizens also commented on this netizens. But overall, the appearance of the costume drama in "Star Han" is fresh, three -dimensional, and individual, at least it can be called a correct creative direction.

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