A ball of candlelight and thunder -then evaluate the troops of the tin drama "Candlelight in the front"

Author:Our Su Time:2022.08.25

The tin drama "Candlelight is in front" has been launched for less than a year and a half. Its profound connotation, unique ideas and vivid images have aroused eager attention from society and industry. Celebrating the performance of excellent stage art works in the 100th anniversary of the founding of the Communist Party of China. I was fortunate to watch the initial row and premiere of the tin drama "Candlelight in front", and wrote the article "The Deep Love of the Earth". Recently, I also appreciated the rehearsal and tour of the show in the Mandarin Award, which was moved by the spirit of the main creative team. It can be said that from the script to the stage, the tin drama "Candlelight is in front" is perfect, the theme is more vivid, the story is smoother, and the performance is more exciting. It is a boutique.

The bright line and focusing point of the tin drama "Candlelight in the front" are the revolutionary pioneers, Lu Jinghua, the mother of the revolutionary martyrs, and her three children, while the dark line and foothold are one of the founders and early important leaders of the Communist Party of China Zhang Lei. The "original intention" of the Communists represented by Zhang Tailei and Qu Qiubai is "the first heart" of "seeking forever for the people" as the background. By interpreting Lu Jinghua's understanding and supporting her husband Zhang Tailei, young daughter Zhang Xilei, and son Zhang Yiyang as the succession of the revolutionary belief, affectionate affection, affectionate The revolution, husband and wife and child love of Zhang Tailei and Lu Jinghua's family praised Zhang Tailei and the unremitting pursuit of Zhang Tailei and the Communists for the growth of the Communist Party of China, the success of the Chinese revolution, and the rejuvenation of the Chinese nation. In celebrating the special days of the centuries of the party and the 20th National Congress of the Communist Party of China, creating a unique and unique party history and artistic works such as creating performances, and using the party's red resources to make red genes and revolutionary salary inheritance from generation to generation, it is undoubtedly special significance.

"Candlelight is in front" is a name of Zhang Xilei. The screenwriter Luo Zhou boldly borrowed "Candlelight in front" as the drama name. Its idea is obvious. Zhang Tailei is one of the 100 hero models that have made outstanding contributions to the founding of New China, and have made important contributions to the creation and development of the Communist Party of China. He saw hope from the Russian October Revolution. In order to faith, he resolutely abandoned the future and happiness of his personal and family, and embarked on a difficult revolutionary path. As the main leader of the Guangzhou Uprising, he is the first central member and member of the Political Bureau in the history of the Communist Party of China in the history of the Communist Party of China. He used his short and brilliant life to practice the vow of "willing to turn into a thunderbolt to shatter the old world." Zhang Xilei once said that this "candlelight" is my father Zhang Tailei's unremitting pursuit of liberation and bravery for the people; today we can understand a deeper layer of understanding. At the beginning of the heart and responsibility, you are not afraid of sacrifice, heroic struggle, and the symbol of the spirit of loyalty to the party and live up to the people.

The tin drama "Candlelight in the front" brochure in front of me was the cover of Lu Jinghua to hold kerosene lamps and stare affectionately. This shape design is quite creative. Without Lu Jinghua's land -like carrying, without her understanding and support of her husband, the cultivation and inspiration of the child, the serving and respect of the elders, there is no doubt that Zhang Tailei will not be able to concentrate on the revolutionary work; , Long -term support for the mother -in -law who can't afford to stay in the opportunity to go to Yan'an directly arranged by Zhou Enlai and Chen Yi; Lu Jinghua has a firm confidence in the revolutionary cause, to raise children, let them receive good education, and indirectly feel Zhang Tailei's thoughts and spirit. And guide and support them to embark on the road of revolution. It is said that Zhang Tailei is the "candlelight", and Lu Jinghua is the person who raises the "candlelight".

The tin drama "Candlelight in front" adopts the most common "four -fold and one wedge" structure of the Yuan Miscellaneous Drama. This is also the best strength of Luo Zhou. She has written more than 40 four -fold examples, which reflects the promotion of Chinese excellent traditional culture. High cultural self -confidence and cultural consciousness. The drama "Cut the letter, discuss, throw clothes, and candlelight" four % off the main scene, corresponding to Lu Jinghua and three children and husbands, respectively. "Three aways and three different", under the guidance of Lu Jinghua's education, the three children consciously followed the path that their father had passed, and secretly wrote that the influence of Zhang Tailei was like a shadow and everywhere, including the leadership of his wife. The fourth discount is a drama that is overwhelmed when polishing and promotion. Through the reorganization timeline, the death of the son Zhang Yiyang caused his mother's unlimited thoughts and sadness. Lu Jinghua reunited with Zhang Tailei, who had already sacrificed, and Zhang Tailei finally revealed the truth of running out of the past years, and named his son "Yiyang". Essence It is particularly mentioned here that the fourth discount name is also changed from "naming" to "candlelight", and let Lu Jinghua reunite with Zhang Tailei in his dream, which is very touching, which further reveals the logic between the fourth fourth and the first and two % discounts. The relationship also clearly clearly understands the main line of "Zhang Tailei's ideal, belief, and spirit", highlighting the purpose of "candlelight is in front and the original heart does not change".

The play has shaped Lu Jinghua, Zhang Tailei, etc. from the front and aspects, which have a moving image of both the real life and artistic tension. From Lu Jinghua, we saw virtuous, perseverance, and extraordinary. Her husband "goes home for ten colds and summer", and even do nothing in the end, but she chose to trust unconditionally, "always believe in you, is a good thing." Pulling her children and serving her mother -in -law, the heavy pressure of life fell on her shoulder. As Zhang Xiping, the eldest daughter of Mom's road to stay, said, "The Wang family Li family, wearing the clothes washed by the mum, the Zhao family, wearing the shoes made by Mom's hand; I said that the sky was cold, and the quilt was redeemed back to the winter. " Although life is so difficult, Lu Jinghua has always been calmly facing the method of "boiling" and "rubbing" with pickling radish. In fact, Han Xin could not count anything. The greater sadness was that she sent her husband away, but the news of the husband's sacrifice was here. In order not to cause trouble to the family, she has been concealing the truth for many years. Facing the firm attitude of her little daughter's entry into the revolution, she was tangled. Once you walk out of this house, it is likely to sacrifice the revolution like a husband. After a painful choice, she finally told the children's true identity and asked the younger daughter to go to Shanghai to take her father's path. The son was engaged in the revolution with his mother, and Lu Jinghua went to the boat. She knows what her son means, "When Tai Lei leaves home, she said to know this day; when the fine girl leaves home, she is not afraid of this day; In the end, he was eager to cut his love. His son left the boat, and Lu Jinghua would still be wrapped on the ship. Among them, Zhang Tailei was sacrificed. In the voice of his son's stern "Mom, Mom", Lu Jinghua murmured, "Tai Lei, Yiyang went, and I went ... you said, you must not try to leave other sufferings, change that kind of happiness "". This goes without returning, the mother and child are separated from the death, who does not move the audience. Seeing this, we can't help but associate. At this time, Lu Jinghua not only has traditional virtues, but also has the spirit of dedication and open mind for everyone.

Zhang Tailei's image is also touching. From Zhang Tailei, we see the responsibility, bravery, and tenderness. The first three % off Zhang Tailei only appeared in the dialogue of others, and the fourth discount only appeared in his wife's dream. Among them, the first discount of Zhang Tailei was the only way to rectify the book of the world, and the third fold was interspersed with the traceability of Zhang Tailei's strong sacrifice. Zhang Tailei wrote in his book, "I am determined to go to foreign countries to ask for a little profound knowledge and seek my independent life." This family wrote that Zhang Tailei went to the Moscow Communist International Far East Secretariat to work, and Zhang Tailei also mentioned in the letter that "we must be happy in the future." During the Guangzhou Uprising, Zhang Tailei went to the front line to command the battle. In the play, Lu Jinghua's conversation with the Communist Party of China Liu Smeng, in fact, also said to listen to his son, "Three shots in his body, hitting a shot on his head, hitting a shot on his chest, and even the pocket watch was cracked." Essence When Lu Jinghua talked with her mother -in -law, she said affectionately, "He teaches me to recognize words, teach me to paint, and teach me embroidery." Meeting in the middle of the phase, "I was haggard with her clothes", "originally a pair of fibrous hands, but now the ten fingers are as gray."

The screenwriters of the tin drama "Candlelight", director Tong Weiwei, starring Sun Wei and Zhou Dongliang, and Wu Mei designed Han Sheng, all of which are today's powerful artists. They jointly created this boutique show. Due to the joining of "the prince of the tin drama" Zhou Dongliang and others, the stage of the show was greatly improved, and the cooperation between Sun Wei and Zhou Dongliang can be described as a combination of beads, and the whole drama is more aesthetic and charming. Sun Wei has a solid singing skills and delicate performance. In the process of playing Lu Jinghua, with a strong control of his voice, body, and emotional rhythm, he faced the different emotions of husbands, children and mother -in -law. Guardian and the image of revolutionary family members led by children. From the initial arrangement to today's tour, Sun Wei's performance can be described as a rapid progress, saying that she is not an exaggeration to touch the ceiling of performing arts. There are not many Zhang Tailei played by Zhou Dongliang, there is only one play, but it is a soul figure. How to perform the show without grabbing the show is quite difficult to grasp. In order to sing closer to Zhang Tailei, Zhou Dongliang put two high cavities, which was a kind of inner shout. He also added some dramas in Dao Bai. When he was farewell, he hugged, and he poured into the full mind and perseverance, because I wonder if I could meet again next time, maybe it would be forever, and it turned out that this is indeed the case. The artistic images of Lu Jinghua and Zhang Tailei by Sun Wei and Zhou Dongliang all resonated with the audience. The drama dance design is simple and extraordinary. The main image of the stage space is a "home" square platform. With the changes in the narrative environment, the image of the dance is based on realistic props, ink painting scenes, and rotating pictures. Essence

The successful creation of the play has also given us a lot of inspiration. Revolutionary historical themes are indeed an inexhaustible and inexhaustible mines, and local red resources need to be innovative. As long as you work hard, you will definitely usher in the highlights of the theater and the drama, and you can also climb the peak of art.

(The author is the president of the Jiangsu Art Review Society, the original first -level inspector and research librarian of the Jiangsu Provincial Department of Culture and Tourism)

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