Set on the new journey to show the cultural self -confidence of the new era

On July 1st, the Symphony Concert celebrating the 101st anniversary of the founding of the Communist Party of China was held at the History Museum of the Chinese Communist Party. On the stage, all performers and chorus members sang the party, singing the motherland, and the people with beautiful voices. Behind this voice is the insistence and efforts of all creators with the persistence and responsibility of literary and art workers, the study of party history, and the persistence and efforts of the creation and polishing quality.

▲ "Typhoon Battle"

At the concert, a song "Typhoon Battle" made the mutual contrast between the guzheng and the symphony look particularly magnificent, magnificent and powerful. "This piece of music is an innovation after the founding of New China, and it has become a classic today. It integrates the spirit of the times in poetry. Now, when we play this song, we can truly feel the strength of the motherland. Pride and pride. "For Yuan Sha for Guzheng performers and professors of the Central Conservatory of Music, the best appearance, the most beautiful piano sound, and the most powerful performance are the best gifts for the 101st anniversary of the founding of the Communist Party of China.

In the past performances, Yuan Sha showed more poetic and aesthetics of Guzheng. This concert highlights the rich expression of national musical instruments. Yuan Sha introduced that the creation of this concert was not easy. Chinese music has a lot of white treatment, while Western music is often played very rigorously. Therefore, in order to achieve better results, Yuan Sha and the Symphony Orchestra continued to run in to achieve the effect of seeking common groundwork. "In a relatively unified rhythm, we will be very neat and tacit. When the show is showing a storm, Guzheng instantly switched to free expression and exerts its artistic expression vividly. The strings on the left side of Guzheng are used to integrate the traditional "Both Confucius and Sounds 'and' Confucian Yin" to jointly describe the scene of the worship of the workers fighting with the typhoon, which highlights the heroicity and spiritual attitude of our Chinese Communists. " Yuan Sha said.

Or aesthetic, inspiring, or high, or deep, or deep artistic expressions, interpretation of the observation and changes of national musical instruments, and this is the charm of the long history of Chinese traditional culture. Through the concert, Yuan Sha also learned that many people had a new understanding of ancient musical instruments like Guzheng for thousands of years. "Each of our people who are engaged in music performance can use the instruments on their hands to inspire and inspire people. Promote the excellent traditional culture of China, let more people open a door to understanding the excellent traditional culture of China through national musical instruments, and enhance cultural self -confidence. "Yuan Sha said.

Hou Changqing, chief of the Skin Sheng Department of the Chinese Radio National Orchestra, regards the ensemble of ethnic musical instruments and western musical instruments in the concert as a cultural integration. "The voice of the national instrumental music is relatively rustic, and it is just right in the music" Sky ". The music is played with a flute, and it feels peaceful in hearing. It is more cheerful and shows the scene of the Xinjiang Uyghur people's singing and dancing. During the performance, the violin and bamboo flute came to form a dialogue and dialogue, which conveyed the touching style of condensing and going to the future. It was very infectious. . "Hou Changqing said.

To achieve the second century -old goal, take a new way to catch the exam, stand at this new historical starting point, literary workers are full of love and confidence.

"As an artist, no matter which work is, as long as there is a need, it should be transformed, adaptive and responsible." Fan Zhibo, first -level actor of the Chinese National Theater, who is one of the hosts of the concert, admits that this The role conversion from actor to host is a big challenge. The last time she was working at the 20th anniversary of the return of Macau, and she was the same stage on the same stage. This concert is two hosts, and the relative loading weight is heavier. While feeling stress, Fan Zhibo took a particularly good opportunity to exercise, repeatedly practicing the desk book in rehearsal, and communicated closely with his partner. Fan Zhibo said: "I am proud of my actor at the National Theater, and I am fortunate to have the platform and stage experience of the national academy. It is precisely with such a professional accumulation that I can stand on different stages and make my best. Go to play a different role. "

Fan Zhibo, who has shaped the image of many outstanding Communist Party members, believes that in the process of shaping the role, the impact of the infiltration of the "deep life and rooting the people" theme activities on the actor is far -reaching. "The mission of literary and art workers is to use artistic creation to reflect the voice of the times and the people. Only by themselves and beauty can we pass good, good and beautiful. For this reason, as a literary and artist, we should turn the cultivation of cultural cultivation into a habit, more Understand the characters shaped, and better convey the spiritual pursuit of art works and heroes. "Fan Zhibo said.

"China Culture News" on July 5, 2022

The 1st version published a special report

"Setting on the new journey to show the cultural self -confidence of the new era"

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Editor -in -chief: Chen Xiaoyue

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