"You Are My Spring", you have a love story with me

Author:Overseas network Time:2022.07.20

In 2022, the epidemic on the occasion of the winter and spring of 2020, from horror, sadness to fearlessness, warmth, "Hero's City" Wuhan wrote a proclastic prose of the Chinese people's victory. The epidemic was three years old, and the stories of Wuhan did not become the past, but continued to stir. "You Are My Spring" Following "Chinese Doctor" and "Crossing You through the Cold Winter", I told the story of Wuhan's resistance to immunity again, and recorded the pain and cure of the epidemic era in the epidemic in your life with light and shadow.

The logic of empathy narrative: you and my sadness and tears laughed

"You Are My Spring" tells the little story of the little people in the big era. The collage is into a three -dimensional picture of Wuhan's resistance to disease, and the multi -prism reflects the beings of the epidemic era. The five independent stories shot by the five directors are combined with narrative and cross -narrative. The film strives to get rid of the external appearance of the original platter movie, try to explore the new narrative lyric structure, focus on the incidents of anti -epidemic, and use the theme of "treating life and watching spring". Five small stories in groups are connected in series. Therefore, "rejoicing" has become one of the correct ways to open "You Are My Spring".

The five small stories contain rich emotional forms. They do their best to love, affection, friendship, neighborhood, and doctor -patient feelings. They have their own tears and laughes. In the love story of the first Xiaoyu (Zhou Dongyu) and Nanfeng (Yin Yan), a long -distance love was separated because of his mother's opposition, and was isolated for a sudden epidemic. Look at each other. In this small story, the suffering of departure and death with the cold and cold light cities with cold and light light shadows. Xiao Yu in the bed "I don't have a mother", I don't know how many people tears. Nanfeng still insisted on love, and finally stayed in spring. This is the film's "sadness and joy". A romantic love story isolated and cured by love, such as weeping and complaints, sadness and joy intersect.

The "Cold and Warm Chapter" tells a different highway film. Two migrant workers (Song Xiaobao and Pan Binlong) carry a car mask for debt and embarked on the journey to Wuhan. When Song Xiaobao walked into the hospital with a sick grandma, the film peeped at the outbreak of the hospital from a foreign perspective. The story of a car mask, a debt collection comedy performed by the two comedians on the empty road, went to the hospital to the cold and sadness of the hospital's outbreak center, and turned to two migrant workers to rescue passers -by and donate masks.

The "Ward" directly exposed the ICU intensive ward with hand -held photography and shaking lens. The doctor rescued the patient's urgency and busyness, facing the pressure of death and mutual encouragement. Especially Dr. Gong Chen (Huang Chao) and his nurses (Yang Si) lived in the bridge where he quarreled in the car. Orally preparing to sacrifice the responsibility and courage to carry the doctor, the wife's distress, and blame the husband to perform the complicated psychology and emotions and the excitement, which has achieved the most tearful scene of the film.

The space of the above three small stories is among the hospitals of the epidemic storm. From the perspectives of patients, foreigners and doctors, the hospital's warmth and sadness story respectively shows the hospital. The structure of the series can be freely expanded to the visual space, and the moving resistance story is also performed outside the hospital. In the sealing and control community, the community secretary played by Wang Jingchun was dedicated to solving various problems for the residents. After accidentally infection with the virus, the residents of the whole community light up the mobile phone to see him off. The warm scene rendered a strong neighbor between grassroots cadres and the masses. Feelings. Far in Leshan, Sichuan, a nursing nurse (Song Jia) staged a laughing family light comedy with a ridiculous father and son (Huang Xiaoming as his father). The small stories of these two hospitals are more grounded and closer to the daily life of ordinary audiences.

Over time, the five small stories have gradually transitioned from the cold and grim of emotions and shadows from the beginning of the desolation and sorrow of sadness to bright warmth and healing hope. The tears and laughter buried by each small story opened one by one in watching the movie, bringing a strong emotional impact to the audience.

The path of empathy spread: you and my two are going

Just as the title "You Are My Spring "'s internal appeal," You and Me "is not only the person in the pointed film watching the spring with love, but also hopes to build a group of" you and me "with the audience. Essence Therefore, in terms of narrative strategy, the grand narrative routine of the main theme is avoided, there is no leadership command, no slogan, but instead focusing on ordinary people who have also experienced suffering. Tell you the daily stories of you and I in the epidemic, my love, my work, my family, my neighbors, and my "passers -by". In this way, let go of the posture and low to the dust, and sincerely eager to come to a two -way love with the audience.

All the two -way rush need to meet the right person at the right time. As the era of the times, the film echoes the social psychology, common emotions and collective aesthetics of the times. For three years, the new crown virus mutant strains have been upgraded for several generations. The epidemic problems and main contradictions encountered have also changed. After several rounds of epidemic, the social psychology has also changed new changes. At present, ordinary people are no longer panic and indignation when the epidemic is out ofstand, but also hopes to continue the fireworks of the world under normalization of the epidemic, build a more reasonable and reasonable daily life, and have a self -worth and happy life. A more flat understanding and expectation. After the Wuhan epidemic was described and presented by waves of movies and documentaries, the audience had moved to tears many times, and new aesthetic expectations were produced. Together, "Spring" is approaching as scheduled! I hope to look back at the beginning of the epidemic, so that we can think more about the new situation of the current epidemic. "You Are My Spring" shows our desire for "Spring", and it has also triggered the moment when you and I have a lot of defense. These remarkable tears and laughter are scattered in five small stories. If these tears and laughter are wearing a line under the main line of narrative, it has always attracted the attention of the audience, always affecting the hearts of the audience and forming a steady stream of emotional flow, then the audience's immersed in the story of the story Experience will feel the intensity of emotional impact more and more unknowingly. Conversely, if the emotional flow of the audience is interrupted and blocked from time to time, it will not be able to reach a "warm" and moved aesthetic consent with the audience.

At present, "warmth" is popular, and warm realism has become our mainstream creative demand. This is not only the aesthetic psychology of the long history of drama culture in China, but also the empathy needs of the audience under the times. In the epidemic, we need to turn sufferings to tenderness and warm each other's hearts.

(Willow, the author is an associate professor at the School of Media and Design of Beijing University of Technology)

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