Literary comment 丨 Qin Lan: Inject a gentle base color for the role of the character

Author:Report Time:2022.07.28

With the broadcast of the TV series "About Dr. Tang", a representative role in the series of Qin Lan's work has added a representative role. In the play, she plays Tang Jiayu, director of the hospital heart center, and has a new breakthrough in the film and television image that has always been soft and elegant. Ordinary and greatness can evoke the resonance of the audience.

For a long time, most of the audience's impression of Qin Lan comes from the paintings in "Returning Pearls 3", Lv Ping in "Seeing a Dream of Dreams", Lu Hou in "The Feast of the King", and so on. In recent years, she has starred in many TV series in middle age. There are many roles and performances and performances. "You are too beautiful" Mo Xiangwan, who has a courageous and wrist, and Yi Zhongling, a gentle and wise, wisdom and ashi, in "House of House". It can be seen that for more than 20 years, Qin Lan has always played a role commensurate with his actual age. He has been tested with time with the precipitation and refining state brought about by the passing of years, and also received the gift of time.

Incorporate the personality traits of different characters in the background color, bringing a sense of healing a reasonableness

There is a wide spread in "Blame You Over Beautiful": the backstage of the awards ceremony of a film and television festival, the new and old stars are preparing to take a group photo. Seeing that the traffic actress Lin Xiang she brought, Lin Xiang squeezed the old actress aside and seized the C position. Qin Lan's agent Mo Xiangwan did not secretly be proud to watch the wall, but hurriedly stopped shooting, shaking Lin Xiang without trace, With a dazzling shawl gang, the senior actor's actor returns to the center of the film center.

In this deep exposure and reflection of the ecology of the entertainment industry, the above -mentioned bridge section is like a typical cross -section, which reflects the phenomenon in circles such as traffic stars, grabbing mirrors, gorgeous pressure, C position, and over -air. It is also a chief and summary of the whole drama -on the Vanity Field, the red top white, you are fighting for me, and the details determine the success or failure. In this controversy, Mo Xiang had his own needle of the sea god, and the white clothing clearly clearly made the character's mind and character, and later paved her own portal and named her company "Qingyuan".

And this "clear flu" that insists on the original heart and is not infected in the vulgar world is also a keyword that Qin Lan's series of film and television images in recent years.

The characters in film and television works are ever -changing and their style has their own style. The final presentation effect also depends on the actors' own temperament and acting skills. In recent years, Qin Lan's film and television image is generally soft and atmospheric. This is the dignity and stability given by her in the years; more importantly, there is a sense of acceptance for the surrounding world and self. It looks like I have known each other. But this "softness" is "soft" and not "weak". It seems that it can taste some kind of compassion of seeing the world from China, and some kind of understanding of people's hearts. Unpredictable fate, sending the audience's expectations. When this kind of warm and pure goodness becomes a subjective choice after fully cognitive status quo, there is a "clear influenza" that is not compromised and uncompromising.

It can be found that the roles of different times and identities shaped by Qin Lan are further incorporated into the personality characteristics of each character in this "clear stream" background.

In "Everything about Dr. Tang", Tang Jiayu's setting is the first female director in the history center of the hospital, and it is airborne to leadership positions, facing multiple pressures from gender and workplace. A classic picture composition in the play is Tang Jiayu is located in the center of the center. He is petite but strong. The five male doctors are surrounded by her side with a unity and conviction. Most of the challenges of cardiac surgery work, showing Tang Jiayu's extraordinary business ability and personality charm. When Qin Lan created Tang Jiayu, she also showed a contrast effect. She was calm, tone and warmth, and her style of acting was straightforward. There were some unintentional small naughty, so that the characters had a sense of "top masters" who were unreasonable. The eldest sister in "Heachi", with her elder sister like a mother, she is tolerated, tolerant, and dedicated, and she accepts marriage for her family. But this character is not a real old -style woman. After suffering the chaos and family changes, the responsibility of the country and loved ones has spawned her courage and wisdom. Fighting is a deadly fight. Rong Yin in "Yanxi Raiders", but gentle and kindness, also adhered to morality in an environment of mutual dumped and harmful environment, just as she described himself, "I haven't done a bad thing in my life." This character is a hearty "white moonlight" in the play and outside the play, which represents pure and flawless beauty. Rong Yin worked hard in the sinister struggle to maintain her pure heart. Her desperate tragedy ended, forming the most tragic complaint in the whole drama.

Generally speaking, Qin Lan shaped the role of the role of "Qing flu". Due to her gentle and elegant charm, she showed the characteristics of "defensive type". It was the "gentle power" mentioned when she created "Blame You Over Beauty".

She plays as ordinary people who are constantly tearing and struggling between ideal and reality.

In recent years, as Qin Lan's starring TV series has been well received, she has also been gradually considered a actor who can "carry drama", and has become the guarantee of the quality of TV dramas with her own appeal and the guarantee of audience recognition. The cause of "carrying the drama" is complicated, but from the perspective of performing arts, a very important factor is that the actor's performance must be very durable. "Patience" is a difficult art level. It cannot be replaced with "high value", "high traffic" or "high cost" equivalent, nor is it simply determined by acting skills and rich performance experience.

It contains the requirements of the actor's image temperament, the requirements of the sound, Taiwan, form, and watch basic skills of acting, and the requirements of the role of the character and the state of performance. More importantly, whether the artistic presentation of the actor can make the audience convinced, whether the charm and drama tension can attract the audience to the plot, whether the emotional expression and detail design can withstand the repeated taste of the audience, and then it can cause the audience to the characters to the characters. The goodwill and identification of it, there is a desire to "chase drama".

Qin Lan's performance has the characteristics of watching. This first stems from her good appearance and the ability to shape different characters.

When filming "Returning Pearls 3" in 2003, Qin Lan was also a newcomer. He had little experience in acting. He won the favor of producer Qiong Yao with his appearance and temperament. Knowing the painting is the first character that Qin Lan is well known to the public, and his talents are very controversial. As the "secret weapon" launched by the show, Qin Lan, with the amazing appearance, also filled with the character of the characters through acting skills, and interpreted the softness, idiots, cunning, and ruthlessness of the knowledge of the painting. Also provoking "pity." This strong and three -dimensional multi -faceted character has even become a representative of a typical character. Some performances will still appear in the second -degree creation of film and television such as short videos, and with the changes in social thoughts, the audience has re -be seen from different perspectives. Examine. In 2007, Qin Lan played Lu Ping in "Seeing a Dream of Dreams". She was expensive and elegant in the early stage and was fully loved. Leave a deep impression. Since then, she has played Lu Hou in the movie "The Feast of the King", which further enriched the characteristic characteristics of the sharp and gloomy character. In the later creation, she gradually walked out of the Qiong Yao girl -style romance performance "Comfort Zone", and continued to explore her creative potential in different themes and works.

The reason why Qin Lan's performance is attentive lies in her sincerity and investment in her creation. The performance is processed in a natural and vivid way to convey the human nature and human taste of the character, and to trigger the audience's sense of substitution.

When watching Qin Lan's performance, she can feel her true communication with her opponent, as well as the process of emotional flow and ideological changes in the characters, that is, a performance under "True Listening, True Seeing, and True". This makes her show different styles of effects under the general spectrum of different roles, such as Rongyin's gentleness and gentleness, Mo Xiangwan's spiritual sharpness, Yi Zhongling's virtuous and inspiring, and so on. This is also reflected in her latest work "Everything about Dr. Tang". Tang Jiayu often needs to say the lines of medical terms. Qin Lan and other actors also have a lot of rivals discussing diseases and scientific research. At this time, it is inconvenient to use too much action and fragmented lens to enrich the perception. So how to make the audience "tolerate" the long segment lines in a relatively static state? It can be found that Qin Lan's performance has always been full of changes. She transmits the characters' emotions and thoughts through the changes of the delicate eyes, expressions, and micro -action. The audience needs to capture these to experience Tang Jiayu's ideas and situations. Especially her eyes, always with a certain emotion or purpose, between the circulation of the eyes, clearing the narrative purpose to be achieved in this scene. Her performance is not the most beautiful angle and posture to "make the situation", but to "take the drama" according to the words and attitudes of the opponent's actors, so it seems fresh and not "facial paralysis", smooth but not trivial, every time, every time, every time, every time, every time The reaction has a basis, and each presentation is effective. Some actors have been criticized during acting as "Following Following Following Flying", "Too much Actions" and "Eye Vehicle". The difference is whether the performance follows the real emotional communication and reasonable character logic.

It is this sincere input that makes Qin Lan's character infinitely close to life and reality. It is not false and no sense of distance. The classic beauty she plays will not be like a strange display from the museum; the industry elite she plays will not be like "white lotus" and "silly white sweet" that is unobtrusive. Whether it is Rongyin, Yi Zhongling, Mo Xiangwan or Tang Jiayu, there are no "big hostess" who are invincible and killing the Quartet, and only ordinary people who continue to tear and struggle between ideals and reality. Their sorrows and sorrows are closely connected with reality, and they are more beautiful and good people we can see around us.

Beauty and beauty: The concept of domestic film and television dramas around the artistic image of women

Qin Lan has officially entered the industry since 2001, from supporting actors to the protagonist. The character image covers a variety of types. TV dramas, movies, web dramas, variety shows, party and other literary forms have been involved. It can In his career, his own experience and witness, his artistic career reflects the development ecosystem of my country's film and television industry.

Taking the movie as an example, she participated in "Nanjing!" Nanjing! "" The Great Founding of the Party "and" The Moment of the Winning "and other new mainstream film masterpieces, as well as the co -produced commercial blockbusters in the Mainland and Hong Kong in the Mainland and Hong Kong, such as" The Feast of the King "," Angry, and Case ", as well as" Destiny Call Transfer "," Hidden Marriage Men and Women "," Sleeping Sleeping "," Sleeping " "Brothers who spread on my upside" and other urban love light comedies. Qin Lan's film creation in different periods corresponds to the creation and focus of the development path of Chinese film development in the new century. As her performance creation "home", the TV series has a clearer and inspiration for many years.

To this day, the concept of female image in domestic dramas is constantly updated. Zhongwei became windy. These tendencies have also been reflected in Qin Lan's screen image in recent years. In her work, her role identity is usually an industry elite with intellectual beauty. She is gentle and firm. Even in the costume drama "Yanxi Raiders", the most tangled topic she played by her play is about self -consciousness, that is, the person's personality is really imprisoned by the identity and etiquette, unable to overcome nor to obey.

What's more important is that there is a friendship between Qin Lan's role and other female characters in the play and the beauty of each other's beauty and beauty. Specifically, it can be manifested as a navigator and a shelter of a mature elder sister to become young women. For example, in "Yanxi Raiders", it took a lot of space to shape Rong Yin's goodwill, love and teaching to Wei Yan (Wu Jinyan). Wei Yan is regarded as a sister, and even if the Yiren has passed, it will always be loved by Wei Yan. In "Blame You Excessive Beautiful", the only person who has a fragile traffic star Lin Xiang in work and life is Mo Xiangwan. After the two gradually drifted, they lost the teaching and protection of Mo Xiangwan's heart. One cause of Lin Xiang's spiritual collapse. Another manifestation is that mature women's characters are evenly matched and cherished. This treatment can enhance the realm of the character and enrich the facade of the character. For example, in "Everything about Dr. Tang", Tang Jiayu and Ouyang Zhenyu (Gao Lulu) developed from the friendly development of "not dealing with" to "good girlfriends". From the perspective of Qin Lan's performance processing, Tang Jiayu's status in front of Ouyang Zhenyu is more relaxed and free. Some small movements, small expressions, and jokes designs make them a girl -like naughty and dynamic. And open -minded.

Although the role is regardless of the size, we are happy to see a middle -student actress like Qin Lan that can still continue to star in film and television dramas, so that the female image in domestic film and television works is increasingly richer and richer. After all, like Mo Xiangwan and Tang Jiayu, they are not young "little flowers" who can be competent. And the frank acceptance and face of age and gender issues belongs to both characters and Qin Lan himself.