Zong Baihua: Where does beauty look for?

Mr. Zong Baihua is a well -known aesthetics of modern aesthetics. The main image appeared between his articles is a philosopher image of "smiling". In the face of ancient and modern Chinese and foreign aesthetic treasures and art galleries, he came to walk with us and take a walk, review, and appreciation. Calmly.

Although Mr. Zong Baihua's articles are mostly aesthetic papers, they can be read as beautiful prose. This is a kind of scholar prose, cultural prose, aesthetic prose, beautiful reading, often reading and new.

——The professor Chen Xuguang "Zongbaihua Prose · Introduction" at the School of Art of Peking University

Where can I look for it?

Text/Zong Baihua

Ah, where is the poem looking for?

From the drizzle, the sound of broken flowers,

From the breeze, the flowing water is drifting,

From the end of the blue sky, the crumbling lone star!

- "Liuyun" small poem

Seeing spring in the sun, I do n’t see the spring, and the mango shoes traveled through Longtouyun.

Return to laugh and smell the plum blossom, spring is very good in the branches.

—— Song Luo Da Jing "He Lin Yulu" contains a poem

Poems and spring are the incarnations of beauty. One is the beauty of art, and the other is the beauty of nature. We all found her trace from the world where we watched the ear.

There is a lot of Zen in a certain poem, as if saying "not far away", and should not be "begging for far away." It seems to say, "If you can't find beauty in your heart, then there is no place to find the trace of beauty."

However, plum blossoms are still an outside thing, part of nature! Your heart is not "in the process of" your own heart, find beauty in feel, emotion, and thinking, but just find the beauty through feelings, emotions, and thinking, and discover the beauty of plum blossoms. Beauty is an objective object and existence for your heart and your "beauty".

If you want to know her further, you can analyze her structure, image, and composition, to obtain the laws of "harmonious", the law of "rhythm", the content of the performance, and the rich revelation, and not to care about yourself. The activity of the heart. The more you can forget yourself, forget your own emotional fluctuations, and the ups and downs of your mind, the more you can "septate all things, cage hundreds" (Liu Zongyuan), you will see a mirror, like Tolstoy, see A world, enriching itself and rich culture. People will thank you.

So, can you not find beauty in your heart? I said that our souls are rising and changing, the waves of lust, and the contradiction of thought. When we are in it, I am afraid that we are distressed, but not necessarily beautiful.

Only Shakespeare or Balzac has visited it, shows it in literature, or dances by your own, and expresses your joy in the image of dance; In the rhythmic poetry, even in your usual actions, in language.

In a word, your heart should be manifested in the image. At that time, others will see the beauty of your mind, and you can truly discover the beauty of your heart in detail. In addition, I'm afraid it is not easy! Your heart can find the object of beauty (life, society, nature). This "beauty" is an objective existence for you and does not shift with your will. (Your will can only see your eyes to see her, or not to look at her, but not to change her. You can train your eyes to know her deeper, but you can’t shake her. It reduces its glory due to the darkness of the Middle Ages.)

Although the Song Dynasty seemed to be realized, her awareness was not deep enough, and she was not high enough. She could not find that the entire universe had a spring meaning. She was distressed and disappointed when she traveled to Longtouyun. She kept herself in a narrow heart circle. It is not enough to find the trace of beauty in your own heart.

Wang Xizhi said in "Lanting Preface": "Looking at the big of the universe and the prosperity of the category, so you can enjoy the audio -visual entertainment, and believe in Coca -Cola." This is the trace of the Eastern Jin Dynasty bookmakers looking for beauty. His calligraphy conveys the beauty of nature and spirit. Not only is the universe, but small things cannot be ignored.

The poet Huazwos once said: "A tiny flower is as deep as I can evoke tears."

To achieve such a deep beauty and seeing such deep beauty, it is necessary to have conditions and preparations in terms of subjective psychology. Our feelings are to be washed, overcoming Xiao Ji's selfish desire and interests. The ore merchant only sees the currency value of the ore, and the beauty and characteristics of the ore cannot be seen.

We need to transform the whole emotions and thoughts and move the direction in order to face the image of beauty and reflect the beauty and deeper into our hearts. Turn it out and express it with the image of material creation before becoming art.

In ancient China, some people called this process to "move people" or "move my feelings". The preface of Qinqu "Boya Narcissus":

Bo Ya learned the piano in Chenglian, and it was made up for three years. As for the spirit of mental loneliness, the uniqueness of affection was not available. Cheng Lian said: "I can't move people's love, my teacher has Fang Zichun in the East China Sea." Never return for ten days. Bo Ya was sad, and his necks were looking forward, but he heard the sea of ​​water, the mountains and forests were underworld, and the birds were tragic. Yangtian sighed: "Mr. will move me!"

("Shi History" Volume 145 "The 45th of the Warring States Period · The Religion of the State" was used as a "assassin away", "Nai helps the piano to be a song cloud", "the cave Wei Xi flows". ) Boya was strongly shocked by nature in loneliness, abnormal encounters in life, and the whole mood was washed and transformed. Only then did he achieve the deepest experience of art. Essence This "emotional theory" seems to be deeper than the "emotional movement theory" of German aestheticist Li Buus, because it says that the experience and transformation in real life is the basis of "emotional"! And "move" and "move" are different.

The "empathy" understanding here should be the positive factors and conditions of our aesthetic psychology, and the "psychological distance" and "quiet view" of aesthetics that aesthetics also constitute the negative conditions of aesthetics. The woman Guo Liufang has a poem "The boat is still Changsha" and said:

The family lives in the east of the two lakes, and the twelve bead curtains are red.

Today, I suddenly looked at Jiang Shang, and I first knew that the family was in the drawing.

("The Old Collection of Xiang Xiang" Volume 187 "Guo Dynasty · Ms. Guo Liufang Shifang Jade · Zhou Hui" is used as "Nongjia lives in Yuhu East". Edit Note)

Living in real life, I can not grasp its beauty image. When I have a considerable distance for my daily life, from a distance, I posted a picture in a beautiful image in the natural beauty.

However, in addition to this subjective psychological condition, objective conditions also require objective things. Here is the image of the red and the twelve beads of the Xi Zhao. The Begonia Poetry of the Song Dynasty Chen Jianzhai: "There are glory of the flowers and leaves of the curtains", the curtain causes a distance. At the same time, the rhythm of its line pattern can also increase the image of the flowers and leaves outside the curtain, which increases its glorious flashing. The gorgeousness of life is like a joyful life in a simple and beautiful melody lyrics.

This rhythm, this melody, this harmony, etc., are inseparable from the expression of life. They are not the form of empty mechanical and empty machines, but they have the specific image of content, performance, and rich significance.

The image is not form, but the unity of form and content. In the form, each point, line, color, shape, sound, and rhyme, all show the meaning, emotion, and value of the content. So the poet Erico said: "A person who creates a new rhythm is a person who has expanded our perceptual and makes it more clever." He also said: "Create a form is not just a format. A rhythm or rhythm, and it is also the discovery of the entire formal content of this rhythm or rhythm.

Shakespeare's 14 -line poem is not just such a format or graphic, but a way of thinking and emotion ", and the ideal form of ideal form is" such a poem, which causes us to us. I can't see the so -called poetry, but pay attention to what poetry indicates. "(" The role of poetry and the role of criticism ") This is" beauty ", which is the specific object of beauty. Instead of the subjective psychological activity of beauty. Just like the content and laws of the material, the laws are taken by abstract thinking, but it is not an abstract thinking but a specific thing.

Therefore, searching in the heart is not beautiful. The trace of beauty should be found in the specific image of nature, life, and society.

(Selected from "Zong Baihua Prose", the article has been deleted)

One -generation aesthetic master name collection

Looking for the beauty of Chinese and Western art, conservation art,

Precious old photos reappear master style

★ Where can I look for it? How to appreciate art works? How to build aesthetic attitude and cultivate artistic souls, until the formation of art, and living aesthetic life? Please follow the aesthetic old man who "smiling" to find the beauty of Chinese and Western art.

★ A classic prose collection of artistic soul, which covers almost all art categories such as poetry, books, paintings, music, dance, opera, gardens, sculptures, architecture, and more than ten precious old photos to reproduce the style of aesthetics.

★ Edit carefully compiled the original publishing and fine schools, adding comments, and presenting the original appearance of a generation of aesthetic masters.

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"Zong Baihua Prose" income Zong Baihua Talking about 50 representative works of aesthetics, art, and life, including "The Birth of Aesthetics", "The Birth of Chinese Art Martial Arts", "On the Beauty of New Words & and Jin people" "The Ethics of the Patriarch", "The Enlightenment of Goeta" and so on. The content covers calligraphy, painting, opera, music, dance, gardens, sculptures, architecture, poetry and other art categories. It discusses the theory of Chinese and Western art, and emphasizes how to appreciate art works, how to build a aesthetic attitude until the personality of art has the personality of art. Essence There are more than ten illustrations in the book, mostly not common precious old photos.

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