The commander of the "New Sound Power" of Shangyin, Burning Love in Shanghai Summer Classical Music Feast

Author:Shanghai Conservatory of Music Time:2022.07.31

Light with music

Moispress with art

This summer, music was not absent. During the daily routine of the epidemic prevention, the 13th Shanghai Summer Music Festival (MUSIC in the Summer Air (hereinafter referred to as MISA) officially kicked off on July 20th in the "Cloud", bringing fans in Shanghai and even the whole country. A summer music feast is here.

In a letter to MISA founder and conductor Yu Long, he wrote: "This summer music festival is very interesting that those who run through the entire music festival are the" 80s '' 190s' and '00s'. These youth conductors indicate the endlessness of our music industry and the front and after the opening. 'Sun Yifan will be the command of the closing concert, as well as the "post -afters' musician Jinyu mine."

The festival in this game is like a relay match. Due to the impact of the epidemic, Yu Long himself could not come to the scene, and he handed over the relay stick to the three emerging musicians who also came from the top of the top -"80s" Zhang Ye, "post -90s" Sun Yifan and "post -00s" Jinyu Mine The three Shangyin people "provoked the beams", and held up the concert, closing the concert and a new indoor music specialty, showing the uniqueness of the three generations of "new voice" to the fans.

Yu Long, Director of Music, MISA Art Director, MISA Art Director, Misa

On the evening of July 20, the "post -80s" conductor and "Shangyin" Zhang Ye held the Shanghai Symphony Orchestra, and joined hands with the well -known female Zhongyin singer Zhu Huiling to use the vocal set "Weson Dongke Song", Grig "Suo Suo The Song of the Erviger and the "D Rotary First Symphony" of Maller's "MISA" (MISA) for 11 days kicked off. He is the assistant commander of the Shanghai Symphony Orchestra, and the first leader of the commander recruited by Shangyin's history.

MISA opening concert scene

Compared to the scene of the past, this MISA opening concert this year seems a bit "special". In the concert hall, the musicians on the stage were "fully armed", and the seats on the stage were empty. Only the staff who came to the live broadcast helped. However, the fans on the online live broadcast platforms are very excited, and the comment area is full of eager comments. Although this eagerness cannot be passed on to the stage, all the comments of all music people in the comment area really make people feel everyone's warm welcome and miss for the performance.

MISA's opening concert live broadcast, the audience commented in real time

Starting from July 22, four games stationed in the Shanghai Symphony Concert Hall and the original planned empty field live broadcast, and re -entered the audience at a 50%attendance rate. Among them, the first concert was won by the "Golden Lumry Mine and New" by the two international command competition winners of the two international command competitions of Armeniahachad and onlystage, and the "post -00s" young emerging commander Jin Yukuan brought by the "00" system. Classical indoor orchestra performance.

This emerging indoor band centered on neoclassical and minimalist -style works staged three works that rarely performed on the domestic stage. Synitk's "Ancient Wind Music" was originally written for violin and piano, and was adapted by the conductor to the indoor band. It was originally a movie soundtrack in Schinitek, which expecked the song of the eighteenth century instrument music group song Wind and form. Rez Piki's early creation of "Commoning for Flutes" combined with a variety of European folk music styles. The "Fourth Season" violin concerto, which is "re -created" as the finale of Max Richter, introduced the sound effects of modern harmony and electronic music on the basis of retaining the original song structure and wechiers, so that the classic masterpieces are rejuvenated by the masterpieces. The vitality of the new era.

The performance scene of "Golden Line and Neo -Classical Interior Orchestra"

On the evening of July 26, Zhang Jiemin, the Shanghai Symphony Orchestra in 1989, and Zhang Jiemin, an alumni of the Shanghai Symptoms, and the famous female treble singer and Hui, brought "Ugly Horn", "Rural Knight", "Tang Haoser", "Tristan" There are many opera selection sections such as Issard, full of weight. This performance is not only the first time he participated in the Shanghai Summer Music Festival, but also the two female musicians who glowed in the field of opera to work in the Shanghai Summer Music Festival to achieve the "first stage" in the true sense.

"Night of Xinyi -Zhang Jiemin, Hehui and Shanghai Symphony Orchestra" performance scene

On the evening of July 30, the symphony poem "Thousands of Miles" was premiered by the conductor Sun Yifan to hold the Shanghai Symphony Orchestra in the Shanghai Summer Music Festival. This symphony poem that integrates national painting, Chinese poetry, and Chinese instruments has attracted much attention. It will not only end in the "2022 Shanghai Summer Music Festival", but also start the prelude to the national tour.

This work was advocated by Yu Long, chairman of the China Symphony Orchestra and the famous conductor, and the Shanghai Symphony Orchestra as one of the joint committees with the 23rds of the Alliance and the Alliance. After Lin carefully polished for a year, he tried to cry at the stage of the Shanghai Summer Music Festival.

Sun Yifan and Shangzhong rehearsed "Thousands of Rivers"

Let's listen to the voice of the "new voice" from the three upper sounds

"Post -80s" conductor Zhang Ye

Q:

This opening concert was originally ordered by the predecessor and conductor Yu Long, but he could not come to Shanghai due to the epidemic. Only 3 days before the performance, you took the command stick. The offline rehearsal is also "challenged". The performance list is changing every day. There were also three performers in the performance that night were "foreign aid" from the Chinese Philharmonic Orchestra and the Guangzhou Symphony Orchestra. This time is temporarily ordered, you must have made a lot of preparations for this. The opening ceremony of the "2022 Shanghai Summer Music Festival" (MISA) this year, did you feel the joy of long -lost joy during the process? (Details on the ups and downs) First of all, I would like to thank Director Yu Long for giving me this opportunity, and also thanked the Shanghai Symphony Orchestra for his trust in me. After the Shanghai epidemic, MISA's held and perfectly closed as scheduled. It is very difficult to make it. In the end of various types of emergencies, we have made a lot of records to make a good preparation for the smooth implementation of the summer music festival. Essence

When I learned to take over the opening ceremony, I was very excited and accompanied by embarrassment. As a young command, such opportunities are hard to and dream. Considering that most of the works, how can we recover and present in a short period of time after the epidemic?

Fortunately, I participated in all the rehearsal performances of the orchestra, and continued to observe the rehearsal of Director Yu Long. It has a certain reserves. In the face of this situation, it is not at a loss. As the saying goes, "raising soldiers for thousands of days, using soldiers for a while", the accumulation and preparation of the usual accumulation and preparation must be taken seriously in order to be in danger.

"Post -90s" conductor Sun Yifan

Q:

After receiving the command stick of Teacher Yu Long, you are the command of the world premiere of the MISA closing concert "Thousands of Miles". As a post -90s young commander, what do you think? Do you have more feelings about this work during the rehearsal process? In

Responsible for the premiere of MISA's closing concert and the world premiere of "Thousands of Miles". I feel a deep honor and sense of mission. On the one hand, Teacher Yu Long has always been caring with me and very much. This time, I gave me the heavy responsibility of closing concerts with the world premiere. As a young man can be supported and trusted by the predecessors, this is a kind of kindness and luck that I always remember in my mind. On the other hand, the MISA Summer Music Festival, as a Shanghai city business card, is a learning opportunity that I have never missed every summer since I was a student. This year is very special. I am fortunate to have embarked on MISA's podium from the audience, from a bystander to a real participant. I feel that the responsibility on my shoulders is important.

This concert's time from receiving the task, getting the spectrum to the final rehearsal performance is very short. In more than a week, my understanding of this work is gradually from shallow to deep. The uniqueness of this work is that it is a masterpiece that integrates "music, painting, and literature". These three art forms together form the three dimensions of this work. Music inspiration originated from the famous masterpiece of the Northern Song Dynasty painter Wang Ximeng. If you do not understand the spiritual connotation of painting and text, it is impossible to have the correct interpretation of music. Therefore, in the early preparation stage, I did a lot of homework about the historical origin and the meaning of the lyrics text. Among them, I would like to thank Teacher Yu Long to help me understand the work. Explain the album.

After entering the rehearsal stage, I found that the difficulty of this work lies in how to grasp the "white" and free space of Chinese paintings in music, which has a lot of challenges for me since I was infiltrated in Western classical music. During the rehearsal process, Teacher Zhao Lin also gave me a lot of constructive opinions. The first -hand information from the composer was extremely precious and necessary to interpret a new work.

When the last sound of the concert ended, I had a feeling of "I also completed a thousand miles of rivers and mountains". Music is the art of time. Only when the whole song is played, the "picture scroll" that is unfolded in time is not reserved to be displayed in front of the audience.

Wang Ximeng's "Map of the Thousands of Miles" was born in a great era and a great nation, and this symphony "Thousands of Miles" will definitely become another masterpiece of the new era. I wish the next national tour a complete success!

"Post -00" conductor Jinyu Mine

Q:

Participate in the MISA Music Festival and perform with your indoor classical orchestra. The friends who perform with you are all young people of peers. For you, such large concerts are also a good opportunity for exercise. For you, what is the deep part of the process and what challenges and gains? In

In fact, this is the second year we have appeared on the MISA stage. Compared to the first year, the entire process is more familiar, and everyone's burden and pressure are not as nervous as last year.

With the partners, from Yellow Lounge performed with Ningfeng and Chen Yibai to the Shanghai Summer Music Festival for the first time, to participate in the 24th Beijing International Music Festival and won the Young Artist Award, and then to Shanghai The concert hall hosted the New Year's Eve concert, and we were all absorbing experience and progressing like thirst. After the silence of the first half of this year, during this time, I think everyone has made full use of this period of time, and it has also absorbed our journey throughout the year. So at this concert of this summer music festival this year, I will feel that everyone has been preparing for this performance for a long time in my heart. Therefore, we did not have the identity of our "young people" too much, but we all faced, exchanged, and cooperated like professional musicians, and across the label of the "young". The first step of tolerant attributes. I think this is our greatest gain and progress -in the process of this concert, everyone in the neoclassical indoor orchestra completely puts themselves from the perspective of professional practitioners to think about problems.

Thanks to the opportunities and guidance of each senior in the process to help spur our progress. We will also use unremitting efforts to bring artistic enjoyment to more people.

In 2010, the first Shanghai Summer Music Festival (MISA) performance venue was set next to the Shanghai Conservatory of Music at the intersection of Huaihai Middle Road, Fenyang Road. A large tent concert hall with a length of 50 meters, 30 meters wide, and nearly 10 meters high was built on the spot. The entire venue can accommodate nearly 800 viewers to watch the performance together. At that time, the classical cross -border music festival in the "tent concert hall" still made Shanghai fans talk about it.

Every year on the midsummer, MISA's various wonderful performances and various forms of art education lectures, in addition to the top musicians from all over the world, can also see many "sound people" at any time.

As a national "double first -class" university, the Shanghai Conservatory of Music, always adheres to the ethics and cultivation of "moral art doublex, red specialty, international perspective, comprehensive development" to serve the masses. Action adhere to the educational mission and artistic mission of art colleges.

Source: Shanghai Symphony Orchestra, Xinmin Evening News, Surging News, Composition Command Department

Design: Leisurelyzs

Edit: Zheng Yingxin

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