[Entering the National Version Pavilion] Cultural landmarks are "Jiangnan Charm"
Author:Guangming Daily Time:2022.08.02
On July 30, the opening exhibition of the Hangzhou National Version Pavilion, which was just completed, opened. A total of 4 physical exhibitions and 1 digital exhibition hall were launched. From ancient times to Zhejiang, a three -dimensional and sensible Jiangnan.
Tell out of ancient and modern things, and hide the generations. The version resources exhibited here are full of cultural connotation, artistic value and viewing fun. Whether it is the version of the relics of the era of inscriptions, or the simplicity of the paper, the ancient book scriptures of the era of the era, or the modern printing publication or digital version, it is the memory of life, the epitome of the times, and the cultural self -confidence. Source.
The Hangzhou National Edition Hall is a disaster recovery library, Jiangnan characteristic version library, and East China version of the resource gathering center. It comes from an abandoned mine. With the help of vine trees in natural mountains, it lasted for 3 years to perfectly integrate the garden temperament of the Song Dynasty with the local style. In the architectural artistic conception of the Song people, the Chinese classics and Chinese cultural relics are present.
Cultural landmark shows the charm of gardens in the Song Dynasty
The Hangzhou National Edition Museum, also known as "Wenrun Pavilion" near the ruins of the Liangzhu Ancient City of the World Heritage. This new cultural landmark with Chinese style and Zhejiang recognition, follow the mountains, is dense. The "South Garden North Pavilion and Pavilion" is the charm of Jiangnan; the garden scenery and multiple courtyards are the "beauty of cover" of the culture of the Song Dynasty.
The architectural design focuses on the theme of "Contemporary Collection Buildings of the Garden Shen Yun in the Song Dynasty". It is adapted to local conditions, highlighting the colors of the south, the elements of the Song Dynasty, and the characteristics of Zhejiang. The structure of the North Pavilion is a portrayal of cultural heritage.
The venue series of buildings along the central axis, stacked from south to north: the south gate, the south study room, the main study, the second district of the main hall, the main hall, the four districts of the main hall, the west side of the four districts The east side is a mountain warehouse. The venue is dotted with the buildings such as the Nangge, the mountain gallery, the Changqiao, the Wenrun Pavilion, and the North Pavilion.
Entering the gate of the venue, the huge "Meizi Qing" celadon covered the screen door, and its design was inspired by the screen of the Song Dynasty. "The screen door is the characteristic of the architecture of the Song Dynasty. The Hangzhou National Edition also known as Wenrun Pavilion. We use porcelain imitation jade on the screen door building materials to reflect the design theme of 'Wenrun Ruyu'." Wang Yan, dean of the School of Architecture and Art of the School of Fine Arts, interpreted.
A total of 251 porcelain screen fans are set up in the museum. Each 樘 screen fan can be rotated into the overall direction, similar to the concept of the screen screen in Song painting. A total of about 70,000 pieces of purely hand -fired celadon slices used in all screen fans comes from Longquan kiln specially improved.
The restored mountain warehouse is covered with the landscape of the natural Longjing Chatian, and reproduces the natural mood of the Song people's landscape paintings. Looking at the mountains in the main study, you can see the scene of "Mountains Traveling" created by Fan Kuan in the Northern Song Dynasty. This is not deliberate, but a kind of echo formed by the beauty of Chinese ancient style.
Julshacheng Tower built version of the treasure trove of resources
The version is the "golden seed" that records history and witnesses civilization. The collection of the Hangzhou National Edition Museum is collected in parallel with engineering construction.
At the beginning of the launch, the special collection of the working group for the direction of ancient books, the Republic of China literature, carving, seal, red literature, movie, overseas version and other directions, and old -fashioned enterprises, key private enterprises, provincial state -owned enterprises, university experts, art master, and other types of objects were carried out. Special version collection.
At present, a total of 1 million (pieces) resources have been collected, and 2.5 million copies (pieces) will be reached in the future. From the Bronze Sword of the Kingdom of the Warring States Period, the "Leifeng Tower Sutra" was published during the period of Wu Yue, to the various engraved books of the Ming and Qing Dynasties, and then to the various versions of the "Communist Manifesto" in the revolutionary era ... Show the mark of Chinese civilization.
Zhejiang's humanities history has accumulated rich accumulation, and the culture of the Jiangnan version has a long history, and the context of the two Zhejiang arts continues. In the process of soliciting and collecting, it is people's enthusiasm for cultural heritage.
Jin Liang, chairman of Zhejiang Outlet Square Co., Ltd., donated more than a thousand versions of the Communist Declaration of the Communist Party. Among them, the English version of 1888 was written by Engels himself. There were very few stocks in the world, and it was an early rare version. Since then, he has donated 782 volumes (pieces) precious ancient books.
The translators, publishers, and revolutionary writers Huang Yuanzhi donated 2126 father's old Tibetan books, documents and manuscripts. The famous printmaker Lu Fang donated 329 works created in his life.
Academician of the Chinese Academy of Engineering and Tai Dou, the management of Chinese management, donated academic research versions such as English notes and academic works in Massachusetts Institute of Technology ...
In addition to donation, the Hangzhou National Edition also provides collection services for collections, receiving a number of precious letters that deposit celebrities such as Qian Xuesen and Mao Dun.
For different versions, different exclusive storage space is set up in the museum. Complete functional rooms can not only meet the preservation requirements of paper versions, but also meet the maintenance, maintenance and repair needs of types such as bronze wares.
"Digital Wisdom" promoting version use development
The construction of the Smart Pavilion is a highlight of the Hangzhou National Edition Museum. It shows the connotation of the Chinese version in the form of "digital version+immersion multimedia space" and refine the contemporary value of the spiritual logo of the excellent traditional culture of China. Through the "naked eye 3D+immersive light and shadow" method, the virtualized jade king, the five generations of Leifeng Tower, the Yuanlongquan Kiln blue porcelain boat -shaped drip, Longjing tea certification trademark, the Communist Declaration and other Zhejiang characteristic edition treasures. Not only is it effective on the screen, but also the corresponding interaction on the top and the ground. The ground is covered with various flowers. As people walk through, the flowers will also interact according to digital capture technology.
The digital exhibition hall uses digital and high -tech to integrate culture and art and technology to create the connotation of the Chinese version culture in the form of version interaction. "Digital construction work in the museum is to solve the pain points of the complexity of the version, the high security level requirements, the lack of inter -museum exchanges, and the diverse of the cultural needs of the masses. Essence
The Hangzhou National Edition also develops the first domestic collection of collection management systems that integrate books, cultural relics, and archives management standards. There are four scenes of one thing and one thing, creating a full -link closed -loop system of all kinds of versions of preservation, management, research and public service. Through this system, the collections have realized intelligent management such as solicitation, identification, collection, catalogs, warehouses, databases, exhibitions, and borrowing.
The exhibition hall has created various service -side scenarios, studied and developed celebrities, and screened about 500 celebrities in Zhejiang's history. The 40 of them were excavated through the form of topics. The audience could query their relationship maps and traces maps. (Lu Jian's newspaper correspondent Ye Kaiyu)
[Editor in charge: Zhang Yongsu]
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