Zhang Chunmei: The multi -faceted "reality" of online literature

Source: "Chinese Social Sciences Digest" 2022, No. 7 P57 -P58

Author Unit: School of Humanities, Jiangnan University, the original "Multi -mutation, Future and Popular Aesthetic Aesthetics of the" Reality "of the Internet Literature", which is taken from "Chinese Literature and Art Review" 2022.

The "reality writing" of online literature shows the difference between writing such as "people", "world" reality, "writing" reality, and "text" reality. The characteristics of the Internet era, thereby revealing that "realism of online literature" is different from existing realism.

The reality of "human": from emphasis on psychiatric to Siber

The soul of materialized flesh, the lack of one is difficult to call it "human", but to determine that this is not that "person", what emphasizes the psychiatric is important. Emotional, will, memory, and experience is increasingly emphasized as the key to judging people/things. If even emotions, will, memory, and experience can be simulated, cloned, and stored, the so -called spiritual things are equal to physicalization in a certain sense. With the development of science and technology, genetic engineering, and medical care, Suberg, which is "combined with human -machine", has long been a science fiction image of the Frankenstein period. Today the world has turned it into daily see. The recently discussed Yuan Universe put the virtualized life and separate individuals in front of them. Therefore, the problem becomes: if "people" is the body and the machine can think like "people", where is the boundary and boundary of the human/machine?

This problem is not the usual way of discussing traditional literature. One of the most important features of online literature is "the" unlimited possibility "of the future world. Human physical performance can be expanded through mechanical expansion and surpassing human body restrictions. Biological+machine+science fiction+novels, such a combination is fully reflected in network literature born via the Internet. Online literature began to play the function of carrying and seeing contemporary cultural phenomena.

Looking at the narrative of people/machines, two -dimensional society, physical/soul, AI generation, and game reality in online literature, the understanding of "reality" may overflow the boundary of traditional "realism". The ability to say, through the "human world" in reality, moves towards unknown and "new reality."

Virtual "World" reality: imagine the place from space

The relationship between people and the world is the theme of the history of literature for a long time. The "world" here has gone through a leap from down -to -earth to virtual time and space.

The world's cultural geography and national national maps outlined by time and space have become "close", "small", and complexity under the continuous advancement of science, transportation, economic, and information revolution. In this sense, we talk about the "reality" in online literature and the Internet world itself have a tension. Between the way the existence of literature, the world's aspect and the existence of people, the materialization reality and the virtual virtuality Reality gradually becomes a "world" that coexists. When "online" can virtualize many problems, when "people" can not have to communicate with each other, when computers become the extension of human limbs, thoughts, and behaviors of people, a "new world" is no longer strange. Heaven and night. This "world idea" is mixed with complex brain science, neuroscience, and AI technology, thereby creating a real and futuristic AR world. At present, the application of virtual reality (VR) and augmented reality (AR) technology, voice interaction, somatosensory interaction, biometrics, vision interaction, and brain machine interconnection, all are promoting the penetration of real space towards virtual space.

The seemingly "Xuanqi" imagination is combined with "reality", and the readers have not felt much of conflict with the game, animation, and "Internet+" life. In other words, the form of the human -machine integration of Suberg has given a new understanding of "people" in physical body. "World Interpretation".

The reality of "writing": The materiality of the media makes the data of the data degenerate

For today's text writers, pure handmade paper writing has been largely replaced by "writing".

Due to the sharing of the screen, "writing" is no longer a unilaterally modified and applied independent behavior. All modifications and smears will leave a mark on the machine. Writers and readers can not only be immersed in imaginative virtual space similar to traditional fictional works, but also enjoy the right to access a lot of information given by the network. "User" disassembled the boundary between writing and reading. The viewer/writer of both sides of the screen is in a state of interchange, and simply "writing" is replaced by increasingly frequent "reading and writing", which means that "writing" in the traditional sense is subverted.

The "text" based on new network media has obvious characteristics: interaction, publicity of writing, comprehensive intervention, gameplay and entertainment, and typing of capital and economic factors.

The interaction of the network is mainly manifested in two aspects: one is unlimited, and the other is the cross -interaction between the relationship between the writer and the viewer.

The publicity of writing indicates that the writing of web posts is no longer a matter of the author alone. It is a collective writing. Writers and viewers are also surrounded by countless information, social networks, and online society. This collective does not rule out the possibility of artificial intelligence participation.

The existence of public space makes the "web text" in a common creation mechanism. At the same time, "on the Internet" is both space and time. When the media time is increasingly possessing the actual time, the community imagination space constructed by the media more carries the function of the current public psychology, emotional structure, and aesthetic orientation, and it becomes a way to engrave the memory of the public. It is in this sense that the "reality" of online literature is to examine popular aesthetics through text and cultural phenomena. This should be an important content and dimension of online literature criticism. Reality of "Text": Criticism leads to popular aesthetics

Regarding the changes in people, time and space, media, and understanding of "reality", we must return to the most basic question when we talk about online literature: text. The author believes that the inherent prescribed or "practical" exploration of online literature text should be carried out from the language level and content level.

The 19th century was a vital period for the innovation of literary text. Not only "individuals", especially the people at the bottom began to enter the writing field, writing horizons and writing methods began to develop in the direction of systematic, stylish, and trendy. The key to the key is that the creative purpose of "literature+society" has created a wave of literary waves that affect the world. By the beginning of the 20th century, the architecture of literature/society began to encounter the impact of literature/language. The language began to enter the room unprecedentedly, becoming the key to the 20th century literary research.

Interestingly, from the transformation of "society" to "language", in the 21st century online literature, the trend of language combination is miraculously.

The new media directly enters the literary text and writes in the form of the Internet. This undoubtedly put forward a new theoretical direction at the level of literary production, and open up the surprise aesthetics of online literature with a very realistic "surprise". Essence In the same type of writing at the same time or subsequent types, various emoticons, chat symbols, simplified traditional superpositions, system programs ... have entered the battlefield, making online literature language into a world of graphic and text.

The content of the text is the key to attract readers. The network literature divided by type was leaning at the moment when they met with readers at the moment to satisfy the public imagination. The content of online literature gives people the possibility of being unimparkable and flying imagination. Most of these imagination of Jianfeng's referred to in the virtual space. People have handled the existence of "Nets". , Fiction/reality. The cultural hotspots such as cultural heritage, fantasy literature, and system flow of online literature have far exceeded the field of innovation in literary content, pushing online literature to the ranks of typical representation of contemporary Chinese cultural phenomena. Therefore, rather than doing literary research on online literature, it is more suitable to do online literature and culture criticism. This criticism must be based on the analysis of text narrative, and then intuitively "new reality" and "new humanities".

One, online literature text is based on the needs of the public, and continuously excavates and creates new needs. Second, the bold imagination of the new world in the future of artificial intelligence and thinking about civilization are also an important part of the content of the Internet. Three, the collection of online literature texts into the largest "reality" of online literature. The typical characteristics of this "reality" are no longer describing "realistic things" as the pursuit of realist literature, but it shows the restrictions from reality. With the goal of "fantasy" and "possible things".

Online literature outlines the lively and vivid beings of the contemporary public, with fun, temperament, family concept, value scale, and life concepts. The theoretical construction of network literature should face a large amount of text, grasp the problems of virtual reality and daily life in a overall and structural function, and face the mutation of the "realistic" experience and "real experience". As a researcher of online literature, "breaking the circle" is a necessary way to expand online literary criticism. But blindly "break", instead of keeping the foundation of "network+literature", and not in the cultural form of online literature, a deep dialogue with history, reality, and society. Text, excessively indulge in "mountains" without maintaining a proper distance, affecting the effectiveness of judgment. The "network" limited by "literature" may break through the limitation of the interaction between users and characters in the content level and cultural level, showing the thoughts and variability of "us". At this moment, the reality of the "people", the reality of the "world", the reality of "writing" and the reality of "text", and the reality of "writing" are the actual writing of the current reality writing and reflecting the spirit of reality.

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