Yongzheng District, Yantai City, 2022 Summer Research Season, the Jiaodong Color Plastic Experience Activity was successfully held

Author:See Zhizhi Time:2022.08.22

"Unlike the rough and conciseness in the north, the overall artistic characteristics of the folk clay sculpture in the south are more delicate; unlike the prominent colors in the north, the southern clay sculpture pays more attention to shaping, pretty color, exquisite production, often has strong ornamental and aging. ... "On the morning of August 20th," Entering the City of Hand -made in the Urban City "Zhidong District 2022 Youth Summer Research Season Jiaodong Color Plastic Experience Activities were held in Chen Yuzu Cailang Studio, Chen Yuzhu in Zhizheng District, Yantai City. Chen Yuzu, a master of Jiaodong Cainestra, is introducing the characteristics and representative works of different genres to the teenagers who participated in the event. The children can listen to it.

In order to promote the excellent traditional culture of China, promote the promotion of the "Zhizhen Hand -made" project, enhance young people to participate in non -heritage protection awareness, enrich the summer life of adolescents, promote the development of cultural tourism consumption and industrial development of historical and cultural districts in the city, and help the establishment of a model city of civilization in Yantai. The Communist Party of China Hosted by the Propaganda Department of the Zhizheng District Committee of Yantai City, the Education and Sports Bureau of Zhizheng District, the Cultural and Tourism Bureau of Zhizheng District, and the Yantai Blue Sky Tour co -organized the 2022 Youth Summer Research Season 2022 Youth Summer Research Season. This Sub -Jiao Dongcai experience is one of the contents of the research season.

Subsequently, Mr. Chen demonstrated on -site teaching and led the children to make a zodiac pig with mud. According to the teacher's requirements, the children start with the characteristics of the pig's appearance, shaped the body, head and facial features, and then inspired by the teacher, thinking about "how to make the work more expressive and cute", and then further the details of the details Describe. Under the guidance of the teacher, the children exerted their imagination, rubbing, pinching, rubbing, cutting ... a ball of mud turned into a pig with different and different shapes. The 13 -year -old Li Yizhen made a rectangular piglet, which was very similar to a "pig bed" and was praised by Teacher Chen "creative" and "the potential of industrial design".

It is understood that Chen Yuzu is the inheritor of the intangible cultural heritage of Jiaodongchen Plastics. He has been engaged in Jiaodongcai plastic skills for more than 20 years. In his creation, he broke through the limitations of the traditional colorful plastic "three -point plastic, seven -point lottery". The nutritional elements of folk arts such as paper -cutting, drama, New Year's paintings, and facial plastic plastic are integrated into the expression of modern art. Combined with the aesthetic taste of modern people, with the humanistic themes of Jiaodong and the Chinese folk auspicious and festive themes, they have created a large number of colorful plastic works to make the ancient ones Jiaodong Color Plastic Art has glowed with new vitality. His works have been selected many times and won the "Gold Award of the Chinese Folk Arts Expo" many times, which have been widely reported by CCTV.

Chen Yuzu told reporters: Cai Shao originated from ancient Chinese totem worship and god worship, which can be traced back to the new stone period 4,000 to 10,000 years ago. It can be divided into two categories in form. The religious color plastic of Buddhist themes in Taoism, the other is small color plastic, which is commonly known as "mud dolls" folk toys and home ornaments. Traditional color plastic production adheres to the principle of "diven and intentional, intention must be auspicious", each work reflects the connotation and good meaning of Chinese excellent traditional culture. In the past, pinching villains and small animals were almost every child's "compulsory course". Today, this skill has gradually been forgotten. In recent years, he has been entering the campus through non -heritage to promote the popularization of "Jiao Dongcai" in research activities. It is also planned to open a public welfare class in the vulnerable adolescent group. Seeds of culture. "Children cannot deeply understand the connotation of the word" non -heritage ". Only by these visible and touching traditional skills entering their lives, non -heritage can truly 'live'." Chen Yulu said.

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