"Early Chinese Civilization Exhibition of Honggu Yu Yin": "Life House and Home" Next Chapter

Author:Music club Time:2022.07.03

The third version of the life jade decoration

The jade decorations on the wrist, such as jade ring and jade bracelet, are worn in the tombs of Songze culture.

The jade decoration on the head is like a jade comb. This is a decoration embedded in the back of the comb. The Liangzhu culture period is common. In the Shang Dynasty, a complete jade comb is dedicated to senior noble women.

The third version of the bronze mirror

Passionate inlaid geometric pattern mirror

The Warring States Period (475 BC -221 BC)

bronze

18.5 cm in length

Four dragon pattern mirrors

Greatless forgotten mirror

Bai's Wu Zixu portrait mirror

Golden God, God God Beast Portrait Mirror

Golden God, God God Beast Portrait Mirror

Spreading dragon mirror

Gallel mirror

Changyi descendants connecting curved mirrors, gilt dragon pattern frame

The third block of life car and horse

Wrong silver geometric car decoration

The Warring States Period (475 BC -221 BC)

Bronze, silver

35 cm long, maximum diameter 5.7 cm

The third version of the living measurement device

"Degree" refers to the length of the object to measure the object, "quantity" refers to the amount of measurement of the object to measure the object.

In 344 BC, the Shangyang Reform unified the Qin State's measurement and system. The capacity of Shang Yang Fangsheng was the standard value stipulated by Shang Yang's unified measurement of one liter. After Qin Shihuang unified the six kingdoms, he promoted the Qin system to the whole country.

The elliptical and Xin Mang balance rods are engraved with the scriptures related to Qin Shihuang, Qin II and Wang Mang, respectively.

Xin Mang Heng Ring Inscription

Birds and Beast Copper Rule

Shang Yang Fangsheng

In the late Warring States Period, Qin Xiaogong was eighteen years (344 BC)

bronze

18.7 cm long, 12.5 cm wide,

2.3 cm high, 202 ml of tolerance

Ellotic amount of Erji

Shang Yang, Qin Shihuang, Qin Shihuang, and Qin II on the elliptical of Erxi and Erxi were unified and balanced the inscriptions

The third version of life hunting

The hunting paintings are decorated with four layers of decoration, the first and fourth layers are bird patterns, and the second and third layers are hunting drawings. On the second layer, one person stabbed into the beast's neck with a spear with his left hand, holding the sword in his right hand, and a little deer running behind the beast. The third layer of the two hunters held the sword, siege a beast one by one, and the beast lowered his head.

There are also hunting pictures on the lid of the inlaid portrait of the next unit. The four samurai holding weapons is chasing beast birds.

Hunting paintings like tattoo high -handle pot (two pieces)

Early Warring States Period (475 BC -mid -4th century)

bronze

28.4 cm high, 11 cm abdominal diameter

The third block of life currency

China is one of the earliest countries in the world to use currencies, and it has long implemented a diversified currency system in ancient times. Before the emergence of metal coin, the trading of items in ancient China was mainly exchanged through physical exchange, such as natural shellfish, jade, crickets, silk, etc.

The form of bronze coins gradually entered the currency circulation in the form of empty head cloth (shape from agricultural tools) in the middle of the spring and autumn. At that time, the coins had been cast with inscriptions on the name of the place name, figure, and sky -centered ground branches.

During the Warring States Period, bronze coins were rich in various forms, mainly three types: cloth coins, knife coins (modeling from agricultural tool knives), and money (modeling from spinning wheels), while Chu in the south established its unique one of them. Monetary system. By 221 BC, Qin unified the Central Plains and promoted Qin Banliang as the only bank to the country. The currency shape of Fang Kongyuan was fixed.

The third version of the life music

Various instruments represented by the bell and drum played an important role in the ancient ritual and music system.

The bell is an important part of the ancient Chinese ritual and music system and appeared in the early Western Zhou Dynasty. The shape of the clock body is a tile -type flat body. It strikes the middle and lower parts of the middle and lower parts, which can produce two different frequencies, so it is also called a double sound clock.

, Appeared in the late Shang Dynasty. It is a large percussion instrument and can only produce a audio. It is different from the bell in actual use. The drum is made of the skin drums, wooden drums and bronze drums at both ends. The drums that can be used for feasting etiquette can also be used as a war drum on the battlefield.

The feast music on one side of the inlaid portrait of the pot shows the play scene of the play in the Warring States Period: the two hold the bell, one person holds a slap, and one person is drumming in front. Essence

Inlaid portrait pattern pot

Early Warring States Period (475 BC -mid -4th century)

bronze

34.2 cm high, 22.6 cm abdominal diameter

Dragon Drum

蟠 龙 镈 镈

Master Chu ascending the clock (9 pieces)

Text data editor from the Shanghai Museum online information.

The picture is the picture of the Leyi Club.

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