The true expression of life in the 90s -Watch the music musical "Zhou Yongkai"

Du Jianhua Xie Ying

In late June this year, Sichuan Province opened the annual "Drama Meitianfu -Excellent Drama Exhibition Season". In the next time, more than 100 shows of 62 new drama (festival) will be performed in all parts of Sichuan. Recently, many new plays have appeared on the Chengdu stage. From the perspective of the drama style, there are both Sichuan dramas, lights, dramas, and dance dramas, acrobatics, and symphony. From the content of the subject matter, more than half of the repertoires with local people, red history, and British models of the times. , Left a deep impression on the audience of Rongcheng, and a stream of dirty atmosphere of the Daba Mountain came.

The Quyi musical "Zhou Yongkai", listening to this simple home name, first understand the plot -a story of the old Communist Communist Party who won the National Seventh Medal and the title of National Outstanding Communist Party. Objectively speaking, such a non -doubtful real -life report drama is not very attractive for the current audience. However, when I walked into the theater, during the two -hour view of the drama, the audience was attracted by the ordinary, lively and unique stories in the play in the play. The infection of the singing and charm of the charm is inspired by the youthful and passionate actors. In the endless applause of the audience, I couldn't help but sigh, I haven't seen such a drama for a long time!

Zhou Yongkai is a Daba Mountain, who has not left Daba Mountain for a lifetime. When he was 17 years old in 1945, he participated in the underground party during the school, lived in 94 years, and 76 years old. He served as the secretary of the underground party party committee. Positions, who led members to build reservoirs during the difficulties, investigated corrupt elements as secretary of the Discipline Inspection Commission after the reform and opening up; they returned to their hometown after retirement, lived in the mountains, and embarked on the path to lead farmers from poverty and become rich. It is such a realistic drama with real events. There is no suspense, and the two are completely penetrating the incident. The three are invited to the big names.

Although it is called Quyi musical, when the author structured this drama, he adopted the reverse recovery of the drama, beading narrative methods, and combined with the expression of Quyi singing and narrative interaction. Faced with this 76 -year -old master's rich life journey and incidental related incidents, the author took Zhou Yongkai's long and extraordinary life. Those stories that best reflect the excellent quality of the Communist Party in different eras, In this way, the stage art image of a different previous Communist Party members has been shaped. He resolutely joined the Communist Party in white terror; before the founding of the People's Republic of China, he went to the enemy command as the secretary of the underground party and county party committee to mobilize the heavy soldiers of the Kuomintang army who was in charge. The wisdom and bravery finally ushered in the peaceful liberation of Bazhong County. Regarding this extraordinary experience, the author adopted a combination of a line -and -line expression to simply outline the historical contribution of a veteran Communist Party member Zhou Yongkai. For the historical events and life stories experienced by the protagonist in 70 years in New China, the author cleverly puts the characters and events in the background of major political and historical and local environment, and the macro narratives of major events and small life are small. The incident supplemented each other, creating a realistic and touching drama scene. During the most difficult period of life, as the chief commander of the reservoir, Zhou Yongkai and the members fought at the construction site with members, digging the earth with stones. During the rest, Secretary Zhou took out a "hard dish" -n a bag of dried beans and distributed to the members to "hit the stage". This is the only food he saved from his mouth. This is the "hard dish" that seems insignificant today, not only moved the members of the reservoir, but the audience in the theater was all moved. In this situation, what kind of movement and language can better express the concern of a Communist Party member.

As a song art musical, the drama has fully played the specialties of Quyi Rap, and the intertwined combination of many Quyi elements shows the uniqueness of Quyi drama in narrative lyrical and richness. The whole drama is an unseen structure. In the face of more than 70 years of time, different appearances, and various independent events, time switching with each other, scene transfer mainly through the explanation of Quyi rap, and the dance conversion of mass actors. There is no sense of violation and. In particular, when the author describes important events and key circumstances, the main character shaping and the strokes and ink allocation of many characters are just right. In the 1980s, Zhou Yongkai, the secretary of the Discipline Inspection Commission, was dealing with the illegal discipline of the factory director of the local pillar industrial canal factory, and encountered a relationship from all directions, and it was difficult to handle the case according to law. When showing this complicated scene where many characters appeared, the director used a combination of realism and symbolic symbol. In addition to the protagonist Zhou Yongkai, the six representatives of different views, different forces, and different attitudes he faced. Representatives who support cases in accordance with the law, adhere to the truth, or have the ulterior motives of love bags and private laws, as well as the watches who watched and watched, and the evil forces that threatened the intimidation. Method. There are no names on the stage on the stage. They stood around Zhou Yongkai and took turns into battle to create a tension of a tongue and sword in a sharp and direct way of dialogue, allowing the audience to directly feel the heavy pressure of Zhou Yongkai. This also expresses the difficult quality of the Communist Party members who adhere to justice, adhere to the law and never bow their heads to the evil forces. There are many types of Sichuan Quyi, but the music design of the play is mainly based on the processing and beautifying Sichuan piano Yangqin and Qing Yinqu as the tone, forming the main theme that runs through the whole drama. According to the needs of different scenarios and emotional expression, the money boards and percussion of Sichuan characteristics are embellished into background music, forming a unified and distinctive music style of the whole play. The strong, gloomy, high -pitched, gentle, crisp, jumping, and brightness of Qingyin and the sound of Qingyin laid the different music images of different roles of men, women, and children. The distinctive Sichuan Quyi music comes with the native atmosphere of Daba Mountain, and it is very infectious.

The youth Zhou Yongkai played the plum blossom winner Wang Chao from the Sichuan Theater of Chengdu City. He performed simple and practiced, close to the role, his voice is transparent and bright, and the charm of the aria is strong. When Zhou Yong opened the case, he faced various pressures and the puzzlement of his loved ones. He came to his sister's grave and drew his mind. The siblings dialogue and sang. At this time, the solo and singing of the large paragraphs sometimes turned back to grievances. Sometimes the family memories were finally condensed and firm, and the ups and downs of the ups and downs were interpreted by Wang Chao. Increase a lot to the whole drama.

It must also be pointed out that as a modern and main theme modern drama from the grassroots at the grassroots level, they save the cost of creative performances, no big names, and large -scale packaging on the stage. Both the actors of the Bayzhou District Cultural Museum and the Sichuan Opera Culture Protection and Inheritance Center performed. They are full of passion, simple nature, and most of the stage experience of grass -roots performances and emotional experiences that communicate with the local people. The artistic creation of devoted body to be input is naturally infectious and affinity. This is also an important reason for the success of "Zhou Yongkai".

(The author is a researcher at the Sichuan Provincial Academy of Arts)

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