Religant ⑤ The porcelain artist who "Hua Disables into Beauty" is a new life for "Porcelain Living" out of the market.

Henan Radio and Television Rong Media reporter Chen Lin/Wen Elephant Journalist Li Yalin/Picture/Picture

Editor's note:

The important birthplace of Huaxia Civilization, Luoyang, the ancient capital of the Thirteen Dynasties, has passed for thousands of years, and has a wealth of intangible cultural heritage (referred to as non -heritage). The artists inherited from generation to generation, in the endless fireworks, have given these outstanding traditional cultures of the times.

Inheritance requires ingenuity to adhere to, and he also looks forward to more "ferry people", condenses youthful power, and makes these cultural herds bloom more gorgeous glory. How to make non -heritage protection with urbanization? How to give birth to the "non -heritage economy" in hand? How can the real dilemma of inheritance and the reality of the culture break the situation? Non -heritage+cultural and creative, non -heritage+tourism, non -heritage+research ... Now the Heilo non -ritual scattered in urban streets and villages, and also strives to innovate in the market tide to make non -heritage "live". of!

Non -heritage was at the time! According to the "Master Plan of the Heluo Cultural Ecological Reserve (2021-2035)", three years later, Luoyang will initially build a national Heilo Cultural Ecological Reserve. Among them, the representative inheritance of the key material cultural heritage, the representative inheritance of the intangible cultural heritage, and the relevant material cultural heritage, cultural space, natural ecological environment and the cultural atmosphere and knowledge system.

The founding of the national -level cultural and ecological reserve of Luoyang is the heavy responsibility given by the Provincial Party Committee and the Provincial Government, and it is also an important part of Luoyang's "Fourteenth Five -Year Plan" plan. From now on, Elephant News and Luoyang City Intangible Cultural Heritage Protection Association and Luoyang Green Capital have entered the survivors of He Luo Fei to experience the charm of non -heritage cultural charm, tell the story of the technical inheritance, and make drums and call for the cultural ecological protection of Heluo.

【Core Tips】

"There is no diamond diamond, don't take porcelain work", this ancient Chinese language comes from the technique of flower porcelain, and as a district -level intangible cultural heritage representative inheritor, Zhang Ye is based on a "diamond", The new life of porcelain is given again, and countless porcelain has "re -rounded the mirror" with the owner.

Porcelain is an ancient folk craft. With the development of porcelain, it develops. In the Song Dynasty's "The River Map of the Qing Dynasty", there is a scene of the work of craftsmen work, which is enough to show that the porcelain technology in the Song Dynasty was very common. During the Qianlong period of the Qing Dynasty, the development of porcelain technology reached its heyday, which was not only used for repairing appliances, but also an important way to decorate porcelain.

"Diamond Diamond" in hand, the porcelain skills make more emotions be carried

Entering the Qinyu Workshop in the old town of Luoyang City, Zhang Ye is engraving a peony seriously. After engraving for molding, this silver peony flower will make up for the gap on the porcelain as a "flower nail". The so -called porcelain skills are to fix the crushed porcelain with a metal "dumplings" like a book nail. ... Every time it is repaired, a dozen steps are required. You need to use tools such as carved knives, diamond drills, electric soldering iron, hammer, scissors, agate knives and other tools. The whole process is hand -made with the experience of the craftsmanship, which is a test of comprehensive quality.

As the fifth generation of porcelain skills, Zhang Ye grew up in front of his father's workbench since he was a child. He officially entered the industry in 2007 and repaired his first work. Nowadays, Zhang Ye has to repair thousands of items every year. The degree of damage of each item needs to be "dialogue" with porcelain.

"Most of the items to be repaired now are special significance to the owner, or some of the more valuable items collected by collectors." Zhang Yan said that it is different from the earliest porcelain craftsmanship. Now repairing items must not only restore the use function of the items , Also ensure the overall beauty.

Zhang Yan remembers that a lady once took an ordinary purple sand pot and repaired the money to buy a new pot. But the lady said that the pot was left by her grandpa. After her death, she wanted to repair the broken pot and leave it. Zhang Yan said that he had encountered similar situations many times, and every time he repaired it with your heart, so that the owner's feelings have places to place place.

Break the inheritance dilemma and make the porcelain from "practical skills" to become art production techniques

The earliest porcelain technique was born to repair daily utensils, such as tanks, pots, and bowls. With the improvement of people's living standards, everyone will choose to buy new ones. It is not expensive, so porcelain skills are getting more and less noticeable.

Around 2012, considering that there were fewer audiences and low income, Zhang Ye gave up the industry, worked as a driver at the construction site, and ran through the business, and did not regain the technology until 2015. "I'm not reconciled, I don't want to lose the ancestral craftsmanship." Zhang Yan said that if you want to break the industry's dilemma, more people need to understand the skill of porcelain. Porcelain becomes more beautiful.

As a result, Zhang Yan incorporated the casting process into the porcelain, innovated the three -dimensional "flower nail", and produced "Shuanglong Jianzhan Cup", so that the porcelain was increased from practical skills to artistic techniques. At present, Zhang Ye also applies the combination of casting and porcelain into the repair of cultural relics. For cultural relics with gaps, the repair effect is particularly prominent.

Now, more and more people are beginning to know the porcelain. Zhang Ye believes that the future value and space of this technology will be greater. Therefore, Zhang Yan wanted to enter the university to let more college students understand the skills of porcelain. "Because the ideas of college students are very active and creative, I hope to communicate with them to have more and better ideas." Zhang Yan said that he wanted to make porcelain not only for repair, but to develop some cultural and creative cultural and creative porcelain in the future. Products, let the porcelain move from the market to the art exhibition hall.

- END -