How to continue to "new" in the National Arts Association Dance Talents

Author:Cultural Tourism China Time:2022.07.12

Under the new market competition, how can the National Arts Association dance talents maintain high -quality and sustainable development? A few days ago, in order to implement the spirit of the Central Talent Work Conference and the Talent Symposium of Culture and Tourism, the "State State Dance Talent Training and Future Development Seminar for the Training and Future Development" sponsored by China Oriental Performing Arts Group was held in Beijing. The hot topics, the participating experts started in -depth exchanges and discussions.

▲ The seminar site

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How to forge dance talents in the arts academy

▲ Zhou Ping, a professor at the Department of Folk Dance, Chinese Nationality of Beijing Dance Academy

At the seminar, Zhou Ping, a professor of the Chinese National Folk Dance Department of the Beijing Dance Academy, analyzed the recruitment criteria and training status of the current art academy. She believes that the image of beautiful images, excellent technology, and neat teams are the hard recruitment requirements of many art academies. It is said that the arts academy generally adopts an annual assessment method to evaluate the basic skills of dancers. Some academies also adopt the chief dancers and the last elimination method to motivate actors to continuously strengthen training and improve their technical level.

As one of the National Academy of Arts, China Oriental Performing Arts Group spare no effort in the training of dance talents. There are 82 dancers in the group, most of which are from Beijing Dance Academy and Central National University. In the past two years, they have also received graduates from some Central Academy of Drama. This year, they also plan to recruit more than 20 dancers. As the number of actors continues to increase, the group continues to inspect and screen the actors, and the actors who meet the requirements, professional, capable, responsible, and dedicated to the actors are responsible. The role of gang and belt.

Basic dance and comprehensive ability are the "tested stones" of forging talents. "We especially attach great importance to the basic skills training of the actors. In addition to the normal training in the group, we will also ensure at least an hour and a half every day during the performance." Said Teng Yu, deputy director of the Dance Center of China Oriental Performing Arts Group Organize actors to actively carry out online 'cloud training' and organize actors to adhere to online training every day in the form of groups. "In order to master the style of Oriental Dance and Foreign Dance, China Oriental Performing Arts Group also invited many domestic and foreign experts Multi -dance special training for actors.

China Oriental Performing Arts Group also created opportunities to make young talents become talents as soon as possible. The group's selection of the main role actors in the group is not regular, providing all actors with opportunities for display, learning and communication to form a benign competitive mechanism. During the display process, digging talents, actors who reach the request can enter the list of the aaters' card rotation list, so that they have more opportunities and platforms for display. For example, the dance poetry drama "Only this green and green" uses newcomers such as Zhang Han, Liu Peiran, Liu Jun, the Spring Festival Gala dance "Li Li", the concert "Music World" and other newcomers, and the key talents are cultivated through key repertoires. At the same time, Make a good talent reserve for the team.

In Zhou Ping's view, China Oriental Performing Arts Group broke the standards of previous recruitment actors. There is no chance to reveal his talents. "Zhou Ping said.

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How to connect the talent needs of the college

How to effectively dock with art colleges and activate the source of living water for dance talents? In recent years, the National Art Academy has been actively exploring cooperation with colleges and universities, and has adopted a variety of ways to strive for outstanding and potential talents for the future development of the college.

▲ Yang Min, deputy dean and professor of the School of Dance of the Central University for Nationalities

在中央民族大学舞蹈学院副院长、教授杨敏看来,学校和院团是很不同的,“我们学校最近刚做了人才培养方案的修订,在通识课、选修课、必修课,包括Social practice has made a lot of adjustments, especially the revision of the training plan of dance performance talents in order to connect the needs of the National Art Academy and allow the cultivation of talents to develop to the greatest extent. "Yang Min said.

At the School of Dance of the Central University for Nationalities, in order to cultivate talents, the college set up a sharp class. One year of the top class, all students can report to the sharp class plan. Through the excellent selection, 12 students are selected. The teacher voluntarily signed up one -on -one counseling to create a work for them. Each year, a top -tier class party and a newcomer cup will be launched to encourage everyone to actively create and mobilize the enthusiasm of students to learn.

▲ Huang Yihua, the secretary of the Chinese Dance Party President and Professor of the Beijing Dance Academy

In the past five years, a total of 31 graduates have entered China Oriental Performing Arts Group. Many students have become the backbone of the group, which has made Huang Yihua, the secretary of the Chinese Dance Party Branch and professor of the Beijing Dance Academy very happy. She said that the Beijing Dance Academy should give students a comprehensive training and cultivate their excellent morals. It is important to cultivate high -level dance skills, but in addition to technology, it is necessary to build noble art pursuit and artistic ideals. "We especially hope that students can have the complete ability to become literary and art workers and serve the society with high -quality dance art." Huang Yihua said.

From 2013, the Central Academy of Drama has trained 8 students into the National Arts Academy, and the college's curriculum has played an important role. In addition to the Chinese and Western dance system courses, the Dance Department of the Central Academy of Drama also offers courses in the Chinese and foreign folk dance systems. These cross -disciplinary cross -collaborative teaching has achieved good results. ▲ The Party Branch of the Dance Department of the Central Academy of Drama and Sun Xiaojuan, the national first -level actor

"Our goal is to cultivate excellent comprehensive dance talents to be transported to the National Art Academy." Said Sun Xiaojuan, the secretary of the party branch of the Dance Department of the Central Academy of Drama, said, "We hope to use a series of industry -university -research projects for The comprehensive cultivation and future development of dance talents laid a good foundation. I also hope that schools and enterprises will continue to be strong and cooperate together. "

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How to dance talents high -quality sustainable development

The future of dance talents lies not only professional skills, but also the high -quality ecology of dancers, colleges and national arts and colleges. Zhou Ping believes that it is necessary to strengthen the cultural learning of the dancers of the National Academy of Arts, and further enhance cultural self -confidence from historical learning, political learning, scientific and technological learning, and literary learning. Dance performances have accumulated huge explosive power. At the same time, we must also improve the teaching mechanism of professional dance art colleges. While strengthening the basic skills training of students, we must increase the teaching efforts of students' in -depth life and take root in the people, so that students can understand the diverse culture and diverse style of Chinese dance. The understanding of Chinese dance guides actors to create more Chinese dances that belong to the actors themselves. Finally, we must strengthen the guidance mechanism of the National Art Institute's dance creation, and actively play a significant role of the current drama explosion. Through policy support, awards, and literary review guidance models, the academy is encouraged to attach importance to the characteristics of excavation personnel and create more styles and styles of works.

In order to attract talents and retain talents, China Oriental Performing Arts Group explores the establishment of a "title" system to "determine the role of status, the grade responsibility is opened, the star effects are prominent, and the interests of the stars" are Looking for the original intention, finding your own shortcomings and gaps, further sinking down to improve the business level.

"The" "Art Title" system is encouraged to be able to go up and down, as long as it is still on the stage, you must accept the evaluation. Copy the "title" actor to implement one year and one year. Move. We want to convince young people. As long as they have ideas and willing to work hard, the stage belongs to them. "Teng Yu said.

"The training of schools is only at the beginning. The continuation training of the art academy is very important. Subsequent learning ability, adaptability ability and the continuation of people's comprehensive and three -dimensional multi -dimensional continuation are the prerequisite for building a truly excellent dance art worker. "Huang Yihua said," I hope our graduates will go to the National Academy of Arts not only dance performance talents, but grow in three dimensions in the high -quality ecology of the college and regiment, thus becoming a historical view, cultural concept, current sense of time, and time, and the sense of time, and the sense of time, and the sense of time, and the sense of time. A sense of responsible new era literary workers. "

"China Culture News" on July 12, 2022

The 5th version published a special report

"How to continue to" new "in the National Arts Academy Dance Talents"

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Editor -in -chief: Chen Xiaoyue

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