Lao Zhao: For many years, analyze Dong Yong's role and social fun.

Author:Music club Time:2022.07.13

This mirror was the old collection of Brother Huang Xu, Ji Quanzhai, when Brother Huang told the old man to explore the meaning, so he went home and delivered it. Later, the mirror was shot in Guardian. I do n’t know who flowers at the moment, and I ’m writing from writing.

The edge of this mirror diamond is smooth and the layout is calm. In the mirror picture, there is a man at the bottom right, wearing a heavy filial piety and decaying mourning suit. Bian Lu, beckoning to the upper left, the upper left was the heavy clouds. The woman on the cloud head sat on the god of the gods, and the left and right women threatened the two women. Between Xiang Yunchen, the moon rabbit is in the cricket.

This mirror shows the story of Dong Yong selling his father and achieving life and marriage.

Dong Yong, legend, was a thousand people during the Eastern Han Dynasty, and the young man funeral, and moved to Anlu for avoiding soldiers. Later, his father died, and Dong Yong sold himself to a rich family for a slave in exchange for funeral costs. On the road of Shanggong Road, he met a woman under Huaiyin and said that he was homeless. The two became couples. The woman woven three hundred brocades in a month of January to redeem Dong Yong's debt. On the way home, she went to Huaiyin. The woman told Dong Yong: she was the daughter of the emperor and was ordered to help Dong Yong repay the debt. Saying away. Therefore, Huaiyin was renamed Xiaogan.

Dong Yong portrait in the late Western Han Dynasty, Pujiawan, Pujiawan, Sichuan, the back of the Wujiawan Wu Building, collected from "Cultural Relics" No. 6, 1964

Dong Yong's father, Donghan, Donghan, Sichuan Sichuan, Sichuan, Sichuan, Sichuan, Sichuan Persimonians Bay No. 1 Cliff Tomb one, and collected from "Chinese Portrait Stone Collection. Sichuan Han Portrait Stone"

There is Dong Yongxiao's theme in the murals of Lindel Han tomb, which is not distinguished by the joyfulness.

The earliest story of Dong Yong was carved on the stone monument in the Jiaxiang Wuliang Temple, Shandong Province, which was standing in the first year of the Eastern Han Dynasty. The northern Wei Xiaozi sarcophagus and Ningzhi stone room unearthed in Luoyang, Henan, portrays the story of Dong Yong. Liu Xiang's "The Biography of the Filial Child" contains, and "Guxian Ji" also said: "Dong Yong sells his parents and feels a god -helping machine." "Dong Yong's Culture" sang the text of 134 sentences, of which Dong Yong worshiped the fairy.

The portrait of Dong Yong, the back wall of the Wuliang Temple in Jiaxiang, Shandong.

Dong Yong (partial) of the filial son on the stone tomb door of Tai'an Dawenkou (partial)

During the late and fifth generation of the Tang Dynasty, Dong Yong was extremely prosperous. In the Song Dynasty, there was a novel "Dong Yong Yu Xian Ji". The scene to go is very representative. This is also the climax of Dong Yong's story. Later generations that have evolved this story into "Tianxian match" opera, which is the tragedy that the climax develops the love of adult fairy but is forced to separate. From the perspective of the Songjin tomb brick carving murals, the folks in the Song Dynasty may have been brewing. The bud of the plot.

"Xiaozi Dong Yong and Father Lonely Live" Line Caiser Lu Qinzhai Old Tibetan Stone Square Third Stone adopted from "History of Art"

"Zi Dong Yong" wire profile portrait 棺 ““ ““ ““ ““ ““ ““ ““ ““ ““ ““ ““ ““ “

The meaning of this mirror is more involved in selling the father's festivals. It is not the only legendary emotion to render the market well. It is more in the joints of the filial piety. From the perspective of the epidemic period, it should be the connotation of the early Northern Song Dynasty.

Dong Yong's story, from the beginning of the Han Dynasty, has promoted filial piety and righteousness to the government to the six dynasties, and gradually evolved into a spiritual story of filial piety. Filial stories have changed from preaching morality to spirituality elements. The layout of the story of Dong Yong in the Han Dynasty was Dong Yong on one side, the seven fairy was in Yuntou, and the father of Dong Yong who was sitting with a deer car underneath. Because the basic structure of Dong Yong's story was Dong Yong sold his father, this filial piety moved the Seven Fairies Just.

The customs of the citizens of the Songjin Society have changed greatly, and the value elements of Dong Yong's story have also emphasized the filial piety connotation of the elements of the funeral parent since the Han Dynasty. It has evolved into the legendary emotional custom of Dong Yong and the seven fairies world.

In this mirror, regardless of the toad, Moon Rabbit, and Fengfeng, they are metaphorically metaphorized by the Queen Mother of the West. During the Western Han Dynasty, the Queen Mother of the West had served as a great god. Here, to replace Shangtian to recognize Dong Yong's filial piety, but also undertake a reward for arranging the marriage of the Seven Fairies and Dong Yong. Since the Han Dynasty, Dong Yong sold his father's story. The weaver girl is more suitable for the plot of selling money for Dong Yong woven cloth. Therefore, a certain story elements and mood of the cowherd and weaver girl are also secretly penetrated and blended with Dong Yong's story.

In the remaining cultural relics of Song Jin Xiaoyi, we can repeatedly see Dong Yongxiao's theme. Even if there is a title of "Dong Yong selling", the purpose of the purpose of selling the body has been symbolized as a grave. In most graphics, even the grave is also grave. No longer appear, just set the meeting between Dong Yong and the fairy. This more confirms my elaboration.

Among the real objects such as the murals, bricks, and bronze mirrors in the Song and Ming dynasties, the art layout of Dong Yong's story has been roughly established, and it has been repeatedly presented and recognized. Roughly divided into several categories.

One category is still in the picture that the grave elements are still pretty, and the topic of filial piety is emphasized.

This picture should be a map of Dong Yongxing. There is a grave on the left. This picture is not the theme of the two grave elements that are easily confused with Dong Yong's theme in the theme of Song Yuan and Yuan Yiyi. The focus of the tomb lies with the expression of thunder, and the protagonist was expressed by thunder; the first is the female protagonist, and the second is to express the waves of the river, so this one should be Dong Yong's theme. There are the elements of the funeral father and the elements of Dong Yongxing, but the image of the fairy does not exist at all. For the elements of the fairy, only a Xiangyun is used to express. It completely avoids the femininity's interference with Dong Yonggao's behavior. It can be called the purity of Dong Yong's theme. Archaeological data of "Cultural Relics" magazine.

In this picture, Dong Yong added his hand with his hand, distant clouds, the fairy's expression was noble and serious, and he had no emotional joy between the two sides. It can be seen that the author emphasizes the core of Xiaogan's morality of the funeral father, not the success of the privacy of children. Network information of Hanlong Yaji Forum.

This picture is not clear. If the story of Dong Yong is indeed, this picture is from the composition, and the protagonist should be the grave. It can be seen that the politics of Xiaogan elements should be correct. Network pictures should be an unearthed mural.

In this picture, Dong Yong faced the audience, with a legitimate expression that he was saying to the people who eat melon. The marriage and the fairy's marriage were not out of lust and lust, but in filial piety, so he ignored his wife who descended from heaven. The fairy was sitting on the auspicious clouds like a hot air balloon, only showing her head, and there was no graceful figure to confuse Dong Lang.

From this, this picture is definitely a moral blockbuster and is not a small emotional theme, which can be clear. Everyone note that the size of the grave has become smaller. Although it is still in the middle, its importance has shrunk in the picture. Fuxing Zhiyuan Collection Forum Pictures.

This brick carving is inferior. The upper right is the cloud, and the fairy form is blurred. Seeing the fairy vaguely. The grave elements are significant. If there is a tiger on the right, this story may have the possibility of medicine king, but in the tomb brick, the story of Xiaogan is logically logically. Online pictures of Longxi County Museum.

It is also the theme collection of the Xiaogan Museum of Longxi County. This Dong Yong's story is clear and can also explain the problem. In the picture, although the grave elements are still important, the tombstone replaces the scary grave, which has been refined as a symbolic element, which makes the picture a long -lost sense of peace. The official noticed that the right side of Dong Yong's on the right, the crystallization of love appeared rarely. The whole picture reflects the love of the world in the world. Online pictures of Longxi County Museum.

In this picture, the tombstone replaces the grave to refine symbolic meaning, the auspicious clouds and decoration, the fairy clothing decoration is detailed, and it presents some kind of joy. Observe the group group). Web image.

The story of Dong Yong in the bottom left. Dong Yong presents a turningtability of behavior in the picture. The goal of the body and limbs is the tombstone, that is, filial piety. But his face was surprised to reverse the fairy towards the cloud behind him. Web image.

This composition has forced Dong Yong to the corner. The father's tomb and the fairy in the cloud exist in the same direction. You can do it, you can neither report your grief nor the laughter. Is the setting of this stage of the stage from the stage performance of the mixed drama stage at the same time? Select from micro -shot pictures.

In this picture, Dong Yong's dress has changed from the village man to a city citizen, catering to the increasingly developed urban culture and market interest at that time. The back walls and doors in the back are actually reminding the grave element. Just beautify everything. Archaeological pictures of "Cultural Relics" magazine.

In this picture, the fairy has landed from the cloud, the picture is realistic, and the grave elements are clear. But no longer sideways between Dong Yong and his wife. It does not constitute an obstacle, but a real part of ordinary life on earth. Picture of the Shengshi Collection Forum.

Another type of joy in the picture has only rendering the joy of the world of Dong Yong's fairy

The man was looking forward to it, and the woman wanted to refuse to welcome it. The clothes fluttered, showing the wind. The goddess has a posture, and he doesn't look at him! Hanhen Templar Collection

The goddess finally looked down at Dong Yong from the cloud. Archaeological murals of "Cultural Relics" magazine

The lower right corner is Dong Yong's story. There is a thing under the fairy cloud, which has appeared many times, which is worth exploring. Network information.

There are several types of objects in the middle, and Dong Yong is dressed in bright urbanization. Lishu Pavilion micro -shot.

Dong Yong arched his hand, only showing two eyebrows, gratitude, or shyness? In addition to the beautiful clouds, the fairy dresses is very simple and simple. It seems that you have been ready to live a bitter life. WeChat information.

Graphics of similar themes, sparks provide

Fairy faced Dong Langtu. Web image.

Network information. Gansu style.

This should be a brick of the Cultural Management Association in a certain place. Network information.

Dongyong Tomb, Shangzhuang Golden Tomb, Qin County, Shanxi Province

The figure of this picture is different from other similar Dong Yong characters, the Soochow Museum Collection. Leyi Club Gallery

Filial characters have been fragmented, and recognition can only be rely on. Jingdezhen Art Ceramics Network Information.

Beautiful fairy, glorious Lang Jun, a love story. Shanxi Museum Collection. Leyi Club Gallery

"Cultural Relics" magazine published unearthed information.

Dong Yong's figure is very similar to the bronze mirror in this article. Longxi County Museum Collection. Data from the Shengshi Collection Forum.

On the other hand, Dong Yong copper mirror, the size is relatively small, the fairy is fast, emphasizing the Huaiyin element in the story. There is a magpie flying on the upper part, indicating that the factor of the weaver has successfully transitioned. Network information.

There are differences in the theme of this jade, or the fairy who is riding a phoenix, to welcome Dong Yong, and there is a cow. Or the above left is the immortal of the crane, the animals are deer instead, and the theme is Luhe Tongchun. Personally, the latter is more likely, but as a composition of art works in the Jin and Yuan Dynasties, it is completely similar to Dong Yong. Fuxing Zhiyuan Collection Forum Information.

The goddess aircraft landed steadily and looked at Dong Yong on earth. Equality composition. Archaeological murals of "Cultural Relics" magazine

The goddess aircraft landed steadily and looked at Dong Yong on earth. Equality composition. Network information.

The goddess aircraft landed steadily and looked at Dong Yong on earth. Equality composition. So people and gods are unity, and things are harmonious. Data from the Shengshi Collection Forum.

The third category emphasizes the work of life in the picture

As well as

This kind of facts do not emphasize the facts of the funeral father, have no grave, and do not emphasize the joy of men and women. They only emphasize the labor of small days. It can be seen that the love stage has been in love, and the daily life after marriage has been entered. One picture author Chen Shaomei (1909-1954), "Twenty-Four Filial Pictures" is the masterpiece of Mr. Chen Shaomei at the age of 41, so it is very different from the past painting style of Song and Yuan.